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Apotheosis Of Saint Sebastian
'' Apotheosis of Saint Sebastian'' is a circa 1725 oil on canvas painting by the Italian Baroque painter Sebastiano Ricci. It is now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 994-1-5. The painting has been called "magnificent, one of Sebastiano Ricci's most perfect achievements" (''l'oœuvre est magnifique, elle compte parmi les plus parfaites réussites de Sebastiano Ricci'') by the art historian Pierre Rosenberg, writing in 1984. It is a late version of a theme that Ricci had treated between 1696 and 1698 in a now destroyed fresco in St Sebastian Church, Venice. A modello for that fresco (oil on canvas, 71 × 71 cm, or 28 × 28 in) has survived and is currently in a private collection. ''Apotheosis of Saint Sebastian'' was given to the museum in 1994 by the collectors Othon Kaufmann and François Schlageter, together with another painting by Ricci and several other Italian works, among which Crespi's ''L'Ingegno'', and Vignali's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a storm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Sebastiano, Venice
The Chiesa di San Sebastiano ( en, Church of Saint Sebastian) is a 16th-century Roman Catholic church located in the Dorsoduro '' sestiere'' of the Italian city of Venice. The church houses a cycle of paintings by the artist Paolo Veronese, as well as paintings by Tintoretto and Titian. The church is also a member of the Chorus Association of Venetian churches. It stands on the Campo di San Sebastiano by the Rio di San Basilio, close to the Giudecca Canal. It is one of the five votive churches in Venice, each one built after the passing of a plague through the city. Following construction, the church was dedicated to a saint associated with the disease; in this case St. Sebastian. History San Sebastiano is located on the site of a former hospice which was founded by the confraternity of Gerolimine fathers in 1393. Close to the hospice was an Oratory, built in 1396, and dedicated to Santa Maria Full of Grace and Justice. This was later expanded, and in 1468 was conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Sebastiano Ricci
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1725 Paintings
Seventeen or 17 may refer to: * 17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *'' Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Musée Des Beaux-Arts De Strasbourg
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil On Canvas Paintings
An oil is any nonpolar chemical substance that is composed primarily of hydrocarbons and is hydrophobic (does not mix with water) & lipophilic (mixes with other oils). Oils are usually flammable and surface active. Most oils are unsaturated lipids that are liquid at room temperature. The general definition of oil includes classes of chemical compounds that may be otherwise unrelated in structure, properties, and uses. Oils may be animal, vegetable, or petrochemical in origin, and may be volatile or non-volatile. They are used for food (e.g., olive oil), fuel (e.g., heating oil), medical purposes (e.g., mineral oil), lubrication (e.g. motor oil), and the manufacture of many types of paints, plastics, and other materials. Specially prepared oils are used in some religious ceremonies and rituals as purifying agents. Etymology First attested in English 1176, the word ''oil'' comes from Old French ''oile'', from Latin ''oleum'', which in turn comes from the Greek (''elaion'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Of Buccleuch
Duke of Buccleuch (pronounced ), formerly also spelt Duke of Buccleugh, is a title in the Peerage of Scotland created twice on 20 April 1663, first for James Scott, 1st Duke of Monmouth and second suo jure for his wife Anne Scott, 4th Countess of Buccleuch. Monmouth, the eldest illegitimate son of Charles II was attainted after rebelling against his uncle James II and VII, but his wife's title was unaffected and passed on to their descendants, who have successively borne the surnames ''Scott'', ''Montagu-Scott'', ''Montagu Douglas Scott'' and ''Scott'' again. In 1810, the 3rd Duke of Buccleuch inherited the Dukedom of Queensberry, also in the Peerage of Scotland, thus separating that title from the Marquessate of Queensberry. The substantial origin of the ducal house of the Scotts of Buccleuch dates back to the large grants of lands in Scotland to Sir Walter Scott of Kirkurd and Buccleuch, a border chief, by James II, in consequence of the fall of William Dougl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Roman Empire, Romans as ''Londinium'' and retains its medieval boundaries.See also: Independent city#National capitals, Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national Government of the United Kingdom, government and Parliament of the United Kingdom, parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the Counties of England, counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Agnew & Sons
Thomas Agnew & Sons is a fine arts dealer in London that began life as part of in a print and publishing partnership with Vittore Zanetti in Manchester in 1817 which ended in 1835, when Agnew took full control of the company. The firm opened its London gallery in 1860, where it soon established itself as one of Mayfair's leading dealerships. Since then Agnew's has held a pre-eminent position in the world of Old Master paintings. It also had a major role in the massive growth of a market for contemporary British art in the late 19th century. In 2013, after nearly two centuries of family ownership, Agnew's closed. The name was subsequently purchased privately and the gallery is now run by Lord Anthony Crichton-Stuart, a former head of Christie's Old Master paintings department, New York. History Agnew's, as it is commonly called, has long held a prominent position in the Bond Street trade in Old Master pictures. The founder's sons, Sir William Agnew, 1st Baronet (1825–1910) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyparissus (Vignali)
''Cyparissus'' is a 1620s Baroque painting on a mythological subject from Ovid's '' Metamorphoses'' by the Italian painter Jacopo Vignali. It is on display in the Musée des Beaux-Arts of Strasbourg, France, to which it had been donated by the collectors Othon Kaufmann and François Schlageter in 1994. Its inventory number is 994-1-8, or 44.994.1.8. The painting depicts the young Cyparissus, mourning his pet deer, that he had mistakenly killed with his own bow and arrow. The young boy's pain is amplified beyond the description given by Ovid, and possibly inspired by a 1624 Venetian edition of Giovanni Andrea dell' Anguillara's ''Metamorfosi ridotte in ottava rima'', in which the tearful aspect of the story is emphasized. It is one of the very few profane Profane may refer to: * Profane (religion), a thing which is not sacred * Profanity, foul language * ''Profane'' (film), a 2011 film * Profanity (instant messaging client) Profanity is a text mode instant messaging inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ingenuity (Crespi)
''Ingenuity'' (Italian: ''L'Ingegno'') is an allegorical Baroque painting by the Bolognese painter Giuseppe Maria Crespi. The painting is also known as ''Amor Victorious''. It is on display in the Musée des Beaux-Arts of Strasbourg, France, to which it had been donated by the collectors Othon Kaufmann and François Schlageter. Its inventory number is 994-1-1, or 44.994.1.1. The painting, one of the long-lived Crespi's most monumental and expressive, was painted in the early years of his mature period, although a precise dating has proved impossible. Its texture may have been inspired by Rembrandt, its subject by Caravaggio's '' Triumphant Cupid'', although this winged young man with the helmet, the bow and arrow, and the armillary sphere behind him, also stands for the classical allegory of ingenuity (the faculty of finding clever solutions). The painting once hung in Palazzo Magnani, Bologna, where it was seen and described by Joshua Reynolds, around 1750 ("A young man like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modello
A modello (plural modelli), from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century. Modern definitions in reference works vary somewhat. Alternative and overlapping terms are " oil sketch" (''schizzo'') and "cartoon" for paintings, tapestry, or stained glass, maquette, plastico or bozzetto for sculpture or architecture, or architectural model. Background Though in Gothic figural arts bishops and abbots are often represented carrying small simulacra of buildings they had constructed – "models" in the familiar modern sense – ''modello'' is only used of pieces which pre-date the finished work, and were at least in part produced by the main artist involved. The less frequently found term ricordo (Italian for "record" or "memory") means a similar piece produced as a small co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_The_Prodigal_Son_-_732311_-_National_Trust.jpg "Click for more on -> Sebastiano Ricci")
