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Arriflex 16ST
The Arriflex 16ST, also Arriflex 16S, is a 16mm MOS production motion picture camera released in 1952 by ARRI. The camera utilizes a voltage of 8.4 volts DC Function Like earlier models, the ARRI 16ST was built around the spinning reflex twin-bladed "butterfly" mirror shutter designed by Erich Kästner Emil Erich Kästner (; 23 February 1899 – 29 July 1974) was a German writer, poet, screenwriter and satirist, known primarily for his humorous, socially astute poems and for children's books including ''Emil and the Detectives'' and '' Lisa an ..., chief engineer at Arnold & Richter Cine Technik (ARRI), Arri Group, set at 45 degrees horizontally to the lens axis. It uses a 3-lens turret with ARRI standard mounts. The viewfinder is located on the gate door. The design is very similar to the Arriflex 35. The Arriflex 16ST can load 100ft daylight spools internally and a 400ft external magazine can be attached to the top. The camera is driven by a 12V crystal control motor, w ...
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ARRI 16 ST Stativ, 1
Arri Group () (stylized as "ARRI") is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. It is cited by Hermann Simon as an example of a " hidden champion". The Arri Alexa camera system was used to shoot several films that won the Academy Award for Best Cinematography, including '' Hugo'' (2011), ''Life of Pi'' (2012), ''Gravity'' (2013), '' Birdman'' (2014), '' The Revenant'' (2015) and ''1917'' (2019). History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arnold and Richter developed their first film camera, the small and portable Kinarri 35. In 1937, Arri introduced the world's first reflex mirror shutter i ...
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16mm Film
16 mm film is a historically popular and economical Film gauge, gauge of Photographic film, film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 mm film, 8 mm and 35mm movie film, 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Kodak, Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a Ciné-Kodak camera, Kodascope projector, tripod, screen and splicer, for US$335 (). RCA Records, RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. History Eastman Kodak introduced 16 mm film in 1923, as a less expensive alternative to 35mm movie film, 35 mm Film formats, film for amateurs. The ...
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Motion Picture Camera
A movie camera (also known as a film camera and cine-camera) is a type of photographic camera that rapidly takes a sequence of photographs, either onto film stock or an image sensor, in order to produce a moving image to display on a screen. In contrast to the still camera, which captures a single image at a time, the movie camera takes a series of images by way of an intermittent mechanism or by electronic means; each image is a ''frame'' of film or video. The frames are projected through a movie projector or a video projector at a specific frame rate (number of frames per second) to show the moving picture. When projected at a high enough frame rate (24 frames per second or more), the persistence of vision allows the eyes and brain of the viewer to merge the separate frames into a continuous moving picture. History A forerunner to the movie camera was the machine invented by Francis Ronalds at the Kew Observatory in 1845. A photosensitive surface was drawn slowly past the ape ...
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ARRI
Arri Group () (stylized as "ARRI") is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. It is cited by Hermann Simon (manager), Hermann Simon as an example of a "Hidden champions, hidden champion". The Arri Alexa camera system was used to shoot several films that won the Academy Award for Best Cinematography, including ''Hugo (film), Hugo'' (2011), ''Life of Pi (film), Life of Pi'' (2012), ''Gravity (2013 film), Gravity'' (2013), ''Birdman (film), Birdman'' (2014), ''The Revenant (2015 film), The Revenant'' (2015) and ''1917 (2019 film), 1917'' (2019). History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arno ...
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Erich Kästner (camera Designer)
Erich Kurt Kästner (5 April 1911 – 31 January 2005) was a German movie camera designer. He was born in Jena. During his work for ARRI, he invented the spinning mirror reflex shutter for film cameras, which was first used in the Arriflex 35 in 1937. It allows the operator to have a viewfinder image equal to the recorded picture. Kästner received a Gordon E. Sawyer Award in 1992 and an Oscar Oscar, OSCAR, or The Oscar may refer to: People and fictional and mythical characters * Oscar (given name), including lists of people and fictional characters named Oscar, Óscar or Oskar * Oscar (footballer, born 1954), Brazilian footballer ... in 1973 (Class II technical award laque and 1982 (Academy Award of Merit tatuette. In 1994 he won the Bavarian Film Awards Honorary Award. He died in Penzberg. References 1911 births 2005 deaths Academy Award for Technical Achievement winners German cinema pioneers 20th-century German inventors Scientists from Jena People fro ...
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Viewfinder
In photography, a viewfinder is a device on a camera that a photographer uses to determine exactly where the camera is pointed, and approximately how much of that view will be photographed. A viewfinder can be mechanical (indicating only direction and approximate view), with simple optical components, with precision optics and optical functions, or a digital accessory device used with digital cameras. View camera, View camera These cameras had no separate viewfinder. The exact image (although upside-down and reversed left-right) was viewed on a ground glass installed either in a replaceable plateholder, or in a spring back where springs hold the ground glass at the focus plane until a photographic plateholder is slid in front of it. Spring backs usually had a flip-up cover protecting the ground glass. A black focusing cloth was used with larger models. Mechanical finders Later referred to as "sports finders", for many sports and newspaper applications optical viewfinders ...
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Arriflex 35
The Arriflex 35 was the first reflex finder, reflex 35mm production motion picture camera, released by German manufacturer Arri in 1937. Function It was built around the spinning reflex twin-bladed "butterfly" mirror shutter designed by Erich Kästner (camera designer), Erich Kästner, chief engineer at Arnold & Richter Cine Technik (ARRI), Arri, Arri Group, set at 45 degrees horizontally to the lens axis. This mirror reflex system was invented in 1931. Modern standard models have a maximum shutter exposure opening of 165 degrees, (not 180 degrees as claimed in Arri manuals), the 35 IIC-BV model having a variable shutter. The mirror shutter allows the camera operator to see a viewfinder image equal to the recorded picture, without parallax, although there is noticeable image flicker in the viewfinder when the camera is running, caused by the two open exposure segments of the mirror shutter. The camera utilizes a three lens turret with three aluminum Arri lens mounts (later 35 IIC/ ...
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Matte Box
In photography Photography is the visual arts, art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is empl ... and videography, a matte box is a device attached to the end of a lens in order to prevent light leakage. It performs and mounts essentially the same as a lens hood, but usually includes adjustable fins called ''French flags''. Another purpose of a matte box is to hold filters in place in front of the lens. Some are supported by two rods that run the length of the camera, while others are supported by the lens itself. A matte box may have a bellows, a rigid sunshade, or both. If both, the bellows is positioned within the rigid sunshade, having a mask which may be adjusted forward or backward to suit the angle of view of the camera system. Matte Boxes are either mounted on two 15mm rods - an international stan ...
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