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Asian Music
Asian music encompass numerous musical styles, traditions, and forms originating in Asian countries. Asian music traditions include: * ** Music of China ** Music of Hong Kong ** Music of Japan ** Traditional music of Korea *** Music of North Korea *** Music of South Korea ** Music of Macau ** Music of Mongolia ** Music of Taiwan ** Music of Tibet * Music of Southeast Asia ** Music of Brunei ** Music of Cambodia ** Music of Indonesia *** Music of Sunda *** Music of Java *** Music of Bali ** Music of Laos ** Music of Malaysia ** Music of Myanmar ** Music of the Philippines ** Music of Singapore ** Music of Thailand ** Music of Timor-Leste ** Music of Vietnam * Music of South Asia ** Asian Underground ** Music of Afghanistan ** Music of Bangladesh ** Music of Bhutan ** Music of India ** Ravanahatha ** Music of the Maldives ** Music of Nepal ** Music of Pakistan ** Music of Sri Lanka * Music of Central Asia ** Music of Afghanistan (when included in the def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Taiwan
The music of Taiwan reflects the diverse culture of Taiwanese people. Taiwan has undergone several economic, social, and political changes through its cultural history, and Taiwanese music reflects those issues in its way. The music of the country has adopted a mixed style. As a country rich in Chinese folk culture and with many indigenous tribes with their own distinct artistic identity, various folk music styles are appreciated in Taiwan. In addition, people in Taiwan highly appreciate various style of Western classical music and pop music. Taiwan is a major Mandopop hub. Background The Kuomintang-led Republic of China government arrived in Taiwan in 1949, a government that suppressed native Taiwanese culture and implemented Standard Chinese (Mandarin) as the official language. This political event has significant effects on the development of music in Taiwan in the 20th century as it resulted in a gap in the transition of the traditional music culture. In 1987, a revival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Singapore
Singapore has a diverse music culture that ranges from rock and pop to folk and classical. Its various communities have their own distinct musical traditions: the Chinese Singaporeans, Chinese form the largest ethnic group in Singapore, with Malay Singaporeans, Malays, Singapore Indians, Indians as well as a lesser number of other peoples of different ethnicities including Eurasians. The different people with their traditional forms of music, the various modern musical styles, and the fusion of different forms account for the musical diversity in the country. It has an urban musical scene, and is a center for pop, rock and roll, rock, punk rock, punk and other genres in the region. The country has produced in the 1960s bands like The Crescendos and The Quests, right up to the new millennium with pop singers such as Stefanie Sun and JJ Lin. Folk music of Singapore includes the ethnic music traditions of the music of China, Chinese, music of Malaysia, Malay and Tamil music, Tamil co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The Philippines
The music of the Philippines () includes the musical performance arts in the Philippines and the music of Filipinos composed in various local and international genres and styles. Philippine musical compositions are often a mixture of Indigenous styles, and various Asian styles, as well as Spanish/Latin American and (US) American influences through foreign rule from those countries. Indigenous music Notable indigenous musicians include Ukà of Lange-Lange who specialized in the kutiyapi, the most difficult of all indigenous Philippine instruments, Masino Intaray who specialized in the basal, aroding, and babarak, and Samaon Sulaiman, who specializes as well in the kutiyapi. Notable folk song composers include the National Artist for Music Lucio San Pedro, who composed the famous " Sa Ugoy ng Duyan" that recalls the loving touch of a mother to her child. Another composer, the National Artist for Music Antonino Buenaventura, is notable for notating folk songs and da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Myanmar
The music of Myanmar (or Burma) () shares many Musical similarity, similarities with other musical styles in the region. Traditional music is melody, melodic, having its own unique form of harmony, often composed with a (''na-yi-se''), a (''wa-let-se'') or a () time signature. In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song. Harmony in ''Mahagita'' (the Burmese body of music) is known as ''twe-lone,'' which is similar to a chord in western music. For example, C is combined with F or G. Musical instruments include the brass instrument, brass ''se'' (which is like a triangle (musical instrument), triangle), ''hne'' (a kind of oboe), the bamboo ''wa'', as well as the well-known ''saung'', a boat-shaped harp. Traditionally, the instruments are classified into five groups called (). These instruments are played on a musical scale consisting of seven tones, ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Malaysia
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Javanese and other cultures in overlap with the neighbouring Indonesian archipelago, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others. In general, music of Malaysia may be categorised as classical, folk, syncretic (or acculturated music), popular and contemporary art music. Classical and folk music emerged during the pre-colonial period and exists in the form of vocal, dance and theatrical music such as '' Nobat'', '' Mak Yong'', '' Mak Inang'', '' Dikir barat'', '' Ulek mayang'' and ''Menora''. The syncretic music developed during the post-Portuguese period (17th century) and contains elements from both local music and foreign elements of Arabian, Persian, Indian, Chinese and Western musical and thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Laos
The music of Laos includes the music of the Lao people, a Tai ethnic group, and other ethnic groups living in Laos. The traditional music of Laos has similarities with the traditional music of Thailand and Cambodia, including the names of the instruments and influences and developments. To categorize Lao music, it can be distinguished between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the classical music traditions and its basic ensembles, and vocal traditions. Classical music The term ເພງລາວເດີມ "peng Lao deum" (traditional Lao songs) describes the Royal Court music of Laos. Historical records indicate that an indigenous classical tradition existed, which was mainly influenced by ancient Khmer traditions and mountainous ethnic groups. King Fa Ngum was raised and educated in Angkor Wat, so the Khmer traditions were the first center for the court music, which evolved and changed as the Lao kingdom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Bali
The Music of Bali, Bali is an Indonesian island that shares in the gamelan and other Indonesian musical styles. Bali, however, has its own techniques and styles, including kecak, a form of singing that imitates the sound of monkeys. In addition, the island is home to several unique kinds of gamelan, including the gamelan jegog, gamelan gong gede, gamelan gambang, gamelan selunding and gamelan semar pegulingan, the cremation music angklung and the processional music bebonangan. Modern popular styles include gamelan gong kebyar, dance music which developed during the Dutch occupation and 1950s era joged bumbung, another popular dance style. In Balinese music you can also hear metallophones, gongs and xylophones. Characteristics Balinese music can be compared to Javanese music, especially that of the pre-Islamic period. During that time, Javanese tonal systems were imported to Bali. Balinese gamelan, a form of Indonesian classical music, is louder, swifter and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Java
The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflecting the diversity of the island and its lengthy history. Apart from traditional forms that maintain connections to musical styles many centuries old, there are also many unique styles and conventions which combine elements from many other regional influences, including those of neighbouring Asian cultures and European colonial forms. Gamelan The gamelan orchestra, based on metallic idiophones and drums, is perhaps the form which is most readily identified as being distinctly "Javanese" by outsiders. In various forms, it is ubiquitous to Southeast Asia. In Java, the full gamelan also adds a bowed string instrument (the rebab, a name illustrative of Islamic influence), plucked siter, vertical flute suling and voices. The rebab is one of the main melodic instruments of the ensemble, together with the metallophone gendér; these and the kendang drums are often played by the most experi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Sunda
Sundanese Music (Sundanese script, Sundanese: ) is an umbrella term that encompasses diverse musical traditions of the West Java and Banten in western part of Java, Indonesia. The term of "West Java" is preferred by scholars in this field. The word "Sundanese" originally referred to western part of Java Island and has a strong association with the highly centralized Kingdom of Sunda, Sunda Kingdom based on Java Island and its high culture practiced by the nobleman class in its capital Parahyangan. By contrast, scholars who cover a much broader region lay emphasis on folk culture. The people of Sundanese people, Sundanese, who inhabit the westernmost third of the island of Java, are sometimes wrongly referred to by foreigners as Javanese. Sundanese culture, language and music are quite distinct from those of the Javanese people of Central and East Java - although of course there are also elements in common. In Sunda there is a bewildering diversity of musical genres, musical co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Indonesia
Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional type of music is often accompanied by its very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India. The music of Java, Sumatra, Bali, Flores (Lesser Sunda Islands) and other islands have been well documented and recorded, and further research by Indonesian and international scholars is also ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musical instruments in their rituals. The contemporary music of Indonesia today is also popular amongst neighbouring countries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cambodia
The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid Westernization of popular music, Cambodian music has incorporated elements from music around the world through globalization. Folk and classical music Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common in Cambodian culture. Classical Khmer music usually is divided into three parts: ''pin peat, phleng kar,'' and ''mahori,'' all of which are associated with their religious dances. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au (flute), sralai (oboe), chapey (bass moon lute or banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each moveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
