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As Long As I Live (Arlen-Koehler Song)
"As Long as I Live" is a song composed by Harold Arlen, with lyrics by Ted Koehler, it was written for their last show at the Cotton Club Parade, in 1934. It was introduced by Avon Long and Lena Horne. Notable recordings * Lew Stone and His Band (vocal: Al Bowlly) (1934) *Red McKenzie and Spirit of Rhythm - recorded September 11, 1934, for Decca Records (catalog 302B). *Benny Goodman and His Orchestra, recorded May 14, 1934, for Columbia Records (catalog No.2923D). *Benny Goodman and His Sextet, recorded November 7, 1940, with Count Basie on piano and Charlie Christian on guitar. This charted briefly in 1941. *Lena Horne - recorded for RCA Victor (catalog No. 20-1626) (1944). *Bing Crosby recorded the song in 1955 for use on his radio show and it was subsequently included in the box set ''The Bing Crosby CBS Radio Recordings (1954-56)'' issued by Mosaic Records (catalog MD7-245) in 2009. *Anita O'Day in 1956 on her album ''This Is Anita ''This is Anita'' is a reissue of ''Anit ...
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film ''The Wizard of Oz'' (lyrics by Yip Harburg), including "Over the Rainbow", which won him the Oscar for Academy Award for Best Original Song, Best Original Song, he was nominated as composer for 8 other Oscar awards. Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the Recording Industry Association of America, RIAA and the National Endowment for the Arts, NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish hazzan, cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band, Hyman Arluck's Snappy Trio, at age 15. He left home at 16 against his parents' wishes; within two years, he was per ...
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Bing Crosby
Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, comedian, entertainer and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwide. Crosby was a leader in record sales, network radio ratings, and motion picture grosses from 1926 to 1977. He was one of the first global cultural icons. Crosby made over 70 feature films and recorded more than 1,600 songs. Crosby's early career coincided with recording innovations that allowed him to develop an intimate singing style that influenced many male singers who followed, such as Frank Sinatra, Perry Como, Dean Martin, Dick Haymes, Elvis Presley, and John Lennon. Yank, the Army Weekly, ''Yank'' magazine said that Crosby was "the person who had done the most for the morale of overseas servicemen" during World War II. In 1948, American polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII. I ...
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Songs With Lyrics By Ted Koehler
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in the classical tradition, it is called an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally by ear are often referred to as folk songs. Songs composed for the mass market, designed to be sung by professional singers who sell their recordings or live shows, are called popular songs. These songs, which have broad appeal, are oft ...
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Pop Standards
Traditional pop (also known as vocal pop or pre-rock and roll pop) is Western pop music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the " Great American Songbook". More generally, the term " standard" can be applied to any popular song that has become very widely known within mainstream culture and recorded by many artists. AllMusic defines traditional pop as "post-big band and pre-rock & roll pop music". Origins Classic pop includes the song output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny ...
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Songs With Music By Harold Arlen
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in the classical tradition, it is called an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally by ear are often referred to as folk songs. Songs composed for the mass market, designed to be sung by professional singers who sell their recordings or live shows, are called popular songs. These songs, which have broad appeal, are oft ...
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This Is Anita
''This is Anita'' is a reissue of ''Anita'', a 1956 album by Anita O'Day that was re-released in 1962.Neal Umnphred, ''Goldmine's Price Guide to Collectible Jazz Albums, 1949-69'', Iola, WI: Krause, 1994, pp. 378, 379. It was arranged and conducted by Buddy Bregman and was the first in a series of albums recorded by O'Day for Verve. Norman Granz was the producer on this album, and it was the first album to be released under his new label, thus paving the way for the future recordings from Verve, and this album was O'Day's first stint from the big band recordings of the 1940s and early 1950s. Track listing Side One # " You're the Top" (Cole Porter) — 2:24 # " Honeysuckle Rose" (Andy Razaf, Fats Waller) — 3:13 # " A Nightingale Sang in Berkeley Square" ( Manning Sherwin, Eric Maschwitz) — 4:00 # " Who Cares?" (George Gershwin, Ira Gershwin) — 3:14 # "I Can't Get Started" (I. Gershwin, Vernon Duke) — 3:53 # " Fine and Dandy" (Kay Swift, Paul James (pseudonym for James P ...
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Anita O'Day
Anita Belle Colton (October 18, 1919 – November 23, 2006), known professionally as Anita O'Day, was an American jazz singer and self-proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer". Refusing to pander to any female stereotype, O'Day presented herself as a "hip" jazz musician, wearing a band jacket and skirt as opposed to an evening gown. She changed her surname from Colton to O'Day, pig Latin for "dough", slang for money. Early career Anita Belle Colton (who later took the surname "O'Day") was born to Irish parents, James and Gladys M. (née Gill) Colton in Kansas City, Missouri, and raised in Chicago, Illinois, during the Great Depression. Colton took the first chance to leave her unhappy home when, at age 14, she became a contestant in the popular Dance marathon, Walk-a-thons as a dancer. She toured with the Walk-a-thons circuits for two years, occas ...
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Mosaic Records
Mosaic Records is an American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. It produces limited-edition box sets. The sets recordings are leased from the major record companies, usually for a three- or five-year period, with the edition limited to a specific number of copies, typically 5,000. Sometimes the complete catalog of a label would appear: the complete masters of Milt Gabler's Commodore Records were contained in three sets consisting of some 66 LPs. In 2003, the company initiated the Select series of smaller sets, not necessarily "complete" in the usual sense. In 2006, the company began a third line, Mosaic Singles, a series dedicated to reissuing individual albums on CD that have not previously been available in US editions, or at all. In 2009, Mosaic returned to the vinyl format with the HQ Vinyl Series and began issuing three and four LP sets of 2,500-5,000 copies. Mosaic's sets are primarily sold and distributed directly to c ...
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The Bing Crosby Show (1954–1956)
The Bing Crosby Show was broadcast daily Mondays to Fridays and was of 15 minutes duration with Bing Crosby talking about all manner of different subjects and usually including three songs around the dialogue. Overview During the summer of 1954 with radio audiences everywhere declining dramatically, Crosby decided not to continue with a major weekly radio show involving the expense of guest stars and a 22 piece orchestra. However, he was persuaded to continue in radio, albeit in a different and cheaper format. On November 22, 1954 ‘The Bing Crosby Show’ emerged on CBS at 9:15 p.m. preceding Amos 'n' Andy. For the 15-minute show, Bill Morrow provided a script of sorts, Ken Carpenter was the announcer and Murdo MacKenzie edited it all together using songs that the singer had pre-recorded at sessions with Buddy Cole and his trio (Buddy on piano and electric organ, Perry Botkin ater replaced by Vince Terrion guitar, banjo etc., Don Whittaker on bass, Nick Fatool on drum ...
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Charlie Christian
Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist. He was among the first electric guitarists and was a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique, combined with amplification, helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. For this, he is often credited with leading to the development of the lead guitar role in musical ensembles and bands. Early life Christian was born in Bonham, Texas. His family moved to Oklahoma City, Oklahoma, when he was a small child. His parents were musicians. He had two brothers: Edward, born in 1906, and Clarence, born in 1911. Edward, Clarence, and Charlie were all taught music by their father, Clarence Henry Christian. Clarence Henry was struck blind by fever, and in order to support the family he ...
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Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create " Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Carpenter, and Joe Williams (jazz singer), Joe Williams. As a composer, Basie is known for writing such jazz standards as "Blue and Sentimental", "Jumpin' at the Woodside" and "One O'Clock Jump" ...
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