Assunta Panciatichi
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Assunta Panciatichi
''Panciatichi Assumption'' (Italian: ''Assunta Panciatichi'') is a painting created c. 1522–1523 by the Italian Renaissance artist Andrea del Sarto. It is housed in the Galleria Palatina of Palazzo Pitti, Florence, Italy. History The painting was commissioned by Bartolomeo Panciatichi (the Elder) for a private altar in the French church of Notre-Dame-de-Confort, in Lyon; however, when finished, it remained in Italy. It was subsequently acquired by Bartolomeo Panciatichi the Younger, the man later portrayed by Agnolo Bronzino. In 1526 Andrea del Sarto used the same composition in the '' Passerini Assumption'', now housed in the same museum. Later, Bartolomeo gifted the work to Jacopo Salviati, who moved it to his villa del Poggio Imperiale. After all Salviati's possessions were confiscated by Duke Cosimo I de' Medici, the villa and all its content went to Paolo Giordano Orsini, husband of the duke's daughter Isabella d'Este. After several changes of property, including a per ...
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Odescalchi
The House of Erba-Odescalchi () and the House of Odescalchi are branches of an Italian noble family formed by the union of the Erba and Odescalchi families. The Odescalchi family was, since the election of Benedetto Odescalchi as Pope Innocent XI in 1676, part of the highest Roman aristocracy. Odescalchi family The Odescalchi family were entrepreneurs from the minor nobility of Como. They trace their family line to Giorgio Odescalchi of Como, born around 1290. Pietro Giorgio Odescalchi was Bishop of Alessandria (1598–1610) and then Bishop of Vigevano (1610–1620). In 1619, Benedetto's brother and three uncles founded a bank in Genoa, which grew into a successful money-lending business. After completing his studies in grammar and letters, the 15-year-old Benedetto moved to Genoa to take part in the family business as an apprentice. The family established lucrative financial transactions with clients in major Italian and European cities, such as Nuremberg, Milan, Krakó ...
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Paintings By Andrea Del Sarto
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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1520s Paintings
Fifteen or 15 may refer to: *15 (number) *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (Tuki album), 2025 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' Other media * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama * "Fifteen" (''Runaways''), an episode of ''Runaways'' *Fifteen (novel), a 1956 juvenile fict ...
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Oddi Altarpiece
The ''Oddi Altarpiece'', or more correctly the degli Oddi altarpiece, is an altarpiece of the Coronation of the Virgin painted in 1502-1504 by the Italian Renaissance master Raphael for the altar of the Oddi family chapel in the church of San Francesco al Prato in Perugia, Italy, now in the Vatican Pinacoteca. The altarpiece was commissioned for the Oddi family chapel in San Francesco al Prato in Perugia, was taken to Paris in 1797 (for the Musée Napoleon) and in 1815 brought back to Italy, not to Perugia but to the Vatican Pinacoteca. The altarpiece was commissioned by Leandra Baglioni, widow of Simone degli Oddi; in Perugia there were different Oddi and degli Oddi families, but English sources often ignore this, including the English version of the Vatican Museums website. The crowning of the Virgin The actions of the painting occur in two related scenes, one in heaven and the other terrestrial. Above the coronation shows the Virgin being crowned by Jesus, while angels ar ...
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Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ...
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Holy Conversation
In art, a (; plural: ''sacre conversazioni''), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and Child (the Virgin Mary with the infant Jesus) amidst a group of saints in a relatively informal grouping, as opposed to the more rigid and hierarchical compositions of earlier periods. Donor portraits may also be included, generally kneeling, often their patron saint is presenting them to the Virgin, and angels are frequently in attendance. The term is often used as a title for paintings to avoid listing all the individual figures, although the trend in museums and academic art history is now to give the full list. The name, which only appears as a title retrospectively in the 18th century, has been explained with reference to "their rapt stillness of mood, in which the Saints, scarcely looking at one another, seem to communicate at a spiritual rather than a material level". At least that is the case in e ...
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