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Auguste Von Müller
Auguste von Müller (1848–1912) was a nineteenth-century German operatic mezzo-soprano and actress. She is best remembered today for originating the role of Dalila in the world premiere of Camille Saint-Saëns's ''Samson et Dalila'' in 1877. Biography Müller was born in Darmstadt, the daughter of German actress Maria von Müller-Stack who worked for many years at the Hoftheater von Darmstadt. She started her career appearing in plays at the Stadttheater von Stettin from 1875 to 1876. She began her opera career singing at the opera house in Riga in 1876–1877. She joined the Staatskapelle Weimar in 1877 and sang roles there through 1881. While there she notably portrayed the role of Dalila in the world premiere of Camille Saint-Saëns's ''Samson et Dalila'' on 2 December 1877 under the direction of Eduard Lassen. Her other roles in Weimar included Azucena in Giuseppe Verdi's '' Il trovatore'', Frau Reich in Carl Otto Nicolai's '' The Merry Wives of Windsor'', Fricka in both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germany
Germany, officially the Federal Republic of Germany, is a country in Central Europe. It lies between the Baltic Sea and the North Sea to the north and the Alps to the south. Its sixteen States of Germany, constituent states have a total population of over 84 million in an area of , making it the most populous member state of the European Union. It borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, and France, Luxembourg, Belgium, and the Netherlands to the west. The Capital of Germany, nation's capital and List of cities in Germany by population, most populous city is Berlin and its main financial centre is Frankfurt; the largest urban area is the Ruhr. Settlement in the territory of modern Germany began in the Lower Paleolithic, with various tribes inhabiting it from the Neolithic onward, chiefly the Celts. Various Germanic peoples, Germanic tribes have inhabited the northern parts of modern Germany since classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicians From Darmstadt
A musician is someone who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate a person who follows music as a profession. Musicians include songwriters, who write both music and lyrics for songs; conductors, who direct a musical performance; and performers, who perform for an audience. A music performer is generally either a singer (also known as a vocalist), who provides vocals, or an instrumentalist, who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians can specialize in a musical genre, though many play a variety of different styles and blend or cross said genres, a musician's musical output depending on a variety of technical and other background influences including their culture, skillset, life experience, education, and creative preferences. A musician who records and releases music is often referred to as a recordin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century German Women Opera Singers
The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems and confirm cer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Operatic Mezzo-sopranos
German(s) may refer to: * Germany, the country of the Germans and German things **Germania (Roman era) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizenship in Germany, see also German nationality law **Germanic peoples (Roman era) * German diaspora * German language * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (disam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weimar
Weimar is a city in the state (Germany), German state of Thuringia, in Central Germany (cultural area), Central Germany between Erfurt to the west and Jena to the east, southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouring cities of Erfurt and Jena, it forms the central metropolitan area of Thuringia, with approximately 500,000 inhabitants. The city itself has a population of 65,000. Weimar is well known because of its cultural heritage and importance in German history. The city was a focal point of the German Enlightenment and home of the leading literary figures of Weimar Classicism, Johann Wolfgang von Goethe and Friedrich Schiller. In the 19th century, composers such as Franz Liszt made Weimar a music centre. Later, artists and architects including Henry van de Velde, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Walter Gropius came to the city and founded the Bauhaus movement, the most important German design school of the int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), Wagner-Werk-Verzeichnis, WWV 86D, is the last of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a German calque of the Old Norse phrase ', which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. The autograph manuscript of the work is preserved in the Richard Wagner Foundation. Composition Roles Synopsis Prologue Prelude to the Prologue ''Scene 1'' The three Norns, daughters of Jörð, Erda, the goddess of Nature, gather beside Brunhild, Brünnhilde's rock, weaving the W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), Wagner-Werk-Verzeichnis, WWV 86B, is the second of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), Wagner-Werk-Verzeichnis, WWV 86A, is the first of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It premiered as a single opera at the National Theatre (Munich), National Theatre of Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, against Wagner's wishes, on the orders of King Ludwig II of Bavaria, his patron. Following its 1876 Bayreuth pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), whereby he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like Aria, arias and Recitative, recitatives. He described this vision in a List of prose works by Richard Wagner, series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merry Wives Of Windsor (opera)
''Die lustigen Weiber von Windsor'', or ''The Merry Wives of Windsor'', is an 1849 opera in three acts by Otto Nicolai to a German libretto by Salomon Hermann Mosenthal based on Shakespeare's play. Published as a comical-fantastical work in three acts with dance ''(komisch-phantastische Oper in 3 Akten mit Tanz)'', its structure is musical numbers linked by spoken dialogue, harkening back to the then-outmoded ''Singspiel'' format. It remains popular in Germany and Austria and its overture is sometimes heard in concert in other countries. Composition history Nicolai wrote most of the music in 1845 and 1846 but was able to adjust the score in 1849 just before the work's delayed premiere. He had earlier won success with four Italian melodramatic operas, viz. ''Rosmonda d’Inghilterra, Gildippe ed Odoardo, Il templario'' and ''Il proscritto'', the last of which he revised to a German libretto as ''Die Heimkehr des Verbannten'', to additional acclaim, in 1843, leading to his attent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Otto Nicolai
Carl Otto Ehrenfried Nicolai (9 June 1810 – 11 May 1849) was a German composer, conductor, and one of the founders of the Vienna Philharmonic. Nicolai is best known for his operatic version of Shakespeare's comedy ''The Merry Wives of Windsor'' as '. In addition to five operas, Nicolai composed lieder, works for orchestra, chorus, ensemble, and solo instruments. Biography Nicolai, a child prodigy, was born in Königsberg, Prussia. He received his first musical education from his father, Carl Ernst Daniel Nicolai, who was also a composer and musical director. During his childhood his parents divorced, and while still a youth, early in June 1826, Nicolai ran away from his parents' "loveless" home, taking refuge in Stargard with a senior legal official called August Adler who treated the musical prodigy like a son and, when Nicolai was seventeen, sent him to Berlin to study with Carl Friedrich Zelter. After initial successes in Germany, including his first symphony (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
