Arriflex 16BL
The Arriflex 16BL is ARRI's first silent 16mm production motion picture camera, released in 1965. It was replaced by the Arriflex 16SR in 1975. Function The functionality is similar to the Arriflex 16M. It is built around the spinning reflex twin-bladed "butterfly" mirror shutter, set at 45 degrees horizontally to the lens axis. It is self blimped and measures 31 dB while running, at a 3 ft distance from the camera. The 16BL introduced the ARRI Bayonet lens mount, which was also used in later cameras. This stainless steel mount is much stronger than the aluminium Arri standard mount. The viewfinder In photography, a viewfinder is a device on a camera that a photographer uses to determine exactly where the camera is pointed, and approximately how much of that view will be photographed. A viewfinder can be mechanical (indicating only direct ... is located on the gate door. The Arriflex 16BL can load 1200 ft and 400 ft external magazines, which can be a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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ARRI
Arri Group () (stylized as "ARRI") is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. It is cited by Hermann Simon (manager), Hermann Simon as an example of a "Hidden champions, hidden champion". The Arri Alexa camera system was used to shoot several films that won the Academy Award for Best Cinematography, including ''Hugo (film), Hugo'' (2011), ''Life of Pi (film), Life of Pi'' (2012), ''Gravity (2013 film), Gravity'' (2013), ''Birdman (film), Birdman'' (2014), ''The Revenant (2015 film), The Revenant'' (2015) and ''1917 (2019 film), 1917'' (2019). History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arno ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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16mm Film
16 mm film is a historically popular and economical Film gauge, gauge of Photographic film, film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 mm film, 8 mm and 35mm movie film, 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Kodak, Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a Ciné-Kodak camera, Kodascope projector, tripod, screen and splicer, for US$335 (). RCA Records, RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. History Eastman Kodak introduced 16 mm film in 1923, as a less expensive alternative to 35mm movie film, 35 mm Film formats, film for amateurs. The ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arriflex 16SR
The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975. This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format. 'SR' Stands for Silent Reflex. In 1982, Arri released the 16SR2, for improved function over the previous version, e.g. lower operational noise level. In 1992, Arri released the 16SR3, the latest and the only series that can support the Super 16 format in the 16SR series without modification to the Super 16 format. It appeared in two versions: "Advanced" & "HS" (High Speed), for high speed filming. The 16 SR series of cameras are distinguished by their small portable profile, their multidirectional viewfinder having a correctly upright picture in all positions, to the right and to the left of the camera, a crystal controlled motor and a quick-change 400 ft coaxial magazine. A 200 ft coaxial magazine was originally featured in the photo of the 16 SR in an Arri collective brochure in 1975, but this ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arriflex 16M
The Arriflex 16ST, also Arriflex 16S, is a 16mm MOS production motion picture camera released in 1952 by ARRI. The camera utilizes a voltage of 8.4 volts DC Function Like earlier models, the ARRI 16ST was built around the spinning reflex twin-bladed "butterfly" mirror shutter designed by Erich Kästner, chief engineer at Arnold & Richter Cine Technik (ARRI), Arri Group, set at 45 degrees horizontally to the lens axis. It uses a 3-lens turret with ARRI standard mounts. The viewfinder is located on the gate door. The design is very similar to the Arriflex 35 The Arriflex 35 was the first reflex finder, reflex 35mm production motion picture camera, released by German manufacturer Arri in 1937. Function It was built around the spinning reflex twin-bladed "butterfly" mirror shutter designed by Erich Kä .... The Arriflex 16ST can load 100ft daylight spools internally and a 400ft external magazine can be attached to the top. The camera is driven by a 12V crystal control motor, whic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lens Mount
A lens mount is an interface – mechanical and often also electrical – between a photographic camera body and a lens. It is a feature of camera systems where the System camera, body allows interchangeable lenses, most usually the rangefinder camera, single lens reflex type, single lens mirrorless type or any movie camera of 16 mm or higher film gauge, gauge. Lens mounts are also used to connect optical components in instrumentation that may not involve a camera, such as the modular components used in optical laboratory prototyping which join via C mount, C-mount or T-mount elements. Mount types A lens mount may be a screw-threaded type, a Bayonet#Linguistic impact, bayonet-type, or a breech-lock (friction lock) type. Modern still camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body. Screw-threaded mounts are fragile and do not align the lens in a reliable rotational position, yet ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stainless Steel
Stainless steel, also known as inox, corrosion-resistant steel (CRES), or rustless steel, is an iron-based alloy that contains chromium, making it resistant to rust and corrosion. Stainless steel's resistance to corrosion comes from its chromium content of 11% or more, which forms a Passivation (chemistry), passive film that protects the material and can self-healing material, self-heal when exposed to oxygen. It can be further alloyed with elements like molybdenum, carbon, nickel and nitrogen to enhance specific properties for various applications. The alloy's properties, such as luster and resistance to corrosion, are useful in many applications. Stainless steel can be rolled into Sheet metal, sheets, plates, bars, wire, and tubing. These can be used in cookware, cutlery, surgical instruments, major appliances, vehicles, construction material in large buildings, industrial equipment (e.g., in paper mills, chemical plants, water treatment), and storage tanks and tankers for ch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Viewfinder
In photography, a viewfinder is a device on a camera that a photographer uses to determine exactly where the camera is pointed, and approximately how much of that view will be photographed. A viewfinder can be mechanical (indicating only direction and approximate view), with simple optical components, with precision optics and optical functions, or a digital accessory device used with digital cameras. View camera, View camera These cameras had no separate viewfinder. The exact image (although upside-down and reversed left-right) was viewed on a ground glass installed either in a replaceable plateholder, or in a spring back where springs hold the ground glass at the focus plane until a photographic plateholder is slid in front of it. Spring backs usually had a flip-up cover protecting the ground glass. A black focusing cloth was used with larger models. Mechanical finders Later referred to as "sports finders", for many sports and newspaper applications optical viewfinders ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Matte Box
In photography Photography is the visual arts, art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is empl ... and videography, a matte box is a device attached to the end of a lens in order to prevent light leakage. It performs and mounts essentially the same as a lens hood, but usually includes adjustable fins called ''French flags''. Another purpose of a matte box is to hold filters in place in front of the lens. Some are supported by two rods that run the length of the camera, while others are supported by the lens itself. A matte box may have a bellows, a rigid sunshade, or both. If both, the bellows is positioned within the rigid sunshade, having a mask which may be adjusted forward or backward to suit the angle of view of the camera system. Matte Boxes are either mounted on two 15mm rods - an international stan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |