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Aubrey Beardsley
Aubrey Vincent Beardsley ( ; 21 August 187216 March 1898) was an English illustrator and author. His black ink drawings were influenced by Woodblock printing in Japan, Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. He was a leading figure in the Aestheticism, aesthetic movement which also included Oscar Wilde and James McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster art, poster styles was significant despite his early death from tuberculosis. He is one of the important Modern Style (British Art Nouveau style), Modern Style figures. Early life, education, and early career Beardsley was born in Brighton, Sussex, England, on 21 August 1872 and christened on 24 October 1872. His father, Vincent Paul Beardsley (1839–1909), was the son of a Clerkenwell jeweller; Vincent had no trade himself (partly owing to tuberculosis, from which his own father had died aged only 40), and relied on a private income from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Style (British Art Nouveau Style)
The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom of Great Britain and Ireland, United Kingdom in the mid-1880s. It was the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain. The Modern Style provided the base and intellectual background for the Art Nouveau movement and was adapted by other countries, giving birth to local variants such as Jugendstil and the Vienna Secession. It was cultivated and disseminated through the Liberty (department store), Liberty department store and ''The Studio (magazine), The Studio'' magazine. The most important person in the field of design in general, and architecture in particular, was Charles Rennie Mackintosh. He created one of the key motifs of the movement, now known as the "Mackintosh rose" or "Glasgow rose". The Glasgow School circle was also of tremendous importance, particularly the group closely associat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Hollyer
Frederick Hollyer (17 June 1838 – 21 November 1933) was an English photographer and engraving, engraver known for his photographic reproductions of paintings and drawings, particularly those of the Pre-Raphaelite Brotherhood, and for portraits of literary and artistic figures of late Victorian era, Victorian and Edwardian period, Edwardian London.''Concise Grove Dictionary of Art'', "Frederick Hollyer"Obituaries of Fredrick Hollyer, at Luminous-LintWildman, ''Edward Burne-Jones'', p. 197-198 Family Hollyer was the youngest son of Samuel Hollyer (1797–1883), a line engraver, fine art publisher, collector of watercolours, and Deputy Sealer at the Court of Chancery until 1853, when the post was abolished.Biography of Frederick Hollyer at Luminous-Lint His brothers Christopher Charles Hollyer (1836–1874), and Samuel Hollyer Jr. (1826–1919) also worked as engravers.Notes on engraving of the Hollyer Brothers, National Portrait Gallery Frederick Hollyer's first published works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Strang
William Strang (13 February 1859 – 12 April 1921) was a Scottish painter and printmaker, notable for illustrating the works of John Bunyan, Bunyan, Samuel Taylor Coleridge, Coleridge and Rudyard Kipling, Kipling. Early life Strang was born at Dumbarton, the son of Peter Strang, a builder, and was educated at the Dumbarton Academy. For fifteen months after leaving school he worked in the counting-house of a firm of shipbuilders, then in 1875, when he was sixteen, went to London. There, he was a pupil of Edward Poynter for three months, before studying drawing and etching under Alphonse Legros at the Slade School of Fine Art for six years. Strang had great success as an etching, etcher and became assistant master in the etching class. He was one of the founding members of the Royal Society of Painter-Printmakers, Royal Society of Painter-Etchers, and his work was part of its first exhibition in 1881. Some of his early plates were published in ''The Portfolio'' and other art m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucian
Lucian of Samosata (Λουκιανὸς ὁ Σαμοσατεύς, 125 – after 180) was a Hellenized Syrian satirist, rhetorician and pamphleteer who is best known for his characteristic tongue-in-cheek style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language was probably Syriac, all of his extant works are written entirely in ancient Greek (mostly in the Attic Greek dialect popular during the Second Sophistic period). Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration ''The Dream'', he was the son of a lower middle class family from the city of Samosata along the banks of the Euphrates in the remote Roman province of Syria. As a young man, he was apprenticed to his uncle to become a sculptor, but, after a failed attempt at sculpting, he ran away to pursue an educati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Malory
Sir Thomas Malory was an English writer, the author of ''Le Morte d'Arthur'', the classic English-language chronicle of the Arthurian legend, compiled and in most cases translated from French sources. The most popular version of ''Le Morte d'Arthur'' was published by the famed London printer William Caxton in 1485. Much of Malory's life history is obscure, but he identified himself as a "knight prisoner", apparently reflecting that he was either a criminal, a prisoner-of-war, or suffering some other type of confinement. Malory's identity has never been confirmed. Since modern scholars began researching his identity the most widely accepted candidate has been Sir Thomas Malory of Newbold Revel in Warwickshire, who was imprisoned at various times for criminal acts and possibly also for political reasons during the Wars of the Roses. Recent work by Cecelia Lampp Linton, however, presents new evidence in support of Thomas Malory of Hutton Conyers, Yorkshire. Identity Most of what ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Morte D'Arthur
' (originally written as '; Anglo-Norman French for "The Death of Arthur") is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source. Apparently written in prison at the end of the medieval English era, ''Le Morte d'Arthur'' was completed by Malory around 1470 and was first published in a printed edition in 1485 by William Caxton. Until the discovery of the Winchester Manuscript in 1934, the 1485 edition was considered the earliest known text of ''Le Morte d'Arthur'' an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri De Toulouse-Lautrec
Count, ''Comte'' Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901), known as Toulouse-Lautrec (), was a French painter, printmaker, draughtsman, caricaturist, and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times. Born into the aristocracy, Toulouse-Lautrec broke both his legs during adolescence, leaving him with a stunted appearance. In later life, he developed an affinity for brothels and prostitutes that directed the subject matter for many of his works, which record details of the late-19th-century bohemian lifestyle in Paris. He is among the painters described as being Post-Impressionism, Post-Impressionists, with Paul Cézanne, Vincent van Gogh, Paul Gauguin, and Georges Seurat also commonly considered as belonging in this loose group. In a 2005 auction at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Brown (artist)
Frederick Brown (14 March 1851, in Chelmsford – 8 January 1941, in Richmond) was a British art teacher and painter. Brown studied from 1868 to 1877 at the National Art Training School, London (later the Royal College of Art). He later studied at the Académie Julian in Paris in the winter of 1886 with William Bouguereau. His work was influenced by Jules Bastien-Lepage. His portrait style was influenced by Whistler. Brown was a founder of the New English Art Club in 1886 and author of its constitution. From 1877 to 1892 he was headmaster of the Westminster School of Art; where his students included Aubrey Beardsley, Henry Tonks Henry Tonks, Fellow of the Royal College of Surgeons, FRCS (9 April 1862 – 8 January 1937) was a British surgeon and later draughtsman and painter of figure subjects, chiefly interiors, and a Caricature, caricaturist. He became an influentia ..., Frederick Pegram and Francis Job Short. From 1893 to 1918 he was Slade Professor of Art. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Puvis De Chavannes
Pierre Puvis de Chavannes (; 14 December 1824 – 24 October 1898) was a French painter known for his mural painting, who came to be known as "the painter for France". He became the co-founder and president of the Société Nationale des Beaux-Arts, and his work influenced many other artists, notably Robert Genin, and he aided Medalist, medallists by designs and suggestions for their works. Puvis de Chavannes was a prominent painter in the early French Third Republic, Third Republic. Émile Zola described his work as "an art made of reason, passion, and will". Early life Puvis de Chavannes was born Pierre-Cécile Puvis in a suburb of Lyon, France, on December 14, 1824. He was the son of a mining engineer and descended from an old noble family of Burgundy (region), Burgundy. He later added the ancestral "de Chavannes" to his name. Throughout his life, he spurned his Lyon origins, preferring to identify himself with the 'strong' blood of the Burgundians, where his father originated. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August 183317 June 1898) was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter. Burne-Jones worked with William Morris as a founding partner in Morris & Co., Morris, Marshall, Faulkner & Co in the design of decorative arts. His early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery, a new rival to the Royal Academy of Arts. These included ''The Beguiling of Merlin''. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestry, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the production of which was a revived craft during the 19th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mabel Beardsley
Mabel Beardsley (24 August 1871 – 8 May 1916) was an English Victorian actress and elder sister of the famous illustrator Aubrey Beardsley, who according to her brother's biographer, "achieved mild notoriety for her exotic and flamboyant appearance".Aubrey Beardsley, Henry Maas, John Duncan, W. G. Good, ''The letters of Aubrey Beardsley'', Publisher: Fairleigh Dickinson Univ Press, 1970, , 9780838668849, 472 pagespage 394/ref> Life Mabel was born in Brighton on 24 August 1871. Her father, Vincent Paul Beardsley (1839–1909), was the son of a tradesman; Vincent had no trade himself, however, and instead relied on a private income from an inheritance that he received from his maternal grandfather when he was 21. Vincent's wife, Ellen Agnus Pitt (1846–1932), was the daughter of Surgeon-Major William Pitt of the Indian Army. The Pitts were a well-established and respected family in Brighton, and Beardsley's mother married a man of lesser social status than might have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
