Arri Alexa 65
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Arri Alexa 65
The Arri Alexa is a digital motion picture camera system developed by Arri. The Arri Alexa was introduced in April 2010 and was Arri's first major transition into digital cinematography, after previous efforts including the Arriflex D-20 and D-21. Alexa cameras are designed to be used in feature films, television shows and commercials. Alexa uses the ALEV series of image sensors manufactured by ON Semiconductor. Overview The Alexa camera system introduced their Log-C imaging science as a digital negative, which allows digital cinema images to be processed like scanned film images. The camera has several methods of recording, including SxS cards, CFast 2.0 cards and SXR Capture Drives at resolutions up to 3424 × 2202 pixels in either Rec. 709 HD video color space or Log-C to ProRes or ArriRaw codecs. The Alexa camera offers additional and optional software licenses that unlock different capabilities of the Alexa Camera. This includes; high speed 120fps recording, the DN ...
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Arri Alexa Camera
Arri Group () (stylized as "ARRI") is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. It is cited by Hermann Simon as an example of a " hidden champion". The Arri Alexa camera system was used to shoot several films that won the Academy Award for Best Cinematography, including '' Hugo'' (2011), '' Life of Pi'' (2012), ''Gravity'' (2013), '' Birdman'' (2014), '' The Revenant'' (2015) and ''1917'' (2019). History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arnold and Richter developed their first film camera, the small and portable Kinarri 35. In 1937, Arri introduced the world's first reflex mirror shutter ...
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Super 35
Super 35 (originally known as Superscope 235) is a motion picture film format that uses exactly the same film stock as standard 35 mm film, but puts a larger image frame on that stock by using the space normally reserved for the optical analog sound track. History Super 35 was revived from a similar Superscope variant known as Superscope 235, which was originally developed by the Tushinsky Brothers (who founded Superscope Inc. in 1954) for RKO in 1954. The first film to be shot in Superscope was '' Vera Cruz'', a western film produced by Hecht-Lancaster Productions and distributed through United Artists. When cameraman Joe Dunton was preparing to shoot ''Dance Craze'' in 1980, he chose to revive the Superscope format by using a full silent-standard gate and slightly optically recentering the lens port (to adjust for the inclusion of the area of the optical soundtrack – the gray track on left side of the illustration). These two characteristics are central to the fo ...
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