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Australian Pavilion
The Australian pavilion houses Australia's national pavilion, national representation during the Venice Biennale arts festivals. Background Organization and building The Australian pavilion was designed in 1987 by the Australia Council for the Arts, Australia Council's Design Arts Board and constructed by 1988. The two-level single exhibition space includes a veranda-style entrance with a courtyard constructed around a pre-existing tree. This connection between internal space and landscape was designed to relate to architectural themes in Australia. The curvature of the pavilion's sheet metal roof is meant to invoke a wave. The original Australian Pavilion, designed by Philip Cox to be a temporary structure of fiber cement and steel, was opened in 1988 at the western edge of the Giardini.Martino, Enzo Di. ''The History of the Venice Biennale''. Venezia: Papiro Arte, 2007. Italian-born Australian industrialist Franco Belgiorno-Nettis had previously lobbied so successfully ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Conder
Charles Edward Conder (24 October 1868 – 9 February 1909) was an English-born painter, lithographer and designer. He emigrated to Australia and was a key figure in the Heidelberg School, arguably the beginning of a distinctively Australian tradition in Western art. Early life Conder was born in Tottenham, Middlesex, the second son, of six children, of James Conder, civil engineer and Mary Ann Ayres. He spent several years as a young child in India until the death of his mother (aged 31 years) on 14 May 1873 in Bombay, when Charles was four; he was then sent back to England and attended a number of schools including a boarding school at Eastbourne, which he attended from 1877. He left school at 15, and his very religious, non-artistic father, against Charles's natural artistic inclinations, decided that he should follow in his footsteps as a civil engineer. In 1884, at the age of 16, he was sent to Sydney, Australia, where he worked for his uncle, a land surveyor for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Tucker (artist)
Albert Lee Tucker (29 December 1914 – 23 October 1999) was an Australian artist and member of the Heide Circle, a group of modernist artists and writers associated with Heide, the Melbourne home of art patrons John and Sunday Reed. Along with Heide Circle members such as Sidney Nolan and Arthur Boyd, Tucker became associated with the Angry Penguins art movement, named after a publication founded by poet Max Harris and published by the Reeds. Early life and education Tucker left school at 14 to help support his family and had no formal art training, but obtained work as a house painter, cartoonist and commercial illustrator, in an advertising agency before joining the commercial artist John Vickery. For seven years he attended the Victorian Artists' Society evening life drawing class three nights a week. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Dobell
Sir William Dobell (24 September 189913 May 1970) was an Australian portrait and landscape artist of the 20th century. Dobell won the Archibald Prize, Australia's premier award for portrait artists on three occasions. The Dobell Prize is named in his honour. Career Dobell was born in Cooks Hill, a working-class neighbourhood of Newcastle, New South Wales in Australia to Robert Way Dobell and Margaret Emma (née Wrightson). His father was a builder and there were six children. Dobell's artistic talents were evident early. In 1916, he was apprenticed to Newcastle architect, Wallace L. Porter and in 1924 he moved to Sydney as a draftsman. In 1925, he enrolled in evening art classes at the Sydney Art School (which later became the Julian Ashton Art School), with Henry Gibbons as his teacher. He was influenced by George Washington Lambert. He was also gay and consequently never married, while several of his works carried strong homoerotic overtones. In 1929, Dobell was awarded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russell Drysdale
Sir George Russell Drysdale (7 February 1912 – 29 June 1981), also known as Tass Drysdale, was an Australian artist. He won the prestigious Wynne Prize for ''Sofala'' in 1947, and represented Australia at the Venice Biennale in 1954. He was influenced by abstract and surrealist art, and "created a new vision of the Australian scene as revolutionary and influential as that of Tom Roberts". Early life and career George Russell Drysdale was born in Bognor Regis, Sussex, England, to an Anglo-Australian pastoralist family, which settled in Melbourne, Australia in 1923. Drysdale was educated at Geelong Grammar School. He had poor eyesight all his life, and was virtually blind in his left eye from age 17 due to a detached retina (which later caused his application for military service to be rejected). Drysdale worked on his uncle's estate in Queensland, and as a jackaroo in Victoria. A chance encounter in 1932 with artist and critic Daryl Lindsay awakened him to the possibility of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Nolan
Sir Sidney Robert Nolan (22 April 191728 November 1992) was one of Australia's leading artists of the 20th century. Working in a wide variety of mediums, his oeuvre is among the most diverse and prolific in all of modern art. He is best known for his series of paintings on legends from Australian history, most famously Ned Kelly, the bushranger and outlaw. Nolan's stylised depiction of Kelly's armour has become an icon of Australian art. Biography Early life Sidney Nolan was born in Carlton, at that time an inner working-class suburb of Melbourne, on 22 April 1917. He was the eldest of four children. His parents, Sidney (a tram driver) and Dora, were both fifth generation Australians of Irish descent. Nolan later moved with his family to the bayside suburb of St Kilda. He attended the Brighton Road State School and then Brighton Technical School and left school aged 14. He enrolled at the Prahran Technical College (now part of Swinburne University), Department of Design a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Derwent Lees
Derwent Lees (14 November 1884 – 24 March 1931) was an Australian landscape painter. Biography Derwent Lees was born Desmond Lees in Hobart, Australia, in 1884. His father was general manager of the Union Bank of Australia. He suffered a head injury and lost a foot in a riding accident as a youth, while studying at Melbourne Grammar School in 1899–1900. Afterwards, he wore a wooden prosthetic. Following a brief stay in Paris, he moved to London in 1905 and studied at the Slade School of Fine Art with Henry Tonks and Frederick Brown (artist), Frederick Brown. He joined its staff in 1908 while still a student, and remained there, on and off, for ten years. He was a member of the New English Art Club from 1911. The earliest known pencil work of a model is from 1909 while at the Slade school and is held in a private collection in Doreen, Victoria, Australia. He also exhibited at the Goupil & cie, Goupil Galleries and the Chenil Gallery in Chelsea, London, Chelsea. His work w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Leist
Frederick William Leist (21 August 1873, Sydney – 18 February 1945, Mosman) was an Australian artist. During the First World War, he was an official war artist with Australian forces in Europe.Rutledge, Martha. (1986) "Leist, Frederick William (Fred) (1873–1945),"''Australian Dictionary of Biography'' Online. Biography His father, Edward, was a builder; originally from London. He began as a furniture designer for David Jones Limited, but decided on a career in art: studying at Sydney Technical College before entering the Julian Ashton Art School, where he studied directly under Julian Ashton,Reid, John B. (1977). ''Australian Artists at War,'' Vol. 1, pp. 14–15. from whom he learned ''plein air'' techniques. In the 1890s, he began working as a black-and-white artist for ''The Bulletin'' and became staff artist for ''The Sydney Mail''. After 1900, he was also the Sydney representative for ''The Graphic'' magazine of London. Leist's illustrations also were included in bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayley Lever
Richard Hayley Lever (28 September 1876 – 6 December 1958) was an Australian-American painter, etcher, lecturer and art teacher. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics. Life and work Lever was born in Bowden, South Australia on 28 September 1875, the son of Albion W. Lever. He excelled in painting classes at Prince Alfred College under James Ashton and on leaving school continued to study under Ashton at his Norwood art school. He was a charter member of the Adelaide Easel Club in 1892. Lever's maternal grandfather Richard Hayley, owner of Bowden Tannery, died in 1882, and the subsequent inheritance was sufficient for Lever to finance a trip to England in 1899 to further his career in painting. He moved to St. Ives, a fishing port and artistic colony on the Cornish coast. The town's reputation as a centre for marine painting was largely due to Julius Olsson, who became a prominent British seascape painter. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Roberts
Thomas William Roberts (8 March 185614 September 1931) was an English-born Australian artist and a key member of the Heidelberg School art movement, also known as Australian impressionism. After studying in Melbourne, he travelled to Europe in 1881 to further his training, and returned home in 1885, "primed with whatever was the latest in art". A leading proponent of painting ''en plein air'', he joined Frederick McCubbin in founding the Box Hill artists' camp, the first of several ''plein air'' camps frequented by members of the Heidelberg School. He also encouraged other artists to capture the national life of Australia, and while he is best known today for his "national narratives"—among them '' Shearing the Rams'' (1890), ''A break away!'' (1891) and '' Bailed Up'' (1895)—he earned a living as a portraitist, and in 1903 completed the commissioned work '' The Big Picture'', the most famous visual representation of the first Australian Parliament. Life Roberts was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thea Proctor
Thea may refer to: * Thea (name), a given name * Ancient Greek term for goddess, including an alternative spelling of Theia * ''Thea'', the former name of the tea plant genus, now included in ''Camellia'' * Thea, a village in the municipal unit Messatida, Achaea, Greece * Thea (award), the annual award from the Themed Entertainment Association * Thea (New-Gen), a Marvel Comics New-Gen character * ''Thea'' (TV series), a 1993 short-lived television series starring Thea Vidale and Brandy Norwood * Tampa-Hillsborough Expressway Authority, a regional expressway authority based in Hillsborough County, Florida * Another word for the mythological animal theow * "Thea", a song by Goldfrapp from ''Tales of Us'' * Theia (planet) Theia is a hypothesized ancient planet in the early Solar System that, according to the giant-impact hypothesis, collided with the early Earth around 4.5 billion years ago, with some of the resulting ejected debris gathering to form the Moon. ..., a planet hypo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Parker
Harold Parker (27 August 1873 – 23 April 1962) was a United Kingdom, British-born Sculpture, sculptor, raised in Queensland, Australia, and subsequently worked in the United Kingdom. Early life Harold Parker was born in 1873 in Aylesbury, Buckinghamshire, England. His family moved to Brisbane, Australia in 1876. Artistic career He studied at the Brisbane Technical College under John A Clarke and Godfrey Rivers, then in 1896 left for London where he studied under William Silver Frith, then worked as assistant to Thomas Brock, Hamo Thornycroft and Goscombe John. He rented a studio near that of fellow sculptor John Tweed, and from 1903 to 1929 regularly exhibited at the Royal Academy of Arts, London, and occasionally at the Old Salon, Paris. He was commissioned to portray Queensland expatriates and became a rival of Bertram Mackennal. In 1906 he was elected a member of the Royal Society of British Sculptors. The triumph of his career came in 1908 when for £1000 the Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
