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Arabella Currie
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. The Western Hemisphere premiere was at the Teatro Colón in Buenos Aires on 16 August 1934, conducted by Fritz Busch, with Margarete Teschemacher in the title role. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helpmann Award For Best Opera
The Helpmann Award for Best Opera is an award presented by Live Performance Australia (LPA), the "peak body for Australia’s live entertainment and performing arts industry". It has been handed out since 2001 at the annual Helpmann Awards, which "recognise distinguished artistic achievement and excellence in the many disciplines of Australia's vibrant live performance sectors". The award is presented to the producer of an opera, that is first performed in Australia during the eligibility period. Winners and nominees See also *Helpmann Awards References External linksThe official Helpmann Awards website {{HelpmannAward Opera Opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ... Opera competitions Opera-related lists Awards established in 2001 Classical music awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Jerger
Alfred Jerger (9 June 1889 – 18 November 1976) was an Austrian operatic bass-baritone, who began his career as a conductor of operettas, and was also an interim director of the Vienna State Opera and a professor of the Vienna Music Academy. He appeared at the Salzburg Festival from 1922 to 1959, and created the leading role of Mandryka in ''Arabella'' by Richard Strauss, among others. Life and career Born Alois Wendelin in Brno, he is said to have studied at the University of Music and Performing Arts Vienna. He became operetta-Kapellmeister at the Stadttheater Passau in the 1912/13 season. The next season saw him in Winterthur and Zurich in 1915, where he served as répétiteur. A year later he also appeared as an actor, and from the 1915/16 season only as actor and singer. In 1917, he appeared as Lothario in ''Mignon'' by Ambroise Thomas. He appeared in the world premiere of Busoni's ''Turandot'' the same year. In 1919 he became a member of the Bavarian State Opera throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camilla Kallab
Camilla Kallab (born 22 October 1910, last mentioned 1946) was an Austrian and later German operatic mezzo-soprano who appeared internationally. Life and career Born in Most, Austria, Kallab studied at the Musikhochschule Frankfurt and in Berlin. She made her debut in 1930 at the Theater Karlsruhe and was engaged by the Staatsoper Dresden from 1930 to 1934. At the 1932 Munich Opera Festival, she caused a sensation as Adriano in Wagner's ''Rienzi''. In Dresden in 1933, she sang Adelaide in the world premiere of ''Arabella'' by Richard Strauss. She made guest appearances in 1934 in Amsterdam, at the Teatro Colón in Buenos Aires and in ''Die Walküre'' at the opera in Rio de Janeiro. From 1934 to 1944 she was engaged at the Leipzig Opera. There she was involved in two world premieres – on 12 May 1941 in Winfried Zillig's ''Windsbraut'' and on 1 November 1942 in Franz Petyrek's ''Garden of Paradise''. She appeared at the Vienna State Opera on 19 September 1938 as Fricka in Wagn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Plaschke
Friedrich Plaschke (7 January 1875, Jaroměř – 4 February 1952) was a Czech operatic bass-baritone. From 1900 to 1937 he was a member of the Dresden Hofoper. He also appeared as a guest artist with companies in the United States, the Bayreuth Festival, and at the Royal Opera House in London. At the Dresden Opera, he appeared in five Richard Strauss premieres: ''Feuersnot'', ''Salome'', ''Die ägyptische Helena'', ''Die schweigsame Frau'', and ''Arabella''. He was married from 1911 to the soprano, Eva von der Osten, who in that year created the role of Octavian in Strauss's ''Der Rosenkavalier (''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel ''Les amours du cheva ...''. References 1875 births 1952 deaths Czech opera singers Operatic bass-baritones Czech baritones Emigrants from Austria-Hungary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
