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Archicembalo
The archicembalo (or arcicembalo, ) was a musical instrument described by Nicola Vicentino in 1555. This was a harpsichord built with many extra keys and strings, enabling experimentation in microtonality and just intonation. Construction The archicembalo had two manuals, but unlike those on a normal harpsichord these two keyboards were used to provide extra pitches rather than a timbral difference. Both manuals contained all of the usual white and black keys, but in addition each black key was divided into two parts so that a distinction could be made between a sharp or flat note. The lower manual also included black keys between B and C, and between E and F. In total, 36 keys were available in any octave, each of which was tuned to a different pitch, as shown in the diagram of thlower manual Tuning There were two systems of tuning the archicembalo considered by Vicentino: # The most important was the extended quarter- comma meantone temperament—which, given such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archicembalo En Cents
The archicembalo (or arcicembalo, ) was a musical instrument described by Nicola Vicentino in 1555. This was a harpsichord built with many extra keys and strings, enabling experimentation in microtonality and just intonation. Construction The archicembalo had two manuals, but unlike those on a normal harpsichord these two keyboards were used to provide extra pitches rather than a timbral difference. Both manuals contained all of the usual white and black keys, but in addition each black key was divided into two parts so that a distinction could be made between a sharp or flat note. The lower manual also included black keys between B and C, and between E and F. In total, 36 keys were available in any octave, each of which was tuned to a different pitch, as shown in the diagram of thlower manual Tuning There were two systems of tuning the archicembalo considered by Vicentino: # The most important was the extended quarter-comma meantone temperament—which, given such a wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
31 Equal Temperament
In music, 31 equal temperament, 31-ET, which can also be abbreviated 31-TET (31 tone ET) or 31-EDO (equal division of the octave), also known as tricesimoprimal, is the tempered scale derived by dividing the octave into 31 equal-sized steps (equal frequency ratios). Each step represents a frequency ratio of , or 38.71 cents (). 31-ET is a very good approximation of quarter-comma meantone temperament. More generally, it is a regular diatonic tuning in which the tempered perfect fifth is equal to 696.77 cents, as shown in Figure 1. On an isomorphic keyboard, the fingering of music composed in 31-ET is precisely the same as it is in any other syntonic tuning (such as 12-ET), so long as the notes are spelled properly — that is, with no assumption of enharmonicity. History and use Division of the octave into 31 steps arose naturally out of Renaissance music theory; the lesser diesis — the ratio of an octave to three major thirds, 128:125 or 41.06 cents — was approximat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Vicentino
Nicola Vicentino (1511 – 1575 or 1576) was an Italian music theorist and composer of the Renaissance. He was one of the most progressive musicians of the age, inventing, among other things, a microtonal keyboard. Life Little is known of his early life. Born in Vicenza, he may have studied with Adrian Willaert in Venice, which was close by, and he acquired an early interest in the contemporary humanistic revival, including the study of ancient Greek music theory and performance practice (about which little was known, but was then being uncovered, through the work of scholars such as Girolamo Mei and Giangiorgio Trissino). At some time in the 1530s or early 1540s, he went to Ferrara, which was to become the center for experimental secular music in Italy from the middle to the end of the 16th century. Apparently, he served as a music tutor to the Duke of Ferrara and some of his family members in the House of Este, and some of Vincentino's music was sung at the court of Ferra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microtonality
Microtonal music or microtonality is the use in music of microtones— intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave. In other words, a microtone may be thought of as a note that falls between the keys of a piano tuned in equal temperament. In ''Revising the musical equal temperament,'' Haye Hinrichsen defines equal temperament as “the frequency ratios of all intervals are invariant under transposition (translational shifts along the keyboard), i.e., to be constant. The standard twelve-tone ''equal temperament'' (ET), which was originally invented in ancient China and rediscovered in Europe in the 16th century, is determined by two additional conditions. Firstly the octave is divided into twelve semitones. Secondly the octave, the most fundamental of all intervals, is postulated to be pure (beatless), as described by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Museum And Library Of Music
The Museo internazionale e biblioteca della musica is a music museum and music library in the Palazzo Aldini Sanguinetti, in the historic center of Bologna, Italy. Museum Background The Civico Museo Bibliografico Musicale was founded in 1959 to hold the city's collection of musical objects. It was renamed Museo Internazionale e Biblioteca della Musica in 2004 when the museum's current site, the Palazzo Sanguinetti, opened to the public. The palace was contains frescoes were first completed between the late 18th and early 19th centuries, and provide one of the finest examples of Neoclassical decoration. The museum exhibits highlight the rich musical heritage of Bologna. Until recently, much of this collection was warehoused. The palace provides an environment for display and conservation of these items. The institute is divided between two sites. An ample selection of volumes, paintings, and musical instruments are displayed in the museum halls in Strada Maggiore 34 (Palazzo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meantone Temperament
Meantone temperament is a musical temperament, that is a tuning system, obtained by narrowing the fifths so that their ratio is slightly less than 3:2 (making them ''narrower'' than a perfect fifth), in order to push the thirds closer to pure. Meantone temperaments are constructed the same way as Pythagorean tuning, as a stack of equal fifths, but it is a ''temperament'' in that the fifths are not pure. Notable meantone temperaments Equal temperament, obtained by making all semitones the same size, each equal to one-twelfth of an octave (with ratio the 12th root of 2 to one (:1), narrows the fifths by about 2 cents or 1/12 of a Pythagorean comma, and produces thirds that are only slightly better than in Pythagorean tuning. Equal temperament is roughly the same as 1/11 comma meantone tuning. Quarter-comma meantone, which tempers the fifths by 1/4 of a syntonic comma, is the best known type of meantone temperament, and the term ''meantone temperament'' is often used to refer to i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicology, musicologist, music critic, and editor. He was editor of the sixth edition of the ''Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (professor Of Music)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Rika Maniates
Maria Rika Maniates (March 30, 1937 – October 20, 2011) was a Canadian musicologist who taught at the University of Toronto. She began her career as a lecturer at the University of Toronto Faculty of Music in 1965 and held various positions in the department, such as associate professor and full professor of musicology. Over the course of her career, Maniates was a member of multiple music councils and music societies and was director-at-large of the American Musicological Society. Following her retirement from the University of Toronto in 1995, she was made professor emerita. Maniates examined music in papers delivered to Canada and the United States and contributed to ''The New Grove Dictionary of Music and Musicians'' as well as various musicological journals. Early life Maniates was born on March 30, 1937, in Toronto, Ontario. She was the daughter of Sophia and Euripides Maniates and had four siblings. At age three, Maniates began studying the piano, with Margaret Butler and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude V
Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher traditionally called just "Claude" in English * Madame Claude, French brothel keeper Fernande Grudet (1923–2015) Places * Claude, Texas, a city * Claude, West Virginia, an unincorporated community Other uses * Allied reporting name of the Mitsubishi A5M Japanese carrier-based fighter aircraft * Claude (alligator) Claude is an albino alligator ('' Alligator mississippiensis'') at the California Academy of Sciences. Claude lacks the pigment melanin, resulting in colorless skin, and he has poor eyesight associated with his albinism. Background Claude was h ..., an albino alligator at the California Academy of Sciences See also * Claude's syndrome, a form of brainstem stroke syndrome {{disambig, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Cordes
Manfred Cordes (born 1953) is a German conductor of early music, musicologist and teacher. He is professor at the Hochschule für Künste Bremen and was its rector from 2007 to 2012. Publications * ''Die lateinischen Motetten des Iacobus Regnart im Spiegel der Tonarten- und Affektenlehre des 16. Jahrhunderts.'' University of Bremen 1991 (Dissertation) * ''Pian e forte.'' Hauschild, Bremen 1998; * ''Nicola Vicentinos Enharmonik.'' (Book+CD), Akademische Druck- und Verlags-Anstalt, Graz/Austria, 2007; Discography Extensive discography with his ensemble Weser-Renaissance on the CPO label. * ''The Spirit of the Renaissance'' Works from Josquin des Prez to Hans Leo Hassler cpo 999 294-2 (1993) * Thomas Stoltzer (1480–1526) Missa duplex per totum annum; 3 Psalm Motets cpo 999 295-2 (1994) * ''Hanseatische Festmusiken um 1600'' – Wedding motets by Julius Johannes Weiland, Julius Ernst Rautenstein, Heinrich Albert, Andreas Hakenberger, Philipp Dulichius, Christoph Bernha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
