Augenmusik
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Augenmusik
Eye music (often referred to in English by its exact German translation ''Augenmusik'') describes graphical features of scores which when performed are unnoticeable by the listener. Difficulties in defining eye music By simple definition eye music is when the graphic notation of music is altered in some meaningful way visible to the performers. Often the changed "meaning" of the altered notation is enhanced by the music having compositional elements of melody and form such as word painting and canon. Moreover, the concept is demonstrated by sometimes differing perceptions of composer, performer, and listener.Dart, Thurston. "Eye music." New Grove Dictionary of Music and Musicians, Stanley Sadie, ed. London:Macmillan, 1980. Eye music and puzzle-solving The difficulty in definition is also apparent with border-line cryptographic contrapuntal works such as puzzle canons, which appear in the score entirely as a bare line of notes with clefs, rests, time signatures, key signatures or br ...
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Sheet Music
Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed Book, books or Pamphlet, pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper (or, in earlier centuries, papyrus or parchment). However, access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter Computer program, computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instrumentation, virtual instruments. The use of the term "sheet" is intended to differentiate written or printed forms of music from sound recordings (on vinyl record, compact cassette, cassette, Compact disc, CD), radio or Television broadcasting, TV broadcasts or recorded live perfor ...
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Holy Trinity
The Trinity (, from 'threefold') is the Christian doctrine concerning the nature of God, which defines one God existing in three, , consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, three distinct persons ('' hypostases'') sharing one essence/substance/nature ('' homoousion''). As the Fourth Lateran Council declared, it is the Father who s, the Son who is , and the Holy Spirit who proceeds. In this context, one essence/nature defines God is, while the three persons define God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in the Trinity, thereby proving that everything comes "from the Father", "through the Son", and "in the Holy Spirit". This doctrine is called Trinitarianism, and its adherents are called Trinitarians, whil ...
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Missa L'homme Armé Super Voces Musicales
The ''Missa L'homme armé super voces musicales'' is the first of two settings of the Ordinary of the Mass by Josquin des Prez using the famous ''L'homme armé'' tune as his cantus firmus source material (for the other, presumed later, setting see Missa ''L'homme armé'' sexti toni). The setting is for four voices. It was the most famous mass Josquin composed, surviving in numerous manuscripts and print editions. The earliest printed collection of music devoted to a single composer, the ''Misse Josquin'' published by Ottaviano Petrucci in 1502, begins with this famous work. Background Dating of the mass has been controversial, with some scholars proposing a mid-career date, for example during Josquin's Roman period (roughly 1489 to 1495), and other scholars, such as Gustave Reese, arguing for an earlier date, claiming that the contrapuntal complexity the mass shows is more typical of Josquin's early style, and that he simplified his method as he aged. The earliest source conta ...
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Dosso Dossi
Giovanni di Niccolò de Luteri, better known as Dosso Dossi ( 1489–1542) was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian. From 1514 to his death, he was court artist to the House of Este, Este Dukes of Ferrara and of Modena, whose small court valued its reputation as an artistic centre. He often worked with his younger brother Battista Dossi, who had worked under Raphael. He painted many mythological subjects and allegories with a rather dream-like atmospheres, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court. Biography Dossi was born in San Giovanni del Dosso, a village in the province of Mantua. His early training and life are not well documented; his father, originally of Trento, was a bursar (''spenditore'' or ''fattore'') for the Dukes of Ferrara. He may ha ...
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Dosso Dossi Allegory Canon
Dosso may refer to: * Places in Niger *Dosso Region *Dosso (department) *Dosso, Niger, a town, capital of the Dosso ''département'' *Dosso Kingdom, the pre-colonial and modern ceremonial power in Dosso *Dosso meteorite of 1962, which fell in Dosso, Niger (see meteorite falls) People *Dosso Dossi (c. 1490–1542), Italian High Renaissance painter * Diego Daldosso (born 1983), Italian footballer * Zaynab Dosso Zaynab Dosso (born 12 September 1999) is an Italian sprinter. She competed at the 2020 Summer Olympics, in 4 × 100 m relay. Biography Daughter of Ivorian parents who moved to Italy in 2002, Zaynab came to Italy in 2009 when she was ten; she ... (born 1999); Italian sprinter Court case in Pakistan * Dosso case {{disambig, geo
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Humanism
Humanism is a philosophy, philosophical stance that emphasizes the individual and social potential, and Agency (philosophy), agency of human beings, whom it considers the starting point for serious moral and philosophical inquiry. The meaning of the term "humanism" has changed according to successive intellectual movements that have identified with it. During the Italian Renaissance, Italian scholars inspired by Greek classical scholarship gave rise to the Renaissance humanism movement. During the Age of Enlightenment, humanistic values were reinforced by advances in science and technology, giving confidence to humans in their exploration of the world. By the early 20th century, organizations dedicated to humanism flourished in Europe and the United States, and have since expanded worldwide. In the early 21st century, the term generally denotes a focus on human well-being and advocates for human freedom, autonomy, and progress. It views humanity as responsible for the prom ...
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Mannerism
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophist ...
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Gesellschaft Für Musikforschung
The German Musicological Society (, abbreviated to GfM) is an academic society of musicologists and institutes active in study, research and teaching in Germany. It has over 1600 members. The association is based in Kassel, Hesse. History The society was founded in 1946, continuing the work of a predecessor institution. It deals with questions of historical musicology, ethnomusicology and systematic musicology. The society also promotes musicological research in dialogue with other disciplines. In addition, it sees itself as an organ for communicating findings from the field of music to the public. The society publishes the scholarly journal ''Die Musikforschung'' by Bärenreiter-Verlag and also collaborates with the publishers Breitkopf & Härtel, G. Henle Verlag, Henle, , Georg Olms Verlag, Georg Olms, and Schott Music, Schott. Every year a scientific conference with symposia, lectures and events of the specialist groups is organized; every four years another one is held as ...
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Jacob Obrecht
Jacob Obrecht (also Hobrecht; 1457/8 – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses">Rob C. Wegman. "Obrecht, Jacob." In Grove Music Online. Oxford Music Online, (accessed 24 September 2020). – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses
in Europe of the late 15th century and was only eclipsed after his death by Josquin des Prez.


Life

What little is known of Obrecht's origins and early childhood comes mostly from his motet ''Mille quingentis''. He was the only son of Ghent city trumpeter Willem Obrecht and Lij ...
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Mensural Notation
Mensural notation is the musical notation system used for polyphony, polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions amongst note values. Its modern name is derived from the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neumes, neume notation throughout the period. Besides these, some solely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew o ...
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