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Authors And Composers Association Of Canada
The Composers, Authors and Publishers Association of Canada () was a Canadian copyright collective for the right to communicate with the public and publicly perform musical works. CAPAC administered these rights on behalf of its members (composers, lyricists, songwriters, and their publishers) and those of affiliated international organizations by licensing the use of their music in Canada. Royalties were paid to the music creators after administration costs were deducted to pay for the operation of CAPAC. History CAPAC was established as a subsidiary of Great Britain's Performing Rights Society (PRS) under the name the Canadian Performing Rights Society (CPRS) in 1925. Its initial purpose was to administer the royalties of composers, lyricists and music publishers whose creations were performed in Canada, be they native Canadians or foreigners. The American Society of Composers, Authors and Publishers bought partial ownership of the CPRS in 1930. In 1945 CPRS became CAPAC through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyright Collective
A copyright collective (also known as a copyright society, copyright collecting agency, licensing agency or copyright collecting society or collective management organization) is a non-governmental body created by copyright law or private agreement which licenses copyrighted works on behalf of the authors and engages in collective rights management. Copyright societies track all the events and venues where copyrighted works are used and ensure that the copyright holders listed with the society are remunerated for such usage. The copyright society publishes its own tariff scheme on its websites and collects a nominal administrative fee on every transaction. Copyright societies evolved out of the need to have an organised body for licensing and managing copyrighted works. Without copyright societies, it would be impossible for users like restaurants, malls and large events to collect licenses from individual copyright holders and negotiate terms with them. Copyright societies negot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performing Rights Society
PRS for Music Limited (formerly The MCPS-PRS Alliance Limited) is a British music copyright collective, made up of two collection societies: the Mechanical-Copyright Protection Society (MCPS) and the Performing Right Society (PRS). It undertakes collective rights management for musical works on behalf of its 175,000 members. PRS for Music was formed in 1997 following the MCPS-PRS Alliance. In 2009, PRS and MCPS-PRS Alliance realigned their brands and became PRS for Music. PRS represents their songwriter, composer and music publisher members’ performing rights, and collects royalties on their behalf whenever their music is played or performed publicly. MCPS also represents songwriters, composers and music publishers – representing their mechanical rights, and collects royalties whenever their music is reproduced as a physical product – this includes CDs, DVDs, digital downloads and broadcast or online. PRS (Performing Right Society) and MCPS (Mechanical Copyright Protect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Canadian Encyclopedia
''The Canadian Encyclopedia'' (TCE; ) is the national encyclopedia of Canada, published online by the Toronto-based historical organization Historica Canada, with financial support by the federal Department of Canadian Heritage and Society of Composers, Authors and Music Publishers of Canada. Compiled by more than 5,000 scholars and specialists, the publication is a non-partisan, non-political initiative by a not-for-profit organization without political or governmental ties. First published in 1985, the consistently updated version has been available for free online in both Canadian English, English and Canadian French, French since 2001. The physical copy and website includes "articles on Canadian biographies and places, history, the Arts, as well as First Nations, science and Canadian innovation." , over 700,000 volumes of the print version of ''TCE'' have been sold and over 6 million people visit ''TCE'''s website yearly. The encyclopedia website consists of more than 25,000 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Society Of Composers, Authors And Publishers
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2024, ASCAP collected approximately 1.84 billion in revenue, distributed approximately 1.7 billion in royalties to rightsholders, and maintained a registry of approximately 20 million works. The organization had approximately 1 million members as of 2024. ASCAP has drawn negative attention for attempting to enforce licensing fees when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supplementary Letters Patent
The term supplementary can refer to: * Supplementary angles * Supplementary Benefit Supplementary Benefit was a means-tested benefit in the United Kingdom, paid to people on low incomes, whether or not they were classed as unemployed, such as pensioners, the sick and single parents. Introduced in November 1966, it replaced the ea ..., a former benefit payable in the United Kingdom * Supplementary question, a type of question asked during a questioning time for prime minister See also * Supplement (other) {{Disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performing Rights Organization Of Canada
The Performing Rights Organization of Canada (PROCAN) was the second collective administering public performance rights in Canada. In 1990 it merged with the Composers, Authors and Publishers Association of Canada to create the Society of Composers, Authors and Music Publishers of Canada. History PROCAN was founded in 1940 as BMI Canada Limited, a part of the US company Broadcast Music, Inc. In 1947, under the leadership of William Harold Moon, it began taking a more active role on behalf of Canadians, attracting new affiliates from around the world. In 1976, BMI Canada's shares were acquired by Music Promotion Foundation, and in 1977, its name was changed to Performing Rights Organization of Canada, now a fully Canadian nonprofit organization. In 1977, William Harold Moon became PRO Canada's first chairman of the board, and Gordon Henderson its first president. Upon Moon's death, Henderson succeeded him as chairman of the board, and Jan Matejcek became president. By 1989, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society Of Composers, Authors And Music Publishers Of Canada
The Society of Composers, Authors and Music Publishers of Canada (SOCAN) is a Canadian performance rights organization that represents the performing rights of more than 175,000 songwriters, composers and music publishers. The organization collects license fees through a music licensing program approved by the Copyright Board of Canada. History SOCAN is a result of a merger that took place in 1990 between the Composers, Authors and Publishers Association of Canada (CAPAC) and the Performing Rights Organization of Canada (PROCAN). In 2013, Front Row Insurance Brokers Inc. initiated an online musical instrument insurance program for members of various Canadian music associations, including SOCAN. In May 2016, SOCAN acquired the Seattle-based company Medianet Digital for an undisclosed amount; the organization planned to leverage the company's software and database of rights metadata to assist in the calculation and distribution of royalties for works on digital music streaming serv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyright Collective
A copyright collective (also known as a copyright society, copyright collecting agency, licensing agency or copyright collecting society or collective management organization) is a non-governmental body created by copyright law or private agreement which licenses copyrighted works on behalf of the authors and engages in collective rights management. Copyright societies track all the events and venues where copyrighted works are used and ensure that the copyright holders listed with the society are remunerated for such usage. The copyright society publishes its own tariff scheme on its websites and collects a nominal administrative fee on every transaction. Copyright societies evolved out of the need to have an organised body for licensing and managing copyrighted works. Without copyright societies, it would be impossible for users like restaurants, malls and large events to collect licenses from individual copyright holders and negotiate terms with them. Copyright societies negot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Copyright Collection Societies
A list is a set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but lists are frequently written down on paper, or maintained electronically. Lists are "most frequently a tool", and "one does not ''read'' but only ''uses'' a list: one looks up the relevant information in it, but usually does not need to deal with it as a whole".Lucie Doležalová,The Potential and Limitations of Studying Lists, in Lucie Doležalová, ed., ''The Charm of a List: From the Sumerians to Computerised Data Processing'' (2009). Purpose It has been observed that, with a few exceptions, "the scholarship on lists remains fragmented". David Wallechinsky, a co-author of ''The Book of Lists'', described the attraction of lists as being "because we live in an era of overstimulation, especially in terms of information, and lists help us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SOCAN
The Society of Composers, Authors and Music Publishers of Canada (SOCAN) is a Canadian performance rights organization that represents the performing rights of more than 175,000 songwriters, composers and music publishers. The organization collects license fees through a music licensing program approved by the Copyright Board of Canada. History SOCAN is a result of a merger that took place in 1990 between the Composers, Authors and Publishers Association of Canada (CAPAC) and the Performing Rights Organization of Canada (PROCAN). In 2013, Front Row Insurance Brokers Inc. initiated an online musical instrument insurance program for members of various Canadian music associations, including SOCAN. In May 2016, SOCAN acquired the Seattle-based company Medianet Digital for an undisclosed amount; the organization planned to leverage the company's software and database of rights metadata to assist in the calculation and distribution of royalties for works on digital music streaming se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Copyright Law
The copyright law of Canada governs the legally enforceable rights to creative and artistic works under the laws of Canada. Canada passed its first colonial copyright statute in 1832 but was subject to imperial copyright law established by Britain until 1921. Current copyright law was established by the ''Copyright Act (Canada), Copyright Act'' of Canada which was first passed in 1921 and substantially amended in 1988, 1997, and 2012. All powers to legislate copyright law are in the jurisdiction of the Parliament of Canada by virtue of section 91(23) of the ''Constitution Act, 1867''. History Colonial copyright law It is unclear to what extent British copyright law, or imperial law, starting with the 1709 Statute of Anne, applied to its colonies (including Canada), but the House of Lords had ruled in 1774, in ''Donaldson v Beckett'', that copyright was a creation of statute and could be limited in its duration. The first Canadian colonial copyright statute was the ''Copyright Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Licensing Organizations
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
