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Arnolfini Portrait 1
Arnolfini may refer to: * Arnolfini, Bristol, an international arts centre and gallery in Bristol, England * Giovanni Arnolfini (c. 1400 – after 1452), merchant from Lucca, a city in Tuscany, Italy * Giovanni Attilio Arnolfini (1733–1791), Italian hydrologist and writer * ''Arnolfini Portrait ''The Arnolfini Portrait'' (or ''The Arnolfini Wedding'', ''The Arnolfini Marriage'', the ''Portrait of Giovanni Arnolfini and his Wife'', or other titles) is an oil painting on oak panel by the Early Netherlandish painter Jan van Eyck, dated 14 ...'', a 1434 oil painting on oak panel by the Early Netherlandish painter Jan van Eyck See also * Arnolfo (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnolfini, Bristol
Arnolfini is an international arts centre and gallery in Bristol, England. It has a programme of contemporary art exhibitions, artist's performance, music and dance events, poetry and book readings, talks, lectures and cinema. There is also a specialist art bookshop and a café bar. Educational activities are undertaken and experimental digital media work supported by online resources. Festivals are hosted by the gallery. The gallery was founded in 1961 by Jeremy Rees, and was located in Clifton. In the 1970s it moved to Queen Square, before moving to its present location, Bush House on Bristol's waterfront, in 1975. The name of the gallery is taken from Jan van Eyck's 15th-century painting '' The Arnolfini Portrait''. Arnolfini was refurbished and redeveloped in 1989 and 2005. Artists whose work has been exhibited include Bridget Riley, Rachel Whiteread, Richard Long and Jack Yeats. Performers have included Goat Island Performance Group, the Philip Glass Ensemble, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Arnolfini
Giovanni di Nicolao Arnolfini ( – after 1452) was a merchant from Lucca, a city in Tuscany, Italy. He spent most of his life in Flanders, then part of the Duchy of Burgundy, probably always based in Bruges, a wealthy trading city and one of the main towns of the Burgundian court. The Arnolfini were a powerful family in Lucca, involved in the politics and trade of the small but wealthy city, which specialised (like Florence) in weaving expensive cloth. Life Giovanni, known as ''di Nicolao'' or "son of Nicolao" to distinguish him from his cousin ''Giovanni di Arrigo Arnolfini'' (see below), moved to Bruges in Flanders at an early age to work in the family business and lived there for the rest of his life. He became wealthy trading in silk and other fabrics, tapestries and other precious objects, although in later years he seems to have suffered business reverses, and to have retired from trading. His fame arises because he is the most likely candidate, out of a number of male Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Attilio Arnolfini
Giovanni Attilio Arnolfini (Lucca, 15 October 1733 – 21 November 1791) was an Italian hydrologist and writer. Volume 1, compiled by Gioacchino Maria Olivier-Poli, Naples (1824); page 96-97. He was born in Lucca
Città di Lucca ( ; ) is a city and ''comune'' in Tuscany, Central Italy, on the Serchio River, in a fertile plain near the Ligurian Sea. The city has a population of about 89,000, while its Province of Lucca, province has a population of 383,9 ... , where he became senator. He was involved in canals and draining of bogs in Lucca and Tuscany. He was hired by Cardinal [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnolfini Portrait
''The Arnolfini Portrait'' (or ''The Arnolfini Wedding'', ''The Arnolfini Marriage'', the ''Portrait of Giovanni Arnolfini and his Wife'', or other titles) is an oil painting on oak panel by the Early Netherlandish painter Jan van Eyck, dated 1434 and now in the National Gallery, London. It is a full-length double portrait, believed to depict the Italian merchant Giovanni di Nicolao Arnolfini and his wife, presumably in their residence at the Flemish city of Bruges. It is considered one of the most original and complex paintings in Western art, because of its beauty, complex iconography, geometric orthogonal perspective, and expansion of the picture space with the use of a mirror. According to Ernst Gombrich "in its own way it was as new and revolutionary as Donatello's or Masaccio's work in Italy. A simple corner of the real world had suddenly been fixed on to a panel as if by magic... For the first time in history the artist became the perfect eye-witness in the truest sense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
