Antonello Madau-Diaz
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Antonello Madau-Diaz
Antonello da Messina (; 1425–1430February 1479), properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina, was an Italian painter from Messina, active during the Italian Early Renaissance. His work shows strong influences from Early Netherlandish painting, although there is no documentary evidence that he ever travelled beyond Italy. Giorgio Vasari credited him with the introduction of oil painting into Italy, although this is now regarded as wrong. Unusually for a southern Italian artist of the Renaissance, his work proved influential on painters in northern Italy, especially in Venice. Biography Early life and training Antonello was born at Messina around 1429–1431, to Garita (Margherita) and Giovanni de Antonio Mazonus, a sculptor who trained him early on. He and his family resided in the Sicofanti district of the city. Antonello is thought to have apprenticed in Rome before going to Naples, where Netherla ...
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Portrait Of Man (Antonello Da Messina, London)
''Portrait of a Man'' is the conventional title of several male portraits by the Italian Renaissance artist Antonello da Messina. ''Portrait of a Man'' (Pavia) One such painting is in the Pavia Civic Museums, Civic Museums of Pavia, in Lombardy in northern Italy. It is signed in the Flemish manner by directly engraving the painter's name on the parapet in the lower foreground (instead of using a false glued panel), as with the Male portraits by Antonello da Messina#Portrait of a Man (c. 1475, Madrid), Madrid portrait. Despite the sign, the similarity to Flemish portrait paintings and the poor state of preservation have caused some scholars to doubt the attribution to Antonello. The work has been dated to the 1460s based on the fashion of the subject's dress and headgear. ''Portrait of a Man'' (Madrid) Another painting, executed in c. 1475, is housed in the Museo Thyssen-Bornemisza in Madrid. Among Antonello's portraits, it is among the most expressively animated. The subject, a y ...
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Rogier Van Der Weyden
Rogier van der Weyden (; 1399 or 140018 June 1464), initially known as Roger de le Pasture (), was an Early Netherlandish painting, early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign aristocrats. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the 200 years that followed; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Netherlandish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influe ...
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Piero Della Francesca
Piero della Francesca ( , ; ; ; – 12 October 1492) was an Italian Renaissance painter, Italian painter, mathematician and List of geometers, geometer of the Early Renaissance, nowadays chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and Perspective (graphical), perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the Basilica of San Francesco, Arezzo, Basilica of San Francesco in the Tuscany, Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Sansepolcro, Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to Lisa d ...
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Salting Madonna
The ''Madonna with Child'' (''Salting Madonna'') is a painting attributed on basis of style to the early Italian Renaissance master Antonello da Messina, depicting the Madona holding the doll-like Child and wearing an ornate golden crown, held by angels over her head. It is housed in the National Gallery, London. The name ''Salting'', which is also applied to a Madonna by Robert Campin, denotes George Salting, the collector who donated it to the gallery in 1910. Painting The ''Salting Madonna'' shows a complex series of cultural references that in the past have led scholars to classify it variously as a Flemish, Spanish or even Russian work. It is believed to be one of Antonello's earlier works, dating most likely from the 1460s, when the artist was still in Sicily. It portrays the Madonna adorned with a series of well-crafted and rendered details, such as the crown and the Venetian-style garments and gossamer veil. The Madonna has the attributes of Mary, mother of Christ. The c ...
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Amantea
Amantea ( Calabrian: ; ) is a town, former bishopric, ''comune'' (municipality) and Latin Catholic titular see in the province of Cosenza in the Calabria region of southern Italy. It is the twentieth municipality in the region by population, while for population density it is ranked twenty-fourth. It is a tourist centre on the southern Tyrrhenian Sea coast. History Amantea appears as a centre of its own in the 7th century, although traces of human presence from pre-historical times onwards have been found in the area. In 839 the Arabs captured it, being ousted by the Byzantines in 889. Later it was under Norman domination. In 1269 the Amanteani rebelled against the Angevines in the name of Conradin of Hohenstaufen, but were besieged by the French and defeated. In 1638, an earthquake destroyed the town. The town is mostly known for the long resistance of its inhabitants against the French troops under Joseph Bonaparte who, in 1806–1807, attempted to conquer its castle. In Ju ...
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Brigantine
A brigantine is a two-masted sailing vessel with a fully square-rigged foremast and at least two sails on the main mast: a square topsail and a gaff sail mainsail (behind the mast). The main mast is the second and taller of the two masts. Older usages are looser; in addition to the rigorous definition above (attested from 1695), the ''Oxford English Dictionary'' includes two definitions: "a small vessel equipped both for sailing and rowing, swifter and more easily manœuvred than larger ships" and "(loosely) various kinds of foreign sailing and rowing vessels, as the galleon, galliot, etc." Modern American definitions include vessels without any square sail(s) on the main mast. Mediterranean brigantines In the Mediterranean Basin during the 13th century, a brigantine referred to a sail- and oar-driven war vessel. It was lateen rigged on two masts and had between eight and twelve oars on each side. Its speed, maneuverability, and ease of handling made it a favourite of Med ...
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Jacobello Da Messina
Jacopo de Antonio; also called Jacobello Antonello, Jacobello da Messina'', or ''Iacobello di Antonello (c. 1456 – after 1482), was an Italian painter from Messina, Sicily, active during the Renaissance. He was the son of Antonello Da Messina. Jacobello may be the same as Pino da Messina. Biography The son of the painter Antonello Da Messina, Jacobello was probably born at Messina some time before 1457, and almost certainly traveled to Venice with his father during the 1460s and 1470s. He was also active in Naples and is mentioned in his father's will of 1479. Few works are attributed to him. His only signed and dated work to survive is a ''Madonna and Child'', dated 1480, in the Accademia Carrara The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collecto ... at Bergamo. Alfonso Franco ...
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Reggio Calabria
Reggio di Calabria (; ), commonly and officially referred to as Reggio Calabria, or simply Reggio by its inhabitants, is the List of cities in Italy, largest city in Calabria as well as the seat of the Metropolitan City of Reggio Calabria. As of 2025, it has 168,572 inhabitants and is the List of cities in Italy, twenty-first most populous city in Italy, after Modena and other Italian cities, and the List of metropolitan areas in Europe, 100th most populated city in Europe. Reggio Calabria is located near the center of the Mediterranean and is known for its climate, ethnic and cultural diversity. It is the third economic centre of mainland Southern Italy. About 511,935 people live in its metropolitan city.Reggio is located on the "toe" of the Italian Peninsula and is separated from the island of Sicily by the Strait of Messina. It is situated on the slopes of the Aspromonte, a long, craggy mountain range that runs up through the centre of the region. As a major functional pole ...
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Giovanni Bellini
Giovanni Bellini (; c. 1430 – 29 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous colouring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. The Bellini (cocktail), Bellini cocktail is named in his honour. Life Early career Giovanni Bellini was born in Veni ...
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Gentile Bellini
Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the Venetian painting, school of Venice. He came from Venice's leading family of painters, and, at least in the early part of his career, was more highly regarded than his younger brother Giovanni Bellini - a reversal of the situation today. From 1474, he was the official portrait artist for the Doge of Venice, Doges of Venice. In addition to his portraits, he painted a number of very large works with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician (post-Roman Europe), patrician social life.Hartt, 397-398 In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalism, Orientalist tradition in Western painting. His Portrait of Mehm ...
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Linear Perspective
Linear or point-projection perspective () is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. It is based on the optical fact that for a person an object looks N times (linearly) smaller if it has been moved N times further from the eye than the original distance was. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to , meaning that an object's dimensions parallel to the line of sight appear shorter than its dimensions perpendicular to the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizo ...
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Petrus Christus
Petrus Christus (; 1410/1420 – c. 1475/1476) was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling, he became the leading painter after the death of Jan van Eyck. He was influenced by van Eyck and Rogier van der Weyden and is noted for his innovations with linear perspective and a meticulous technique which seems derived from miniatures and manuscript illumination. Today, some 30 works are confidently attributed to him.Petrus Christus (active by 1444, died 1475/76)
. Metropolitan Museum of Art. Retrieved 9 March 2014
The best known include the ''Portrait of a Carthusian'' (1446) and ''Portrait of a Young Girl (Christus), Portrait of a Young Girl'' (); both are highly innovative in the presentation of the figure against detailed, rather than flat, backgrou ...
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