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Arch Of Caracalla (Djémila)
The Arch of Caracalla is a Roman Empire, Roman triumphal arch located at Djémila in Algeria (''Cuicul''). It was built during the early 3rd century. The arch, with a single span (''fornix''), was placed on the road leading to Sitifis. It constituted the entrance to the city's Severan forum. History The arch was erected in 216 in honour of the Emperor Caracalla, his mother Julia Domna, and his deceased father Septimius Severus. In 1839, Prince Ferdinand Philippe, Duke of Orléans saw the arch during an expedition and planned to have it transported to Paris, where he intended to have it erected with the inscription "L'Armée d'Afrique à la France" (The Army of Africa (France), Army of Africa, to France). After his death, in 1842, the project, which was almost ready to be carried out, was abandoned. The arch, together with the rest of the archaeological site of Djémila, has been included in the UNESCO list of World Heritage Sites since 1982. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Heritage Site
World Heritage Sites are landmarks and areas with legal protection under an treaty, international treaty administered by UNESCO for having cultural, historical, or scientific significance. The sites are judged to contain "cultural and natural heritage around the world considered to be of outstanding value to humanity". To be selected, a World Heritage Site is nominated by its host country and determined by the UNESCO's World Heritage Committee to be a unique landmark which is geographically and historically identifiable, having a special cultural or physical significance, and to be under a sufficient system of legal protection. World Heritage Sites might be ancient ruins or historical structures, buildings, cities, deserts, forests, islands, lakes, monuments, mountains or wilderness areas, and others. A World Heritage Site may signify a remarkable accomplishment of humankind and serve as evidence of humanity's intellectual history on the planet, or it might be a place of grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Buildings And Structures In Algeria
Ancient history is a time period from the beginning of writing and recorded human history through late antiquity. The span of recorded history is roughly 5,000 years, beginning with the development of Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500, ending with the expansion of Islam in late antiquity. The three-age system periodises ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages vary between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was exponentially increasing due to the Neolithic Revolution, which was in full progr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Of Caracalla (Thebeste)
{{Infobox monument , name = Arch of Caracalla , native_name = Thebeste , image = Porte Caracalla - Tébessa باب كركلا - تبسة.jpg , caption = , location = Tébessa, Algeria , map_image = , map_text = , map_width = , coordinates = {{coord, 35, 24, 17.6, N, 8, 7, 22.1, E, type:landmark_region:DZ_dim:35, display=inline,title , type = Roman triumphal arch , material = , length = , width = , height = , begin = , complete = , dedicated_to = Emperor Caracalla The Arch of Caracalla is a tetrapylon Roman triumphal arch in Thebeste, located in present-day Tébessa, Tébessa Province, Algeria. It was constructed during the early 3rd century. History The arch was built between 211 and 214 by means of a testamentary donation of Gaius Cornelius Egrilianus, Prefect of the XIV legion, who was originally from Thebeste. The figure set aside for the construction was 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Roman Triumphal Arches
This is a list of Roman triumphal arches. Triumphal arches were constructed across the Roman Empire and are an archetypal example of Roman architecture. Most surviving Roman arches date from the Roman Empire, Imperial period (1st century BC onwards). They were preceded by honorific arches set up under the Roman Republic. Existing arches Destroyed arches Note: MUR stands for the 12th century Mirabilia Urbis Romae See also *List of post-Roman triumphal arches *Victory column *Rostral column *Roman architecture *Roman engineering *Roman technology Sources * {{DEFAULTSORT:List Of Roman Triumphal Arches Ancient Roman triumphal arches, Lists of ancient Roman buildings and structures, Triumphal arches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attic (architecture)
In classical architecture, the term attic refers to a storey or a parapet above the cornice of a classical façade. The decoration of the topmost part of a building was particularly important in ancient Greek architecture and this came to be seen as typifying the ''Attica'' style, the earliest example known being that of the monument of Thrasyllus in Athens. It was largely employed in Ancient Rome, where their triumphal arches utilized it for inscriptions or for bas-relief sculpture. It was used also to increase the height of enclosure walls such as those of the Forum of Nerva. By the Italian revivalists it was utilized as a complete storey, pierced with windows, as found in City of Vicenza and the Palladian Villas of the Veneto, Andrea Palladio's work in Vicenza and in Greenwich Hospital, London. One well-known large attic surmounts the entablature of St. Peter's Basilica, which measures in height. Decorated attics with pinnacles are often associated with the Late Renaissance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns.Summerson, 130 In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aedicula
In religion in ancient Rome, ancient Roman religion, an ''aedicula'' (: ''aediculae'') is a small shrine, and in classical architecture refers to a Niche (architecture), niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3077 Accessed 29 September 2020."aedicule, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3079 Accessed 29 September 2020 the early Christian ones sometimes contained funeral urns. ''Aediculae'' are also represented in art as a form of ornamentation. The word ''aedicula'' is the diminutive of the Latin ''aedes (Roman), aedes'', a temple building or dwelling place. The Latin word has been Anglicisation of names, anglicised as "aedicule" and as "edicule". Describing post-antique architecture, especially Renaissance architecture, aedicular forms may be described using the word tabernacle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (, ''Korinthiakós rythmós''; ) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Ancient Roman architecture, Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture. A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic volutes ("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of Acanthus (ornament), stylized acanthus leaves and stalks ("cauliculi" or ''caulicoles''), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niche (architecture)
In architecture, a niche (Canadian English, CanE, or ) is a recess or cavity constructed in the thickness of a wall for the reception of decorative objects such as statues, busts, urns, and vases. In Classical architecture examples are an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. In the first century B.C, there was no exact mention of niches, but rather a zotheca or small room. These rooms closely resemble alcoves similar to a niche but slightly larger. Different sizes and sculpture methods suggest the term niche was understood. Greeks and Romans especially, used niches for important family tombs. Etymology The word derives from the Latin (), via the French . The Italian ''Contrade of Siena#Nicchio (Seashell), nicchio'' () may also be involved in the origin of the word, as the traditional decoration for the top of a niche is a scallop shell, hence also the alternative term of semi-dome, "conch" for a semi-dome, usually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pylon (architecture)
A pylon is a monumental gate of an Egyptian temple (Egyptian: ''bxn.t'' in the Manuel de Codage transliterationErmann & Grapow, ''Wörterbuch der ägyptischen Sprache'', vol.1, 471.9–11). The word comes from the Greek term 'gate'. It consists of two pyramidal towers, each tapered and surmounted by a cornice, joined by a less elevated section enclosing the entrance between them.Toby Wilkinson, ''The Thames and Hudson Dictionary of Ancient Egypt'', Thames & Hudson, 2005. p.195 The gate was generally about half the height of the towers. Contemporary paintings of pylons show them with long poles flying banners. Egyptian architecture In ancient Egyptian religion, the pylon mirrored the hieroglyph ''akhet'' 'horizon', which was a depiction of two hills "between which the sun rose and set". Consequently, it played a critical role in the symbolic architecture of a building associated with the place of re-creation and rebirth. Pylons were often decorated with scenes emphasizing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
