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Attila Zoller
Attila Cornelius Zoller (June 13, 1927 – January 25, 1998) was a Hungarian jazz guitarist. After World War II, he escaped the Soviet takeover of Hungary by fleeing through the mountains on foot into Austria. In 1959, he moved to the United States, where he spent the rest of his life as a musician and teacher. Music career Zoller was born in Visegrád, Hungary. As a child, he learned violin from his father, a professional violinist. While in school, he played flugelhorn and bass before choosing guitar. He dropped out of school and played in jazz clubs in Budapest while Russian-Hungarian relations, 1945-1991, Russia occupied Hungary. He fled Hungary in 1948 as the Soviet Union was establishing communist military rule. He escaped on foot, carrying his guitar through the mountains into Austria. He settled in Vienna, became an Austrian citizen, and started a jazz group with accordionist Vera Auer. In the mid-1950s, Zoller moved to Germany and played with German musicians Jutta Hip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Raney
James Elbert Raney (August 20, 1927 – May 10, 1995) was an American jazz guitarist, born in Louisville, Kentucky, United States, known for his work from 1951 to 1952 and then from 1953 to 1954 with the Red Norvo trio (replacing Tal Farlow) and, during the same time period, with Stan Getz. In 1954 and 1955, he won the ''DownBeat'' Critics' Poll for guitar. Raney worked in a variety of jazz mediums, including cool jazz, bebop, post bop, hard bop, and mainstream jazz. In 1946, he worked for a time as guitarist with the Max Miller Quartet at Elmer's in Chicago, his first paying gig. Raney also worked in the Artie Shaw Orchestra and collaborated with Woody Herman for nine months in 1948. He also collaborated and recorded with Buddy DeFranco, Al Haig and later on with Bob Brookmeyer. In 1967, alcoholism and other professional difficulties led him to leave New York City and return to his native Louisville. He resurfaced in the 1970s and also did work with his son Doug, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Norvo
Red Norvo (born Kenneth Norville; March 31, 1908 – April 6, 1999) was an American musician, one of jazz's early vibraphonists, known as "Mr. Swing". He helped establish the xylophone, marimba, and vibraphone as jazz instruments. His recordings included "Dance of the Octopus", "Bughouse", "Knockin' on Wood", "Congo Blues", and "Hole in the Wall". Career Red Norvo was born in Beardstown, Illinois, United States. His career began in Chicago with a band called The Collegians in 1925. He played with many other bands, including an all-marimba band on the vaudeville circuit, and the bands of Paul Whiteman, Benny Goodman, Charlie Barnet, and Woody Herman. He recorded with Mildred Bailey (his wife from 1933 to 1942), Billie Holiday, Dinah Shore and Frank Sinatra. Norvo and his wife were known as "Mr. and Mrs. Swing." He appeared as himself in the film '' Screaming Mimi'' (1958) and in '' Ocean's 11'', accompanying Dean Martin while he sang " Ain't That a Kick in the Head?". In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stan Getz (born Stanley Gayetski; February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single " The Girl from Ipanema". Early life Stan Getz was born Stanley Gayetski on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader, known as the "King of Swing". His orchestra did well commercially. From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet. He continued performing until the end of his life while pursuing an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman, came to the United States in 1892 from Warsaw in partitioned Poland and becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Mangelsdorff
Albert Mangelsdorff (September 5, 1928 – July 25, 2005) was a German jazz trombonist. Working mainly in free jazz, he was an innovator in multiphonics. Early life Mangelsdorff was born in Frankfurt on September 5, 1928, as the son of the bookbinder Emil Albert Joseph Mangelsdorff (1891–1963), born in Ingolstadt, and his wife Luise, née Becker (1896–1976), from Wertheim. He was given violin lessons as a child and was self-taught on guitar in addition to knowing trombone. His brother, Emil Mangelsdorff, had a jazz record collection, but during the Nazi period Albert's enthusiasm for the music had to be restrained. Mangelsdorff began his career as a professional musician in 1947 as a rhythm guitarist in the Otto Laufner Big Band, which played in US Army clubs. Mangelsdorff bought his first trombone on the black market for a few cartons of cigarettes. Then he took lessons from the principal trombonist at the Oper Frankfurt, Fritz Stähr (1889–1971). Later life and career H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz Flute, flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a ''Billboard (magazine), Billboard'' Number-one dance hits of 1975 (USA), No. 1 dance hit for three weeks in 1975. Mann emphasized the Groove (music), groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was ''Memphis Underground'' or ''Push Push (Herbie Mann album), Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York City, New York, New York (state), New York, to Jews, Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud." Born and raised in Fort Worth, Texas, Coleman taught himself to play the saxophone when he was a teenager. He began his musical career playing in local R&B and bebop groups, and eventually fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather played violin, and his uncle played guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenox School Of Jazz
The Lenox School of Jazz was a summer programme of jazz education from 1957 to 1960, at the Music Barn in Lenox, Massachusetts. Faculty included Dizzy Gillespie, Jimmy Giuffre, Percy Heath, Larry Ridley, Connie Kay, Jim Hall, Ralph Peña, Max Roach, Willis James. Students included Ornette Coleman, Margo Guryan, Dizzy Sal, Jamey Aebersold, David Baker, Paul Bley, Attila Zoller, Lucille Butterman, Terry Hawkeye, Verne Elkins, Cevira Rose, Dale Hillary, and Esther Siegel. Scholarships A number of scholarships were available. In late 1957 Herman Lubinsky, head of Savoy Records in Newark, NJ, established a scholarship for full tuition, room and board, and private lesson fees to a promising instrumental student for attendance at the School of Jazz during its second annual session on the grounds of Music Inn, Lenox, Massachusetts, during August, 1958. In 1959 the F. & M. Schaefer Brewing Company awarded the Shafer Scholarships to John Keyser, Paul Cohen, Steve Kuhn, Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Konitz
Leon "Lee" Konitz (October 13, 1927 – April 15, 2020) was an American jazz Alto saxophone, alto saxophonist and composer. He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz's association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis's ''Birth of the Cool'' sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other saxophonists were strongly influenced by Konitz, such as Paul Desmond and Art Pepper. He died during the COVID-19 pandemic from complications brought on by the COVID-19, disease. Biography Early life Konitz was born ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
