Artaserse (Mysliveček)
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Artaserse (Mysliveček)
''Artaserse'' is an opera in three acts by the Czech composer Josef Mysliveček, set to a popular libretto (or ''dramma per musica'') by Metastasio that was originally performed in 1730. It was customary to alter the Metastasian text considerably for operas in the 1770s, but this one mainly adheres to the original Metastasian text, albeit with the placement of some scenes re-arranged and some scenes omitted. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria. Performance history The opera was first performed at the Teatro San Carlo in Naples on 13 August 1774, the birthday of queen Maria Carolina of Naples. Mysliveček received the commission on the strength of his opera '' Romolo ed Ersilia'', which was performed on the queen's birthday the year before. ''Artaserse'' was also successful and helped the composer secure commissions for the operas '' Demofoonte'' and '' Ezio'' at the court of Naples the next year. Roles Synopsis Eightee ...
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Jan Vilímek - Josef Mysliveček
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a minim ...
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Antonia Bernasconi
Antonia Bernasconi (1741–1803) was a German operatic soprano, originally from the Holy Roman Empire. She appeared in opera houses in Vienna, Milan, Venice, Naples and London. Life Bernasconi was born in Stuttgart in 1741; her father, named Wagele. was a valet de chambre of the Prince of Württemberg; after Wagele's death his widow married Andrea Bernasconi, ''Kapellmeister'' of the court at Munich and composer. Antonia received early music lessons from her stepfather, and she sang in Munich and other German cities. From 1765 she took part in operas in Vienna; her first appearance in a major role was at the Burgtheater in December 1767, in '' Alceste'', which Gluck had written expressly for her."Bernasconi, Antonia"
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Operas By Josef Mysliveček
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. An opera seria had a historical or Biblical subject, whereas an opera buffa had a contemporary subject. Italian ''opera seria'' (invariably to Italian libretto, libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the Royal court, court operas based in Warsaw (since 1628), Bavarian State Opera, ...
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Italian-language Operas
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Italy, San Marino, Switzerland ( Ticino and the Grisons), and Vatican City; it has official minority status in Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Tereza, Encantado, and Venda Nova do Imigrante in Brazil. Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia. Some speakers of Italian are native bilinguals of both Italian (either in its standard form or regional varieties) and a local language of Italy, most frequently the language spoken at home in their place of origin. Italian is a major language in Europe, being one of the offici ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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Daniel E
Daniel commonly refers to: * Daniel (given name), a masculine given name and a surname * List of people named Daniel * List of people with surname Daniel * Daniel (biblical figure) * Book of Daniel, a biblical apocalypse, "an account of the activities and visions of Daniel" Daniel may also refer to: Arts and entertainment Literature * ''Daniel'' (Old English poem), an adaptation of the Book of Daniel * ''Daniel'', a 2006 novel by Richard Adams * ''Daniel'' (Mankell novel), 2007 Music * "Daniel" (Bat for Lashes song) (2009) * "Daniel" (Elton John song) (1973) * "Daniel", a song from '' Beautiful Creature'' by Juliana Hatfield * ''Daniel'' (album), a 2024 album by Real Estate Other arts and entertainment * ''Daniel'' (1983 film), by Sidney Lumet * ''Daniel'' (2019 film), a Danish film * Daniel (comics), a character in the ''Endless'' series Businesses * Daniel (department store), in the United Kingdom * H & R Daniel, a producer of English porcelain between 1827 a ...
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Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ...
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Conservati Fedele
"" (Köchel catalogue, K. 23) is a concert aria for soprano and orchestra by Wolfgang Amadeus Mozart. History Mozart composed the aria in October 1765 while staying at The Hague during the Mozart family grand tour, family's British-European tour when he was nine years old. Both of the Mozart children, Wolfgang and his sister Maria Anna Mozart, Nannerl, were quite ill at the time. It was slightly revised in January 1766, possibly for a performance for Princess Carolina of Orange-Nassau. In his list of Wolfgang's works which he started in 1768 in Vienna, his father Leopold Mozart, Leopold entered this piece as no. 2 of ''15 Italian Arias, composed in London and The Hague'' ().''Neue Mozart-Ausgabe'', II/7/1: "Arien, Szenen, Ensembles und Chöre mit Orchester, vol. 1, pp. IX–XI The Newberry Library (Case MS 6A, 48), Chicago, acquired the manuscript (6 sheets, 11 pages) through a bequest of the opera singer Claire Dux (Mrs Charles H. Swift). It was previously owned by who gave the ...
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