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Assisi Diocesan Museum
The Assisi Diocesan Museum, in the city of Assisi, Italy, was founded in 1941 by bishop Giuseppe Placido Niccolini to preserve the most important works of art of the Assisi Cathedral and of several oratories of Assisi's confraternities. The museum is located underneath the piazza of the cathedral and has a collection consisting of about 300 works of which 100 are on display, exhibited in the museum's nine sections. History The museum was founded in 1941, by bishop Giuseppe Placido Nicolini. Its original location was on the ground floor of the parish office, and consisted of four rooms and an annex of historical archives. Entrance was through the cathedral itself and the museum could be visited only by appointment. In the 1990s bishop Sergio Goretti, in addition to encouraging the regular daily opening of the old exhibition spaces, began to consider a reorganization that would be more appropriate for the museum's objects. This gave rise to the project of expanding and refurbishin ...
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Assisi
Assisi (, also , ; from la, Asisium) is a town and ''comune'' of Italy in the Province of Perugia in the Umbria region, on the western flank of Monte Subasio. It is generally regarded as the birthplace of the Latin poet Propertius, born around 50–45 BC. It is the birthplace of St. Francis, who founded the Franciscan religious order in the town in 1208, and St. Clare (''Chiara d'Offreducci''), who with St. Francis founded the Poor Sisters, which later became the Order of Poor Clares after her death. The 19th-century Saint Gabriel of Our Lady of Sorrows was also born in Assisi. History Around 1000 BC a wave of immigrants settled in the upper Tiber valley as far as the Adriatic Sea, and also in the neighbourhood of Assisi. These were the Umbrians, living in small fortified settlements on high ground. From 450 BC these settlements were gradually taken over by the Etruscans. The Romans took control of central Italy after the Battle of Sentinum in 295 BC. They built the flouris ...
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Matteo Da Gualdo
Matteo da Gualdo or Matteo di Pietro di Ser Bernardo (Gualdo Tadino, circa 1435-1440 - 1507) was an Italian painter, active in Gualdo Tadino, Nocera Umbra, and Assisi. Biography He likely trained under the painter from Foligno, Bartolomeo di Tommaso, and Girolamo di Giovanni di Camerino. He was influenced by Piero della Francesca, Andrea Mantegna, and Niccolò di Liberatore. In 1462, he painted the polyptych of ''Santa Margherita''; and in 1471, a triptych: both now in the Rocca Flea Museo Civico. He painted an ''Encounter of a young St John the Baptist with St Anne'' now found at the Pinacoteca of Nocera Umbra. His son Girolamo and grandson also became painters.Tadino Gualda commune
biography.


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File:Matteo da Gualdo - Virgin and Child Enthroned - 47.234 - Museum of ...
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Roman Catholic Diocese Of Assisi-Nocera Umbra-Gualdo Tadino
The Italian Catholic Diocese of Assisi-Nocera Umbra-Gualdo Tadino ( la, Dioecesis Assisiensis-Nucerina-Tadinensis) in Umbria, has existed since 1986. In that year the historic Diocese of Assisi, known as the birthplace of Francis of Assisi, was combined with the Diocese of Nocera Umbra-Gualdo Tadino. The diocese is a suffragan of the Archdiocese of Perugia-Città della Pieve. History The Gospel was first preached to the people of Assisi about the middle of the third century by St. Cyspolitus, Bishop of Bettona (ancient ''Vettona''), who suffered martyrdom under the Emperor Maximian. About 235 St. Rufinus was appointed Bishop of Assisi by Pope Fabian; he suffered martyrdom about 236; and was succeeded by St. Victorinus. Both St. Victorinus and his immediate successor, St. Sabinus, died martyrs. Of the bishops who occupied the See of Assisi during the fifth and sixth centuries, Aventius interceded (545) with Totila in behalf of the Assisians, and saved the city from the Os ...
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Rufinus Of Assisi
According to legend, Rufinus of Assisi (Italian ''Rufino''), was the first bishop of this city and a martyr. Sources concerning the life of Saint Rufino are a sermon of eleventh century Peter Damian, (''Miracula Sancti Rufini Martyris''), and a ''Passio Sancti Rufini'' of the 14th century. The Acts of the martyrdom of this Rufinus are purely legendary. He is probably identical with the "episcopus Marsorum" (bishop of the Marsi) noted in the Roman Martyrology under 11 August.Kirsch, Johann Peter. "Sts. Rufinus." The Catholic Encyclopedia
Vol. 13. New York: Robert Appleton Company, 1912. 18 November 2021


Legend

Rufinus was responsible for converting Assisi to

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Jacopo D'Avanzi
Jacopo d'Avanzi (after 1350s – 1416) was an Italian painter of the Renaissance period. He is also known as ''Jacopo Avanzi'' or ''Jacopo de Avanzi'', although apparently often confused with other artists, including ''Jacopo de' Bavozi'' and the Vicentine ''Avanzo''. Biography Born in Bologna, he trained supposedly with Vitale da Bologna. He worked with Galasso Galassi of Ferrara and Cristofano of Bologna in the old church of Santa Apollonia di Mezzaratta; these frescoes are now in the Pinacoteca Nazionale of Bologna. He also completed the series of frescoes in the chapel of San Giacomo in the Basilica di Sant'Antonio at Padua Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of t ..., which were painted in 1376, completed later by Altichiero da Zevio and Sebeto da Verona. All thre ...
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Dormition Of The Mother Of God
The Dormition of the Mother of God is a Great Feast of the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic Churches (except the East Syriac churches). It celebrates the "falling asleep" (death) of Mary the ''Theotokos'' ("Mother of God", literally translated as ''God-bearer''), and her being taken up into heaven (bodily assumption). It is celebrated on 15 August (28 August N.S. in the Julian Calendar) as the Feast of the Dormition of the Mother of God. The Armenian Apostolic Church celebrates the Dormition not on a fixed date, but on the Sunday nearest 15 August. In Western Churches the corresponding feast is known as the Assumption of Mary, with the exception of the Scottish Episcopal Church, which has traditionally celebrated the Falling Asleep of the Blessed Virgin Mary on 15 August. Christian canonical scriptures do not record the death or Dormition of Mary. Hippolytus of Thebes, a 7th- or 8th-century author, writes in his partially preserved chronology of t ...
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Jacopo Della Quercia
Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo. Biography Jacopo della Quercia takes his name from Quercia Grossa (now Quercegrossa), a place near Siena, Tuscany, where he was born in 1374. He received his early training from his father, Piero d'Angelo, a woodcarver and goldsmith. Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and this must have influenced him. His first work may have been at the age of sixteen, an equestrian wooden statue for the funeral of Azzo Ubaldini. In 1386 he and his father moved to Lucca, owing to party strife and disturbances. It is likely that della Quercia studied the huge collection of Roman sculptures and sarcophagi in the Camposanto in Pisa. These and lat ...
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Francesco Di Giorgio Martini
Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms: "one of the most interesting later Quattrocento architects". As a military engineer, he executed architectural designs and sculptural projects and built almost seventy fortifications for the Federico da Montefeltro, Count (later Duke) of Urbino, building city walls and early examples of star-shaped fortifications. Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for '' cassoni'' he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective. He composed an architectural treatis''Trattato di architettura, ingegneria e arte militare'' the third of the Quattrocento, ...
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Frederick Mason Perkins
Frederick Mason Perkins (1874 in Plymouth, Massachusetts – October 12, 1955 in Assisi) was an American art historian, critic, and collector. Biography Frederick Mason Perkins was born in Plymouth, Massachusetts and grew up in China, where his parents, Americans of English origin, were missionaries. Although they were Protestant, Perkins was educated by Jesuits. When he was young, Perkins studied piano with Theodor Leschetizky in Vienna, then later at Leipzig University of Dresden University. In 1898 he met art historian Bernard Berenson and became his student. From the time Perkins was young he had an interest in Italian art history and in particular for works produced in Tuscany and Umbria in the 14th and 15th centuries. Throughout his life he not only studied these works but also produced catalogs and research about them. He collaborated with specialist art magazines, for example ''Rassegna'' ''d'Arte'' (founded in 1901) and ''La Diana,'' where he published some of his ...
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Diocese Of Assisi
The Italian Catholic Diocese of Assisi-Nocera Umbra-Gualdo Tadino ( la, Dioecesis Assisiensis-Nucerina-Tadinensis) in Umbria, has existed since 1986. In that year the historic Diocese of Assisi, known as the birthplace of Francis of Assisi, was combined with the Diocese of Nocera Umbra-Gualdo Tadino. The diocese is a suffragan of the Archdiocese of Perugia-Città della Pieve. History The Gospel was first preached to the people of Assisi about the middle of the third century by St. Cyspolitus, Bishop of Bettona (ancient ''Vettona''), who suffered martyrdom under the Emperor Maximian. About 235 St. Rufinus was appointed Bishop of Assisi by Pope Fabian; he suffered martyrdom about 236; and was succeeded by St. Victorinus. Both St. Victorinus and his immediate successor, St. Sabinus, died martyrs. Of the bishops who occupied the See of Assisi during the fifth and sixth centuries, Aventius interceded (545) with Totila in behalf of the Assisians, and saved the city from the ...
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Cesare Sermei
Cesare Sermei (Città della Pieve, 1581, c.1581 – Assisi, 1668) was an Italian painter. Son of painter Fernando Sermei, he learned to paint in the workshop of Cesare Nebbia, primarily moving between Orvieto and Rome. In 1608 Sermei established himself in Assisi and became a citizen of the city three years later. His career was long and he worked not only in Assisi but all over Umbria, including in the cities of Todi, Perugia, Bastia Umbra, Foligno, and Terni. In Assisi his work can be found in the Basilica of Saint Francis of Assisi, Basilica of Saint Francis (among other works by him in the Basilica a large fresco of the ''Universal Judgement'' in the apse of the Lower Church, the most demanding artistic work done in the Basilica during the 17th century), Papal Basilica of Saint Mary of the Angels in Assisi, the Basilica of Saint Mary of the Angels, the Chiesa Nuova, the Bishop's Residence, and the church of Rivotorto (which contains a series of 12 oil paintings from 1653 po ...
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Orazio Riminaldi
Orazio Riminaldi (5 September 1593 – 19 December 1630) was an Italian painter who painted mainly history subjects in a Caravaggist style. Biography Riminaldi was born and died in Pisa. He was in Pisa first a pupil of the little known painter Rainero Alberghetti, and later studied with Aurelio Lomi. No works from his early period survive. He moved to Rome sometime between 1610 and 1620. Here he underwent the influence of the Caravaggist movement most likely through Orazio Gentileschi, Domenichino, Bartolomeo Manfredi but also from Simon Vouet.Gianni Papi. "Riminaldi, Orazio." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 2 May. 2016 An early work entitled ''Samson Killing the Philistines'', which he painted for the Cathedral of Pisa and completed in May 1622 shows the influence of Giovanni Lanfranco and Guido Reni of the Emilian school of painting, combined with the naturalistic Caravaggesque style that he had developed in Rome. His knowledge of the ...
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