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Arashi Rikan II
was a Japanese kabuki actor of the late Edo period. He specialized in , but sometimes also performed as an ''onnagata''. Biography In 1800, Arashi appeared on stage for the first time in Osaka where he received the name of . He spent the first two decades of his career on the stages of minor theatres across the Kamigata region. He took the name Rikan II in 1828. Small in stature, Rikan II was famous for his striking eyes. He was given the moniker , from the characters and the of his original stage name Tokusaburō. He was the particular favourite of artist Shunbaisai Hokuei () and appears in most of his prints. He performed until his death in 1837, and was buried in Osaka. Nakamura Utaemon IV attended his funeral. The Arashi Rikan line continued into the fifth generation, dying out in 1920. Gallery File:Arashi Rikan II as Osome (Ryusai Shigeharu).jpg, '' Arashi Rikan II as Osome'' File:Arashi Rikan als Inuyama Dosetsu, RP-P-1979-226.jpg, ''Arashi Rikan II as from the Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arashi Rikan II As Osome
''Arashi Rikan II as Osome'' is an ''ukiyo-e'' woodblock print by Osaka print artist (1802 – 1853). It depicts late Edo period kabuki actor, Arashi Rikan II as the lead female character in a scene from a popular play of the period. The print belongs to the permanent collection of the Prince Takamado Gallery of Japanese Art in the Royal Ontario Museum, Canada. Print details * Medium: woodblock print; ink and colour on paper * Format: ''tate-e'' vertical print * Genre: ''kabuki-e'', ''yakusha-e'' * Japanese title: * Exhibit title: ''Actor Arashi Rikan II as Osome'' * Inscription: none * Signature: in bottom right corner * Publisher's mark: 天喜 (''Tenki'') * Publisher's seal: 天 (Tenki) * Censor seal: none * Date seal: none * Credit line: none Artist (1802/3–1853) was born in Nagasaki, Kyushu. He moved to Osaka around 1820, and began studying under (fl. c.1815-1841), then (1787–1832). He published his first print in 1820 under the name , and used various gō ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osaka
is a Cities designated by government ordinance of Japan, designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the List of cities in Japan, third-most populous city in Japan, following the special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin, Keihanshin Metropolitan Area, which is the List of metropolitan areas in Japan, second-largest metropolitan area in Japan and the 10th-List of urban areas by population, largest urban area in the world with more than 19 million inhabitants. Ōsaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawachi Province
was a Provinces of Japan, province of Japan in the eastern part of modern Osaka Prefecture. It originally held the southwestern area that was split off into Izumi Province. It was also known as . Geography The area was radically different in the past, with Kawachi Bay and lake dominating the area over what is now land. That the became the plains in the west of the province was in part due to the sediment flowing from the Yodo River, Yodo and Yamato Rivers. ''Chiku'' Kawachi was divided into three : , , and . * The northern county comprised the modern Hirakata, Osaka, Hirakata, Neyagawa, Osaka, Neyagawa, Kadoma, Osaka, Kadoma, Moriguchi, Osaka, Moriguchi, Shijōnawate, Osaka, Shijōnawate, Daitō, Osaka, Daitō, and Katano, Osaka, Katano, Osaka Prefecture, Osaka areas. * The central county comprised the modern Higashiōsaka, Osaka, Higashiōsaka, Yao, Osaka, Yao, and Kashiwara, Osaka, Kashiwara, Osaka areas. * The southern county comprised the modern Sakai, Osaka, Sakai's eastern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengoku period, the Edo period was characterized by prolonged peace and stability, urbanization and economic growth, strict social order, Isolationism, isolationist foreign policies, and popular enjoyment of Japanese art, arts and Culture of Japan, culture. In 1600, Tokugawa Ieyasu prevailed at the Battle of Sekigahara and established hegemony over most of Japan, and in 1603 was given the title ''shogun'' by Emperor Go-Yōzei. Ieyasu resigned two years later in favor of his son Tokugawa Hidetada, Hidetada, but maintained power, and defeated the primary rival to his authority, Toyotomi Hideyori, at the Siege of Osaka in 1615 before his death the next year. Peace generally prevailed from this point on, making samurai largely redundant. Tokugawa sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tachiyaku
is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all ''tachiyaku'' roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories. The hero or chief protagonist of a kabuki play is nearly always a ''tachiyaku'' role, and the head of a troupe or acting family typically specializes in these roles. The term, which literally means "standing role", once was used to refer to all actors, to distinguish them from musicians and chanters, who were called . (''Tachiyaku''). ''Kabuki Jiten'' (歌舞伎事典, "Kabuki Encyclopedia"). 2001–2003: Japan Arts Council. Accessed 17 January 2009. There are two main types of ''tachiyaku'' role: * '' |
Onnagata
, also , are male actors who play female roles in kabuki theatre. It originated in 1629 after women were banned from performing in kabuki performances. There are many specific techniques that actors must learn to master the role of ''onnagata''. History Edo Period In the early 17th century, shortly after the emergence of the genre, many kabuki theaters had an all-female cast (, or ''kabukimono''), with women playing men's roles as necessary. ('adolescent-boy kabuki'), with a cast composed entirely of young men playing both male and female roles, and frequently dealing in erotic themes, originated circa 1612. The role of the ''onnagata'' was shaped during the Edo period as an expression of femininity that was meant to align with the femininity of real women in Edo society. Both and (or ), actors specializing in adolescent female roles (and usually adolescents themselves), were the subject of much appreciation by both male and female patrons, and were often prostitutes. Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamigata
Kamigata (上方) was the colloquial term for a region today called Kansai region, Kansai (''kan'', barrier; ''sai'', west) in Japan. This large area encompasses the cities of Kyoto, Osaka, and Kobe. The term was also sometimes used to refer only to Kyoto city. The term is used particularly when discussing elements of Edo period urban culture such as ukiyo-e and kabuki, and when making a comparison to the urban culture of the Edo/Tokyo region. The term was no longer used as name for the Kansai provinces when Emperor Meiji moved to Edo in 1868. An account described Kamigata suji as one of the two regions that emerged from the division of Japan for the purpose of taxation with the other being Kwanto-suji. Kabuki, ukiyo-e, and many of the other related fields of popular and urban culture of the Edo period in fact originated in Kamigata before being transmitted to Edo. The vast majority of scholarship on the urban culture of the Edo period (1603–1867), even today, focuses on cultur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shunbaisai Hokuei
Shunbaisai Hokuei (; d. 1837), also known as Shunkō III, was a designer of ukiyo-e style woodblock printing in Japan, Japanese woodblock prints in Osaka, and was active from about 1824 to 1837. He was a student of Shunkōsai Hokushū. Hokuei’s prints most often portray the kabuki actor Arashi Rikan II. Shunbaisai Hokuei should not be confused with Tōkōen Hokuei (桃幸園 北英), an early 19th-century Edo (Tokyo) printmaker who is also commonly referred to as "Hokuei".Roberts, 1976, p. 48 Notes References * Keyes, Roger S. & Keiko Mizushima, ''The Theatrical World of Osaka Prints'', Philadelphia, Philadelphia Museum of Art, 1973, 265. * Richard Douglas Lane, Lane, Richard. (1978). ''Images from the Floating World, The Japanese Print.'' Oxford: Oxford University Press. OCLC 5246796* Newland, Amy Reigle. (2005). ''Hotei Encyclopedia of Japanese Woodblock Prints.'' Amsterdam: Hotei. OCLC 61666175* Roberts, Laurance P. (1976). ''A Dictionary of Japanese Artists.' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakamura Utaemon IV
was a Japanese kabuki performer. He was a prominent member of a family of kabuki actors from the Keihanshin region.Nussbaum, Louis Frédéric ''et al.'' (2005). Nakamura Utaemon was a stage name with significant cultural and historical connotations. Life and career Utaemon IV was believed to be the artistic heir of Nakamura Utaemon III. In the conservative Kabuki world, stage names are passed from father to son in formal system which converts the kabuki stage name into a mark of accomplishment. ; Lineage of Utaemon stage names * Nakamura Utaemon I (1714–1791) * Nakamura Utaemon II (1752-1798) * Nakamura Utaemon III (1778–1838) * Nakamura Utaemon IV (1798–1852) * Nakamura Utaemon V (1865–1940) * Nakamura Utaemon VI (1917–2001) In a long career, he acted in many roles including Ishikawa Goemon in the 1838 Edo Nakamura-za production of ''Sanmon Hitome Senbon.''Ritsumeikan University, Art Research CenterUtaemon IV ukiyo-e style woodblock print by Utagawa Kun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nansō Satomi Hakkenden
''Nansō Satomi Hakkenden'' (; ), commonly known as ''Satomi Hakkenden'' () or simply ''Hakkenden'' (), is a Japanese epic novel ('' yomihon'') by Kyokutei Bakin, originally published over the course of twenty-eight years ( 1814–42). Set in the Muromachi period, the story follows the adventures and mishaps of eight fictional warriors born across the Kantō region, who gradually discover their shared origin as "spirit-children" of a Satomi princess and unite in Nansō as loyal defenders of her clan. The novel, consisting of 98 chapters printed in a total of 106 booklets, is considered the largest novel in the history of Japanese Literature.Japanese wiki page :ja:南総里見八犬伝 Bakin, in his 70s by the time the work was completed, had gone blind before finishing the tale, and dictated the final parts to his daughter-in-law Michi Tokimura. Along with Ueda Akinari's ''Ugetsu Monogatari'', it is considered a masterpiece of gesaku literature, and one of the classics of J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiso Yoshinaka
, also known as , was a Japanese samurai lord mentioned in the epic poem ''The Tale of the Heike.'' A member of the Minamoto clan, he was a cousin and later rival of ''shogun'' Minamoto no Yoritomo during the Genpei War between the Minamoto and the Taira clans in the late Heian period. Early life Yoshinaka was born in Musashi Province. His father, Minamoto no Yoshikata, was killed by Minamoto no Yoshihira in 1155. Yoshihira also sought to kill Yoshinaka who escaped to Shinano Province. He was raised by Nakahara no Kanetō, the father of Imai Kanehira, together with his Milk kinship, milk-brother Imai Kanehira, who would later become his best friend and most loyal retainer. Yoshinaka later changed his name from Minamoto to , to reflect the Kiso Mountains where he was raised. Genpei War Yoshinaka accepted Prince Mochihito's call to the Minamoto clan to rise against the Taira clan, Taira in 1181. He entered the Genpei War by raising an army and invading Echigo Province. He then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
