|
Antonio Pollarolo
Antonio Giovanni Pollarolo (12 November 1676 — 30 May 1746) was an Italian composer of the Baroque period, keyboardist, and maestro di cappella at St Mark's Basilica in Venice. As a composer he is primarily remembered for his operas, although his composition output also included cantatas, oratorios, and motets. A precursor to 19th century bel canto opera composers like Gioachino Rossini and Gaetano Donizetti, his vocal writing was written in a virtuosic manner characterized by florid coloratura passages, wide vocal range, lively tempos, and syncopated rhythms. Life and career Born in Brescia into the Pollarolo family of musicians, Antonio's father was the opera composer and organist Carlo Francesco Pollarolo. He was trained as a musician by his father and Antonio Lotti. At the age of 13 he moved with his family to Venice when his father was appointed vicemaestro di cappella at St Mark's Basilica. Antonio occasionally substituted for his father in this position, beginning in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Classical music, Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, wikt:compono, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters [...] and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or 'singer-songwriter' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute The minute is a unit of time usually equal to (the first sexagesimal fraction) of an hour, or 60 seconds. In the UTC time standard, a minute on rare occasions has 61 seconds, a consequence of leap seconds (there is a provision to insert a nega ... (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter (music), meter, or these aspects may be indicated along with tempo, all contributing to the overall texture (music), texture. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1746 Deaths
Events January–March * January 8 – The Young Pretender Charles Edward Stuart occupies Stirling, Scotland. * January 17 – Battle of Falkirk Muir: British Government forces are defeated by Jacobite forces. * February 1 – Jagat Singh II, the ruler of the Mewar Kingdom, inaugurates his Lake Palace on the island of Jag Niwas in Lake Pichola, in what is now the state of Rajasthan in northwest India. * February 19 – Brussels, at the time part of the Austrian Netherlands, surrenders to France's Marshal Maurice de Saxe. * February 19 – Prince William, Duke of Cumberland, issues a proclamation offering an amnesty to participants in the Jacobite rebellion, directing them that they can avoid punishment if they turn their weapons in to their local Presbyterian church. * March 10 – Zakariya Khan Bahadur, the Mughal Empire's viceroy administering Lahore (in what is now Pakistan), orders the massacre of the city's Sikh people. April ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1676 Births
Events January–March * January 29 – Feodor III becomes Tsar of Russia. * January 31 – Universidad de San Carlos de Guatemala, the oldest institution of higher education in Central America, is founded. * January – Six months into King Philip's War, Metacomet (King Philip), leader of the Algonquian tribe known as the Wampanoag, travels westward to the Mohawk nation, seeking an alliance with the Mohawks against the English colonists of New England; his efforts in creating such an alliance are a failure. * February 10 – After the Nipmuc tribe attacks Lancaster, Massachusetts, colonist Mary Rowlandson is taken captive, and lives with the Indians until May. * February 14 – Metacomet and his Wampanoags attack Northampton, Massachusetts; meanwhile, the Massachusetts Council debates whether a wall should be erected around Boston. * February 23 – While the Massachusetts Council debates how to handle the Christian Indians they had exiled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice Conservatory
The Conservatorio di Musica Benedetto Marcello di Venezia is a conservatory in Venice, Italy named after composer Benedetto Marcello and established in 1876. History The conservatory was established in 1876 as ''Liceo e Società Musicale Benedetto Marcello'', became communal in 1895 under the name ''Liceo Civico Musicale "Benedetto Marcello"'', and attained conservatory status in 1915 as ''Liceo Civico Musicale Pareggiato Benedetto Marcello''. In 1940, under the directorship of Gian Francesco Malipiero, it became ''Conservatorio di Stato "Benedetto Marcello"''. The conservatory is housed in Palazzo Pisani a Santo Stefano - built between 1614 and 1615 -, located facing Campo Santo Stefano in the sestiere of San Marco. The building is owned by the municipality of Venice.Historical facts (Italian) Courses ...
|
Antonio Lotti
Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal church, although there is no documentary evidence. Venice Lotti made his career at St Mark's, first as an alto singer (from 1689), then as assistant to the second organist, then as second organist (from 1692), then (from 1704) as first organist, and finally (from 1736) as ''maestro di cappella'', a position he held until his death. Because of the paucity of solid scholarship until recent decades, older reference books cite a good deal of misinformation regarding Lotti’s biography. Cicogna’s 1834 Delle inscrizioni Veneziane and Francesco Caffi’s 1854 ''Storia della Musica'' relied on oral tradition more than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Francesco Pollarolo
Carlo Francesco Pollarolo (ca. 1653 – 7 February 1723) was an Italian composer, organist, and music director. Known chiefly for his operas, he wrote a total of 85 of them as well as 13 oratorios. His compositional style was initially indebted to the opera tradition of Giovanni Legrenzi and Carlo Pallavicino, but he moved beyond this style with innovations to the compositional structure of the aria characterized by expanded forms and orchestral elaborations. His early work used three part strings in the Legrenzi and Pallacino tradition of orchestration, but his mid and later works had developed into a richer orchestration of five strings parts and expanded instrumentation of brass and woodwinds. He was the first Venetian opera composer and one of the earliest Italian composers to use the oboe in his opera orchestrations. Life and career Born into the Pollarolo family of musicians in Brescia, Carlo Francesco Pollarolo was the son of musician Orazio Pollarolo. His father was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Tempo")
