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Antonio Tamburini (baritone)
Antonio Tamburini (28 March 1800 – 8 November 1876) was an Italian operatic baritone.Randel (1996) p. 900. Biography Born in Faenza, then part of the Papal States, Tamburini studied the orchestral horn with his father and voice with Aldobrando Rossi, before making his debut as a singer, aged 18, in ''La contessa di colle erbose'' (Pietro Generali). He went on to become one of the finest baritones of his age. He had a beautiful, smooth and flexible voice the quality of which is indicated by the bel canto music written for him. Castil-Blaze described his voice in ''The Harmonicon'' of May 1833: :His voice is a fine baritone, well defined, extending from A to F, occasionally reaching G#, and sometimes descending to Gb. I might have allotted to him the two full octaves without reserve, but I prefer to retrench the semitone, above and below, that I may give to his voice and tone the full praise it merits. It is round, rich, and clear, of wonderful flexibility, and such astonish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Tamburini-small
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Gali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nice, France
Nice ( , ; Niçard: , classical norm, or , nonstandard, ; it, Nizza ; lij, Nissa; grc, Νίκαια; la, Nicaea) is the prefecture of the Alpes-Maritimes department in France. The Nice agglomeration extends far beyond the administrative city limits, with a population of nearly 1 millionDemographia: World Urban Areas , Demographia.com, April 2016 on an area of . Located on the , the southeastern coast of France on the , at the foot of the |
Francesca Di Foix
''Francesca di Foix'' is a ''melodramma giocoso'' (comic opera) in one act by Gaetano Donizetti with a libretto by Domenico Gilardoni based on one by Jean-Nicolas Bouilly and Emmanuel Mercier-Dupaty for Henri Montan Berton's 3-act opéra-comique ''Françoise de Foix'', inspired by the life of Françoise de Foix. It received its first performance on 30 May 1831 at the Teatro San Carlo, Naples. Performance history The opera is chiefly known for having provided segments to other Donizetti operas, including '' Ugo, conte di Parigi'', ''L'elisir d'amore'' and ''Gabriella di Vergy'' although a complete recording exists on the ''Opera Rara'' label. It was given in London in November 2013, along with Debussy's '' L'enfant prodigue'' as a double bill, at the Guildhall School of Music staged by the Australian opera director Stephen Barlow. Roles Synopsis :Time: The Middle Ages :Place: FranceOsborne, p. 200 The Count is determined to keep his beautiful wife Francesca well awa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imelda De' Lambertazzi
''Imelda de' Lambertazzi'' is a '' melodramma tragico'' or tragic opera in two acts by Gaetano Donizetti from a libretto by Andrea Leone Tottola, based on the tragedy ''Imelda'' by Gabriele Sperduti. It received its first performance on 5 September 1830 at the Teatro San Carlo, Naples. Performance history The opera was not a great success and performances of it are very rare. A concert performance was given on 10 March 2007 at the Queen Elizabeth Hall in London, conducted by Mark Elder, which was recorded by Opera Rara. Roles Synopsis (This is a variation of the story of Romeo and Juliet.) :Time: 16th century :Place: BolognaOsborne 1994, p. 192 Imelda Lambertazzi (of the family supporting the Guelfs) loves Bonifacio, heir of the Geremei (of the family supporting the Ghibellines). When Bonifacio proposes peace between the families, to be sealed by their marriage, he is met with the ire of Imelda's father and brother. When Bonifacio attempts to see Imelda, he is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Straniera
''La straniera'' (''The Foreign Woman'') is an opera in two acts with music by Vincenzo Bellini to an Italian libretto by Felice Romani, based on the novel ''L'Étrangère'' (2 vols, 1825) by Charles-Victor Prévot, vicomte d'Arlincourt, although writer Herbert Weinstock also adds that it is "more likely ased ona dramatization of hat novelin Italian by Giovan Carlo, barone di Cosenza" since he then quotes a letter from Bellini to his friend Francesco Florimo in which he says that Romani "certainly will not follow the play" uggesting then that they were aware of its existence.ref name="WEIN55"/> The opera was composed in the autumn of 1828 and premiered on 14 February 1829 at the Teatro alla Scala in Milan. Composition history Historical background At the heart of the plot of this opera is a complicated series of historical events beginning at the end of the twelfth century. King Philip Augustus of France (Philip II of France) married the Danish princess Ingeborg in 1193. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bianca E Fernando
''Bianca e Fernando'' (''Bianca and Fernando'') is an opera in two acts by Vincenzo Bellini. The original version of this opera was presented as ''Bianca e Gernando'' and was set to a libretto by Domenico Gilardoni, based on ''Bianca e Fernando alla tomba di Carlo IV, duca di Agrigento'' (''Bianca and Ferdinand at the Tomb of Charles IV, Duke of Agrigento''), a play by Carlo Roti which is set in Sicily. In 1826, use of the name ''Fernando'' in the title was forbidden because Ferdinando was the name of the heir to the throne, and no form of it could be used on a royal stage. The 1826 work—Bellini's first professionally staged opera—had its first performance at the Teatro di San Carlo in Naples on 30 May 1826.Weinstock 1971, pp. 30—34 Its success resulted in the offer to the young composer from Domenico Barbaia, the intendente at the San Carlo and also part of the management of La Scala opera house in Milan, of a commission to write a new opera for La Scala. The revival of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianni Di Calais
''Gianni di Calais'' is a ''melodramma semiserio'', a "semi-serious" opera in three acts by Gaetano Donizetti (1828), from a libretto by Domenico Gilardoni, based on ''Jean de Paris'' by Louis-Charles Caigniez. It was first performed on 2 August 1828 at the Teatro del Fondo, Naples. Roles Synopsis :Time: "The past"Osborne 1994, p. 180 :Place: Portugal The Duchess Adelina meets a masked woman with a child on the beach at night. The stranger turns out to be her friend, Princess Matilde, the king's daughter, fleeing to avoid having to marry the courtier Rogiero. During her flight she had fallen into the hands of pirates, but had been rescued by the ship-owner Gianni di Calais, who later became her husband. No one knows that the woman is the king's daughter except Gianni's faithful friend, Rustano. Gianni arrives with the sails of his ship showing images of his wife and son. He has been called to court by the king in order to search for his daughter. It is at this point tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alina, Regina Di Golconda
''Alina, regina di Golconda'' (''Alina, Queen of Golconda'') is an opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani after Michel-Jean Sedaine's French libretto for Pierre-Alexandre Monsigny's ballet-heroique ''Aline, reine de Golconde'' (Paris Opera, 1766), in its turn based on the novel by Stanislas de Boufflers. The opera was commissioned for the opening festivities of the Teatro Carlo Felice, Genoa, where it premiered with success on 12 May 1828. Soon after, a revised version debuted at the Teatro Valle, Rome on 10 October 1829. Roles Synopsis :Time: "The mythical past"Osborne 1994, p. 177 :Place: India Act 1 Alina, a humble country girl, has been captured by pirates and taken to the kingdom of Golconda, where the elderly king falls in love with her, marries her, and shortly dies, leaving Alina a widow and queen. Her subjects urge her to choose another husband, and the noble and handsome Seide emerges as leading candidate. Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pirata
''Il pirata'' (''The Pirate'') is an opera in two acts by Vincenzo Bellini with an Italian libretto by Felice Romani which was based on a three-act '' mélodrame ''from 1826: ''Bertram, ou le Pirate'' (''Bertram, or The Pirate'') by Charles Nodier and Isidore Justin Séverin Taylor). This play was itself based upon a French translation of the five-act verse tragedy ''Bertram, or The Castle of St. Aldobrand'' by Charles Maturin which appeared in London in 1816. The original play has been compared with Bellini's opera and the influence of ''Il pirata'' on Gaetano Donizetti's ''Lucia di Lammermoor'' has been noted. Also, Bellini's recycling of his own music in this opera has been analyzed, as well as his utilizing "a more self-consciously innovative compositional style" and participating more in work on the libretto, as compared with prior efforts where he was more deferential to the librettists chosen by the Naples opera management and the corresponding texts. In addition, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alahor In Granata
''Alahor in Granata'' is an opera in two acts by Gaetano Donizetti to an anonymous Italian libretto (indicated only with the initials "M.A.") after Jean-Pierre Claris de Florian's text ''Gonzalve de Cordoue, ou Granade reconquise'' (1793). However, it seems that the original basis of the libretto goes back to one by Felice Romani written for Meyerbeer in 1821, which in turn can be traced back through another iteration to begin with the de Florian version.Osborne 1994, p. 161 While Donizetti was spending most of 1825/26 in Palermo as musical director of the , ''Alahor in Granata'' was written to be presented in December 1825, but the premiere was delayed until 7 January 1826 and given at the Teatro Carolino with critical and popular success. Performance history The score was eventually lost, but a copy – "not in the composer's hand" – was subsequently discovered in Boston in 1970. Finally, the autograph score came to light a few years later in Palermo. Some of the music was r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'ajo Nell'imbarazzo
''L'ajo nell'imbarazzo'' (''The Tutor Embarrassed'' or ''The Tutor in a Jam'') is a '' melodramma giocoso'', or opera, in two acts by Gaetano Donizetti. The Italian libretto was written by Jacopo Ferretti, after the 1807 play by Giovanni Giraud. At its premiere at the Teatro Valle, Rome, on 4 February 1824, it "was greeted with wild enthusiasm ndit was with this opera that ..Donizetti had his first really lasting success"Osborne 1994, p. 156 During revisions planned for the 1826 production in Naples, Donizetti renamed the opera ''Don Gregorio'', and it is under that name that most later productions were staged. Performance history 19th century Performances were given in many Italian cities and it became the first of the composer's operas to be given outside the country, with productions mounted in Vienna, Dresden, Barcelona, and Rio de Janeiro. However, before the planned Naples production of 1826, Donizetti revised the opera under the title of ''Don Gregorio'', and under t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
