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August Blue
''August Blue'' is an oil-on-canvas painting by British artist Henry Scott Tuke. It depicts four youths in and around a boat, bathing in the sea. Tuke started the painting in 1893, probably '' en plein air'' on a boat in the harbour at Falmouth, Cornwall. The finished painting was exhibited at the Royal Academy summer exhibition in 1894, and immediately purchased for the Tate Gallery, where it remains to this day. It has a light Impressionistic style, possibly influenced by his travels to Italy, Corfu and Albania in 1892. Background Tuke was born in York in 1858, but his family moved to Falmouth the following year, where it was hoped the milder climate would ameliorate the tuberculosis suffered by his father, the doctor Daniel Hack Tuke. He showed early talent for art, and studied at the Slade School of Art in London in 1874–79 and in Paris from 1881–83, and also travelled to Italy. He returned to Cornwall to live in Falmouth 1883, and is usually identified as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Scott Tuke
Henry Scott Tuke (12 June 1858 – 13 March 1929), was an English visual artist; primarily a painter, but also a photographer. His most notable work was in the Impressionist style, and he is best known for his paintings of nude boys and young men. Trained at the Slade School of Art under Alphonse Legros and Sir Edward Poynter, Tuke developed a close relationship with the Newlyn School of painters, his work being exhibited at the Royal Academy of Arts, of which he became a Full Member. In addition to his achievements as a figurative painter, he was an established maritime artist and produced many portraits of sailing ships. He was highly prolific, with over 1,300 works listed and more being discovered. Early life Tuke was born at Lawrence Street, York, into the prominent Quaker Tuke family. His brother William Samuel Tuke was born two years earlier in 1856. His father, Daniel Hack Tuke, a well-known medical doctor specialising in psychiatry, was a campaigner for humane tre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundew
''Drosera'', which is commonly known as the sundews, is one of the largest genus, genera of carnivorous plants, with at least 194 species. 2 volumes. These members of the family Droseraceae lure, capture, and digest insects using stalked mucilage, mucilaginous glands covering their leaf surfaces. The insects are used to supplement the poor mineral nutrition of the soil in which the plants grow. Various species, which vary greatly in size and form, are native to every continent except Antarctica.McPherson, S.R. 2008. ''Glistening Carnivores''. Redfern NaturalHistory Productions Ltd., Poole. Charles Darwin performed much of the early research into ''Drosera'', engaging in a long series of experiments with Drosera rotundifolia which were the first to confirm carnivory in plants. In an 1860 letter, Darwin wrote, “…at the present moment, I care more about ''Drosera'' than the origin of all the species in the world.” Both the botanical name (from the Ancient Greek, Greek δρ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Openly Gay
Coming out of the closet, often shortened to coming out, is a metaphor used to describe LGBT people's self-disclosure of their sexual orientation, romantic orientation, or gender identity. Framed and debated as a privacy issue, coming out of the closet is experienced variously as a psychological process or journey; decision-making or Risk, risk-taking; a strategy or plan; a mass or public event; a speech act and a matter of Identity (social science), personal identity; a rite of passage; liberty, liberation or emancipation from oppression; an wikt:ordeal, ordeal; a means toward feeling gay pride instead of shame and social stigma; or even a career-threatening act. Author Steven Seidman writes that "it is the power of the closet to shape the core of an individual's life that has made homosexuality into a significant personal, social, and political drama in twentieth-century America". ''Coming out of the closet'' is the source of other gay slang expressions related to voluntary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lindsay Symington
Lindsay may refer to: People * Clan Lindsay, a Scottish family clan * Lindsay (name), an English surname and given name, derived from the Scottish clan name; variants include Lindsey, Lyndsay, Linsay, Linsey, Lyndsey, Lyndsy, Lynsay, Lynsey Places ;Australia * Division of Lindsay, an electoral district in New South Wales ;Canada *Lindsay, Ontario ;United States *Lindsay, California * Lindsay, Montana *Lindsay, Nebraska * Lindsay, Oklahoma * Lindsay, South Dakota, a ghost town * Lindsay, Cooke County, Texas * Lindsay, Reeves County, Texas Other uses * Lindsay (crater), a lunar impact crater * ''Lindsay'' (TV series), an American reality TV series * , a destroyer escort transferred to the Royal Navy See also * Lindsey (other) Lindsey may refer to : Places Canada * Lindsey Lake, Nova Scotia England * Parts of Lindsey, one of the historic Parts of Lincolnshire and an administrative county from 1889 to 1974 ** East Lindsey, an administrative district in Lincolnshir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Swimming Hole
''The Swimming Hole'' (also known as ''Swimming'' and ''The Old Swimming Hole'') is an 1884–85 painting by the American artist Thomas Eakins (1844–1916), Goodrich catalog #190, in the collection of the Amon Carter Museum of American Art in Fort Worth, Texas. Executed in oil on canvas, it depicts six men swimming naked in a lake, and is considered a masterpiece of American painting. According to art historian Doreen Bolger it is "perhaps Eakins' most accomplished rendition of the nude figure", and has been called "the most finely designed of all his outdoor pictures". Since the Renaissance, the human body has been considered both the basis of artists' training and the most challenging subject to depict in art, and the nude was the centerpiece of Eakins' teaching program at the Pennsylvania Academy of the Fine Arts. For Eakins, this picture was an opportunity to display his mastery of the human form. In this work, Eakins took advantage of an exception to the generally prud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Eakins
Thomas Cowperthwait Eakins (; July 25, 1844 – June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important American artists. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken ''en masse'', the portraits offer an overview of the intellectual life of contemporary Philadelphia; individually, they are incisive depictions of thinking persons. In addition, Eakins produced a number of large paintings that brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruby, Gold And Malachite
''Ruby, Gold and Malachite'' is an oil-on-canvas painting by Henry Scott Tuke. It depicts six young men in and around a boat, bathing in the sea. It was painted near Falmouth and exhibited at the Royal Academy summer exhibition in 1902, along with two other works by Tuke, ''The Run Home'' and ''Portrait of Alfred de Pass''. It was one of his greatest successes. The painting measures by {{convert, 159, cm, in. It was acquired by the City of London Corporation and is displayed at the Guildhall Art Gallery. Background Tuke was born in York in 1858, but his family moved to Falmouth the following year, where it was hoped the milder climate would ameliorate the tuberculosis suffered by his father, the physician Daniel Hack Tuke. He showed early talent for art, and studied at the Slade School of Art in London in 1874–79 and Paris from 1881–83, and also travelled to Italy. He returned to Cornwall to live in Falmouth 1883, and is usually identified as a member of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Hands To The Pumps
''All Hands to the Pumps'' is an 1888–89 painting by British artist Henry Scott Tuke. At the time, the 21-year-old Tuke was living on an old French brig ''Julie of Nantes'', which he anchored in Falmouth Harbour to use as a floating studio. The painting measures . It depicts several crewmen on the deck of a ship in a storm, manning the pump to remove water from the vessel. The ship has lost at least one of its sails, and the deck is awash. The red ensign hangs upside-down from the shrouds to indicate the ship's distress. One man shouts up towards the rigging, and another is up in the shrouds gesturing at the swell. The lively composition uses diagonal lines — arms, rigging, mast, pump handle, wind-blown flag — to draw the eye around the painting. University of Louisville professor Jongwoo Jeremy Kim detects a homoerotic subtext and speculates that the second figure from the left, with a white shirt under a grey waistcoat, wearing a cap, could be Tuke himself, lookin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Chantrey
Sir Francis Leggatt Chantrey (7 April 1781 – 25 November 1841) was an English sculptor. He became the leading portrait sculptor in Regency era Britain, producing busts and statues of many notable figures of the time. Chantrey's most notable works include the statues of King George IV (Trafalgar Square); King George III (Guildhall), and George Washington (Massachusetts State House). He also executed four monuments to military heroes for St Paul's Cathedral, London. He left the ''Chantrey Bequest'' (or ''Chantrey Fund'') for the purchase of works of art for the nation, which was available from 1878 after the death of his widow. Life Chantrey was born at Jordanthorpe near Norton (then a Derbyshire village, now a suburb of Sheffield), where his family had a small farm. His father, who also dabbled in carpentry and wood-carving, died when Francis was twelve; and his mother remarried, leaving him without a clear career to follow. At fifteen, he was working for a grocer in Sheffie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Rolfe
Frederick William Rolfe (surname pronounced ), better known as Baron Corvo (Italian for "Crow"), and also calling himself Frederick William Serafino Austin Lewis Mary Rolfe (22 July 1860 – 25 October 1913), was an English writer, artist, photographer and eccentric. Life Rolfe was born in Cheapside, London, the son of piano maker and tuner James Rolfe (c. 1827-1902) and Ellen Elizabeth, née Pilcher. He left school at the age of fourteen and became a teacher. He taught briefly at The King's School, Grantham, where the then headmaster, Ernest Hardy, later principal of Jesus College, Oxford, became a lifelong friend. He converted to Roman Catholicism in 1886 and was confirmed by Cardinal Manning. With his conversion came a strongly-felt vocation to the priesthood, which persisted throughout his life despite being constantly frustrated and never realised. In 1887 he was sponsored to train at St Mary's College, Oscott, near Birmingham and in 1889 was a student at the Pont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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