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Aspertini
Amico Aspertini, also called Amerigo Aspertini (* cca 1474, Bologna – 1552, Bologna), was an Italian Renaissance painter and sculptor whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered one of the leading exponents of the Bolognese School of painting. Biography He was born in Bologna to a family of painters (including Giovanni Antonio Aspertini, his father, and Guido Aspertini, his brother), and studied under masters such as Lorenzo Costa and Francesco Francia. He traveled to Rome with his father in 1496, and is briefly documented there again between 1500 and 1503, returning to Bologna thereafter and painting in a style influenced by Pinturicchio and Filippino Lippi (whose work the critic Roberto Longhi suggested n ''Officina ferrarese'', 1934he may have seen in Florence before 1500). To his Roman years belong at least two collections of drawings, the "Parma Notebook" (''Taccuino di Parma'') and the Wolfegg Codex. In Bologna in 1504, he join ...
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Oratory Of Saints Cecilia And Valeriano, Bologna
The Oratory of Saints Cecilia and Valeriano is a religious site in central Bologna, found on Via Zamboni, contiguous to the portico of the church of San Giacomo Maggiore. The oratory was built at the site of a Romanesque church commissioned by the then ruler of Bologna Giovanni II Bentivoglio. It was frescoed starting in 1505 by series of Renaissance painters associated with the Bentivoglio court, including Francesco Francia, Lorenzo Costa and Amico Aspertini. The frescoes cover the walls flanking the oratory entrance. In ten panels, divided by pilaster strips in decorated grotteschi, scenes from the life of Saint Cecilia and her husband Valerian are described. The individual attribution of all the panels is not entirely clear; they depict: #Marriage of Cecilia and Valerian #Valerian converted by Pope Saint Urban #Valerian baptized by the Pope Urban #Saints Cecilia and Valerian crowned by an angel #Martyrdom of Saints Valerian and Tiburtius (attributed to Aspertini) #Burial of th ...
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San Petronio Basilica
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Petronius of Bologna, Saint Petronius, who was the Bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then, they were preserved in the Santo Stefano, Bologna, Santo Stefano church. History Construction In 1388, the ''Consiglio Generale dei Seicento'' prepared the construction of the church as a civic temple. To make room for the church, the adjacent Hotel Commercianti, Curia of Sancti Ambrosii was demolished, together with the majority of one of the city's burgs, including at least eight chu ...
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Basilica Di San Petronio
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the Bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then, they were preserved in the Santo Stefano church. History Construction In 1388, the ''Consiglio Generale dei Seicento'' prepared the construction of the church as a civic temple. To make room for the church, the adjacent Curia of Sancti Ambrosii was demolished, together with the majority of one of the city's burgs, including at least eight churches and towers. The first stone of construction was laid on ...
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Bologna
Bologna ( , , ; ; ) is the capital and largest city of the Emilia-Romagna region in northern Italy. It is the List of cities in Italy, seventh most populous city in Italy, with about 400,000 inhabitants and 150 different nationalities. Its Metropolitan City of Bologna, metropolitan province is home to more than 1 million people. Bologna is most famous for being the home to the List of oldest universities in continuous operation, oldest university in continuous operation,Top Universities
''World University Rankings'' Retrieved 6 January 2010
Hunt Janin: "The university in medieval life, 1179–1499", McFarland, 2008, , p. 55f.de Ridder-Symoens, Hilde

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Bolognese School (painting)
The Bolognese school of painting, also known as the ''school of Bologna'', flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration f ...
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Basilica Di San Frediano
The Basilica of San Frediano is a Romanesque church in Lucca, Italy, situated on the ''Piazza San Frediano''. History Fridianus (Frediano) was an Irish bishop of Lucca in the first half of the 6th century. He had a church built on this spot, dedicated to St. Vincent, a martyr from Zaragoza, Spain. When Fridianus was buried in this church, the church was renamed Ss. Frediano and Vincenzo. Soon afterwards, a community of Augustinian canons was growing around this church. In the Longobard era, the church and the canon house were enlarged. In 1104, this order was recognized by Pope Paschal II. The prior of St. Frediano was later accorded a rank equal in dignity to that of a bishop. The church acquired its present appearance of a typical Roman basilica during the period 1112–1147. In the 13th-14th centuries the striking façade was decorated with a huge golden 13th century mosaic representing ''The Ascension of Christ the Saviour'' with the apostles below. Berlinghiero Berling ...
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San Martino, Bologna
San Martino church, also called San Martino Maggiore is a Gothic-style, Roman Catholic church located at the corner of Via Marsala and Via Guglielmo Oberdan in Bologna, region of Emilia Romagna, Italy. The church was founded by the adjacent Carmelite monastery. On 10 August 1704 via the authority of the Vatican Chapter, the venerated image of the Virgin of Mount Carmel was crowned by Pope Clement XI. On 25 August 1941, Pope Pius XII elevated it to the status of basilica. History A church at the site was built in 1217. The brick tracery vaults of the ceiling were added in 1457. The present facade was added in 1879, in a Gothic style, and displays statues of various saints. Atop a pillar in the piazza just in front of the church is a statue of the ''Madonna and Child with a Scapular'' (1705) by Andrea Ferreri. In the lunette above the side entrance portal is a bas-relief of ''St Martin on horseback giving half his robe to a Beggar'' (1531) by Francesco Manzini; the portal has a c ...
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Giovanni II Bentivoglio
Giovanni II Bentivoglio (12 February 144315 February 1508) was an Italian nobleman who ruled as tyrant of Bologna from 1463 until 1506. He had no formal position, but held power as the city's "first citizen." The House of Bentivoglio, Bentivoglio family ruled over Bologna from 1443, and repeatedly attempted to consolidate their hold of the Signoria of the city. Background Born in Bologna, Giovanni II was the son of Annibale I Bentivoglio, then chief magistrate of the commune, and Donnina Visconti. He was a child when his father was murdered by his rival Battista Canneschi in June 1445. Annibale I was succeeded in Bologna by Sante I Bentivoglio, Sante I, of uncertain paternity and origin, but alleged to be a son of Ercole Bentivoglio, a cousin of Annibale I. Originally an apprentice of the wool guild of Florence, Sante ruled as ''signore'' of Bologna from 1443. When Sante died in 1463, Giovanni II Bentivoglio successfully made himself lord of the commune, although it was nomina ...
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San Giacomo Maggiore
The Basilica of San Giacomo Maggiore is an historic Roman Catholic church in Bologna, region of Emilia Romagna, Italy, serving a monastery of Augustinian friars. It was built starting in 1267 and houses, among the rest, the Bentivoglio Chapel, featuring numerous Renaissance artworks. History A community of hermits founded by the Blessed John the Good of Modena had established itself near the walls of Bologna, along the Savena river, as early as 1247. They founded a monastery with its church, dedicated to St. James the Greater (). The hermits were merged in 1256 by the pope with other eremitical communities of the region to form the Order of Hermits of St. Augustine, with one of their number being elected the first Prior General of the new Order. As they then needed a larger religious complex within the walls, in 1267 construction was undertaken of the new church in the present location. The edifice was finished in 1315, but its consecration took place in 1344, with the completio ...
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San Michele In Bosco
San Michele in Bosco is a religious complex in Bologna, central Italy, including the church with the same name and the annexed Olivetan monastery. The buildings of the monastery were acquired in 1955 by the municipality of Bologna, to house an orthopedic center named the Rizzoli Orthopedic Institute (''l'Istituto Ortopedico Rizzoli''). Religious center Located on a hill not far from the city's historical center, the area housed monastic structures as early as the 4th century AD. As was typical for shrines on remote sites or mountain tops, it was dedicated to the Archangel Michael. Tradition holds that the cenobitic community here was dispersed by the Goths in the early 5th century. After reforming, it was again destroyed by the Hungarian invasions of 906. Slowly recovering habitation, by 1107 it had begun to house Augustinian monks. Documents from 1120 and 1204 refer to this monastery. Between 1348 and 1359, the combination of plague and the occupation of the town by the Vi ...
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Christian Museum (Hungary)
The Christian Museum () is the largest ecclesiastical collection in Hungary; it conserves European and Hungarian works of art from the period between the 13th and 19th centuries. The permanent exhibition of the Christian Museum is situated on the second floor of the ''Primate's Palace'' in Esztergom-Víziváros, on the bank of the Danube river. The extensive collections of Hungarian, Italian, Dutch, German and Austrian paintings make this museum the third most important picture gallery in Hungary. Many works of art come from the territory of present-day Slovakia in which area part of the archdiocese of Esztergom lay at the time of the formation of the collection (the 1870s). Besides late medieval and Renaissance works of art — including the ''Calvary Altarpiece by Thomas of Coloswar'', the ''Lord's Coffin from Garamszentbenedek'', and the ''Passion scenes by Master MS'' — the baroque and modern collections, the collection of the decorative arts, and the collection of prints ...
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Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ...
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