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Atago Gongen
also known as Tarōbō (太郎坊), Atago Daigongen (愛宕大権現), Shōgun Jizō (勝軍地蔵) of Mount Atago is a Japanese ''kami'' and tengu believed to be the local avatar ('' Gongen'') of Buddhist bodhisattva Jizō and Shinto goddess Izanami. He is mounted on a white horse and carries a ringed staff and desire-cancelling jewel. The cult originated in Shugendō practices on Mount Atago in Kyoto, and Atago Gongen is worshiped as a protector against fire and a god of war and victory by Samurai. There are some nine hundred Atago Shrines around Japan. Legends Mount Atago was said to be infested by tengu during the reign of Emperor Monmu. One of the tengu was a particularly powerful one named Tarōbō. The sages En no Gyōja and Taichō were charged with clearing the mountain. When Tarōbō surrendered to them, he became protector of the mountain. He is often seen as the guardian or an avatar of Jizō as a result. Atago Gongen is the name of a deity resultin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Guimet
The Guimet Museum (full name in ; ''MNAAG''; ) is a Parisian art museum with one of the largest collections of Asian art outside of Asia that includes items from Cambodia, Thailand, Viet Nam, Tibet, India, and Nepal, among other countries. Founded in the late 19th century, it is located in the 16th arrondissement of Paris, France, at 6, place d'Iéna. Its name literally translated into English is the ''National Museum of Asian Arts-Guimet'', or ''Guimet National Museum of Asian Arts''. History Founded by Émile Étienne Guimet, an industrialist, the museum first opened at Lyon in 1879 but was later transferred to Paris, opening in the place d'Iéna in 1889. Devoted to travel, Guimet was in 1876 commissioned by the minister of public instruction to study the religions of the Far East, and the museum contains many of the fruits of this expedition, including a fine collection of Chinese and Japanese porcelain and objects relating not merely to the religions of the East, but al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
En No Gyōja
was a Japanese ascetic and mystic, traditionally held to be the founder of Shugendō, the path of ascetic training practiced by the ''gyōja'' or ''yamabushi''. He was banished by the Imperial Court to Izu Ōshima on June 26, 699, but folk tales at least as old as the ''Nihon Ryōiki'' (c. 800) recount his supernatural powers and exploits. He is also referred to by the name , , or also under the full name En no Kimi Ozunu, where is his kabane or titular name. Historical references Even historical accounts of his life are intermixed with legends and folklore. According to the chronicle ''Shoku Nihongi'' ( 797 AD), En no Ozunu was banished to the island of Izu Ōshima on June 26, 699: On ''hinoto-ushi'' ( sexagenary "fire ox") day Izu no Shima. Ozunu had first lived in Mount Katsuragi (other)">Mount Katsuragi and been acclaimed for his sorcery and was the teacher of Outer Junior 5th Rank Lower Grade . Later, [a person (or Hirotari?)] envied his power and accused ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kagutsuchi
Kagutsuchi (カグツチ; Old Japanese: ''Kagututi''), also known as Hi-no-Kagutsuchi or Homusubi among other names, is the kami of fire in classical Japanese mythology. Mythology Kagutsuchi's birth burned his mother Izanami, causing her death. His father Izanagi, in his grief, beheaded Kagutsuchi with his sword, Ame no Ohabari (天之尾羽張), and cut his body into eight pieces, which became eight volcanoes. Kagutsuchi's corpse created numerous deities, which typically includes Watatsumi, Kuraokami, Takemikazuchi, Futsunushi, Amatsu-Mikaboshi, and Ōyamatsumi. Kagutsuchi's birth, in Japanese mythology, comes at the end of the creation of the world and marks the beginning of death. In the ''Engishiki'', a source which contains the myth, Izanami, in her death throes, bears the water goddess Mizuhanome, instructing her to pacify Kagu-tsuchi if he should become violent. This story also contains references to traditional fire-fighting tools: gourds for carrying water and wet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tale Of The Heike
is an epic account compiled prior to 1330 of the struggle between the Taira clan and Minamoto clan for control of Japan at the end of the 12th century in the Genpei War (1180–1185). It has been translated into English at least five times. The first translation was by Arthur Lindsay Sadler, in 1918–1921. A complete translation in nearly 800 pages by Hiroshi Kitagawa & Bruce T. Tsuchida was published in 1975. It was also translated by Helen McCullough in 1988. An abridged translation by Burton Watson was published in 2006. In 2012, Royall Tyler completed his translation, which, he says, seeks to be mindful of the performance style for which the work was originally intended. Historical novelist Eiji Yoshikawa published a prose rendering in the '' Asahi Weekly'' in 1950, under the title ' (''Shin Heike Monogatari''). Background Title Heike () refers to the Taira (), ''hei'' being the ''on'yomi'' reading of the first ''kanji'' and "ke" () meaning "family". However, in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sōjōbō
In Japanese folklore and Japanese mythology, Folklore, is the mythical king and god of the ''tengu'', legendary creatures thought to inhabit the mountains and forests of Japan. Sōjōbō is a specific type of ''tengu'' called ''daitengu'' and has the appearance of a yamabushi, a Japanese mountain hermit. ''Daitengu'' have a primarily human form with some bird-like features such as wings and claws. The other distinctive physical characteristics of Sōjōbō include his long, white hair and unnaturally long nose. Sōjōbō is said to live on Mount Kurama. He rules over the other ''tengu'' that inhabit Mount Kurama in addition to all the other ''tengu'' in Japan. He is extremely powerful, and one legend says he has the strength of 1,000 normal ''tengu''. Sōjōbō is perhaps best known for the legend of his teaching the warrior Minamoto no Yoshitsune (then known by his childhood name Ushiwaka-maru or Shanao) the arts of swordsmanship, military tactics, tactics, and magic (paranorm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atago Gongen By Hasegawa Tohaku (Ishikawa Nanao Art Museum)
Atago may refer to: * Atago Gongen, a Japanese kami Places in Japan * Atago, Tokyo, a district of Minato, Tokyo ** Atago Shrine (Tokyo), in Minato, Tokyo ** Atago Green Hills, an urban complex located in Atago * Mount Atago, a mountain in Kyoto, Japan ** Atago Shrine (Kyoto), a shrine on Mount Atago * Mount Atago (Minamibōsō, Chiba), a mountain in Chiba Prefecture * Atago Station (Chiba), a train station in Noda, Chiba Prefecture * Atago Station (Miyagi) is a railway station in the town of Matsushima, Miyagi Prefecture, Japan, operated by East Japan Railway Company (JR East). Lines Atago Station is served by the Tōhoku Main Line, and is located 377.2 rail kilometers from the official startin ..., a train station in Matsushima, Miyagi Prefecture Ships * , of the early Imperial Japanese Navy * , of the Imperial Japanese Navy * , a projected ''Amagi''-class battlecruiser of the Imperial Japanese Navy that was canceled under the terms of Washington Naval Treaty * , of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanoo
__FORCETOC__ Susanoo (, ; historical orthography: , ), often referred to by the honorific title Susanoo-no-Mikoto (), is a in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs of the Gion cult that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease. Susanoo, alongside Amaterasu and the earthly Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the ( CE) and the (720 CE). One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiruko
, also transliterated or called or , is the Japanese god of fishermen and luck. He is one of the , and the only one of the seven to originate purely from Japan without any Buddhist or Taoist influence. Origins as Hiruko In Feudal times, Ebisu's origin came to be tied together with that of ''Hiruko'', the first child of Izanagi and Izanami, born without bones (or, in some stories, without arms and legs) due to his mother's transgression during the marriage ritual. Hiruko struggled to survive but, as he could not stand, he was cast into the sea in a boat of reeds before his third birthday. The story tells that Hiruko eventually washed ashore—possibly in —and was cared for by the Ainu . It is however believed that Ebisu first arose as a god among fishermen and that his origin as Hiruko was a much later conception, ---after the worship of him had spread to merchants and farmers. It is also theorized that he was originally a god known as " Kotoshironushi no Mikoto", son of Ōku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsukuyomi
, or simply or , is the moon kami in Japanese mythology and the Shinto religion. The name "Tsukuyomi" is a compound of the Old Japanese words and . The ''Nihon Shoki'' mentions this name spelled as , but this ''yumi'' is likely a variation in pronunciation of ''yomi''. An alternative interpretation is that his name is a combination of and . ''-no-Mikoto'' is a common honorific appended to the names of Kami; it may be understood as similar to the English honorific 'the Great'. In ''Man'yōshū'', Tsukuyomi's name is sometimes rendered as , implying that he is male. Myth Tsukuyomi was the second of the born when Izanagi-no-Mikoto, the kami who created the first land of Onogoroshima, was cleansing himself of his kegare while bathing after escaping the underworld and the clutches of his enraged dead sister, Izanami-no-Mikoto. Tsukuyomi was born when he washed out of Izanagi's right eye. However, in an alternative story, Tsukuyomi was born from a mirror made of white copper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amaterasu
, often called Amaterasu () for short, also known as and , is the goddess of the sun in Japanese mythology. Often considered the chief deity (''kami'') of the Shinto pantheon, she is also portrayed in Japan's earliest literary texts, the () and the (720 CE), as the ruler (or one of the rulers) of the heavenly realm Takamagahara and as the mythical ancestress of the Imperial House of Japan via her grandson Ninigi. Along with two of her siblings (the moon deity Tsukuyomi and the impetuous storm-god Susanoo) she ranks as one of the "Three Precious Children" (, ), the three most important offspring of the creator god Izanagi. Amaterasu's chief place of worship, the Grand Shrine of Ise in Ise, Mie Prefecture, is one of Shinto's holiest sites and a major pilgrimage center and tourist spot. As with other Shinto ''kami'', she is also enshrined in a number of Shinto shrines throughout Japan. Name The goddess is referred to as ''Amaterasu Ōmikami'' ( / ; historical orthogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Yorinaga
was a Japanese statesman and a member of the Fujiwara clan who was highly significant in determining the course of 12th century Japanese political history. Early life Born in 1120, Yorinaga had a turbulent youth. He later wrote that he did not listen to his elders and would spend most of his time roaming through the country, hawking and hunting - he said he still bore the scars of these expeditions at the time of writing. Despite this, he did proceed to begin studying, particularly the classics of Chinese literature and Confucianism, as well as Indian logic. He read little or no native Japanese works, however, and was later notable for never composing a poem in Japanese. He was the favourite son of his father, Tadazane. Career Yorinaga ascended quickly through the political ranks, achieving the formidable office of Minister of the Right (Udaijin) by the age of 17. In 1150, he was appointed Minister of the Left, or Sadaijin, the highest rank under the Chancellor and the Regent h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
