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Antinous Farnese
The ''Antinous Farnese'' is a marble sculptural representation of Antinous that was sculpted between 130 and 137 CE. Antinous was the lover to Roman Emperor Hadrian; the emperor who, after Antinous's death, perpetuated the image of Antinous as a Roman god within the Roman empire. This sculpture is a part of the Roman Imperial style and was sculpted during a revival of Greek culture, initiated by Hadrian's philhellenism. Its found spot and provenance are unknown, but this sculpture is currently a part of the Farnese Collection in the Naples National Archaeological Museum. History Antinous was the Greek lover to the Roman emperor Hadrian in the second century CE. Often referenced to as Hadrian's favorite, or more affectionately Hadrian's boyfriend, Antinous was born in Bithynium 110 CE and is speculated to have drowned in the river Nile before his twentieth birthday in 130 CE. The circumstances of Antinous's death vary by account, though the most popular theories range from acciden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antinous
Antinous, also called Antinoös, (; ; – ) was a Greek youth from Bithynia, a favourite and lover of the Roman emperor Hadrian. Following his premature death before his 20th birthday, Antinous was deified on Hadrian's orders, being worshipped in both the Greek East and Latin West, sometimes as a god () and sometimes merely as a Greek hero cult, hero (). Little is known of Antinous's life, although it is known that he was born in Claudiopolis (Bithynia), Claudiopolis (present day Bolu, Turkey), in the Roman province of Bithynia et Pontus. He was probably introduced to Hadrian in 123, before being taken to Roman Italy, Italy for a higher education. He had become the favourite of Hadrian by 128, when he was taken on a tour of the Roman Empire as part of Hadrian's personal retinue. Antinous accompanied Hadrian during his attendance of the annual Eleusinian Mysteries in Athens in the Roman era, Athens, and was with him when he killed the Marousian lion in Roman Libya, Libya, an ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antinous Mondragone
The ''Antinous Mondragone'' is a high marble example of the Mondragone type of the deified Antinous. This colossal head was made sometime in the period between 130 AD to 138 AD and then is believed to have been rediscovered in the early 18th century, near the ruined Roman city, Tusculum.Antinous, the lover of Emperor Hadrian, drowned in the Nile that year. Can be read about in: Lambert, Royston (1984). ''Beloved and God''. London: Weidenfeld and Nicolson. pp. 128–142. After its rediscovery, it was housed at the Villa Mondragone as a part of the Borghese collection, and in 1807, it was sold to Napoleon Bonaparte; it is now housed in the Louvre in Paris, France. This acrolithic sculpture was produced during the rule of Emperor Hadrian, who ruled from 117 AD until he died in 138 AD. It is widely accepted that Hadrian had kept Antinous as his lover and that they had a sexual relationship. However, this relationship did not accumulate much documentation, so a great deal of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures In The National Archaeological Museum, Naples
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Townley Antinous
The Townley Antinous is a marble portrait head of the Greek youth Antinous, the boyfriend or lover of the Roman Emperor Hadrian, wearing an ivy Wreath (attire), wreath. It is now part of the collection of London's British Museum, and was part of the Charles Townley, Townley Marbles. Only the head is ancient, once belonging to statue dating from and the late reign of Hadrian (); the bust is a modern addition. The portrait probably shows the youth as Dionysus, Dionysus–Bacchus. The bust was acquired along with the rest of the antiquities collected by 18th-century Grand Tourist and Fellow of the Royal Society, Charles Townley. A drawing of the bust attributed to Vincenzo Pacetti is also in the museum's collection. The head, carved from Parian marble, was believed to have been found on the Janiculum hill near the Villa Doria Pamphili in Rome in 1770, in an area then known as . It and the remains of the statue to which it belonged were found used as ''spolia'' in a roadside wall near ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statue Of Antinous (Delphi)
The Statue of Antinous at Delphi is an ancient statue that was found during excavations in Delphi. Antinous was a young Greek of extraordinary beauty from Bithynia, who became the beloved companion or lover of the Roman emperor Hadrian but later died in the Nile under mysterious circumstances. History Stricken by the death of Antinous, Hadrian, who was an admirer and a passionate devotee of classical Greek Antiquity, and also a patron of the Oracle of Delphi, gave orders that statues of the beautiful young man, whom he had loved so passionately, should be erected in all sanctuaries and cities of his vast empire. Furthermore he decreed the institution and establishment of Games in honor of Antinous, who thereafter was honoured and worshipped as a god. Thus a statue of Antinous was erected within the sanctuary of Delphi, after his death, in 130 AD, and it was one of the most beautiful and impressive cult statues. During the excavations, the statue was discovered upright on it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitoline Antinous
The Capitoline 'Antinous' is a marble statue of a young nude male found at Hadrian's Villa, Tivoli, during the time when Conte Giuseppe Fede was undertaking the earliest concerted excavations there. It was bought before 1733 by Alessandro Cardinal Albani. To contemporaries it seemed to be the real attraction of his collection. The statue was bought by Pope Clement XII in 1733 and went on to form the nucleus of the Capitoline Museums, Rome, where it remains. The restored left leg and the left arm, with its unexpected rhetorical hand gesture, were provided by Pietro Bracci. In the 18th century it was considered to be one of the most beautiful Roman copies of a Greek statue in the world. It was then thought to represent Hadrian's lover Antinous owing to its fleshy face and physique and downturned look. It was part of the artistic loot taken to Paris under the terms of the Treaty of Tolentino (1797) and remained in Paris 1800–15, when it was returned to Rome after the fall of Napol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples National Archaeological Museum
The National Archaeological Museum of Naples (, ) is an important Italian archaeological museum. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as the Royal Bourbon Museum (). Building The building was built as a cavalry barracks in 1585. From 1616 to 1777, it was the seat of the University of Naples. During the 19th century, after it became a museum, it suffered many changes to the main structure. Collections The museum hosts extensive collections of Greek and Roman antiquities. Their core is from the Farnese Collection, which includes a collection of engraved gems (including the Farnese Cup, a Ptolemaic bowl made of sardonyx agate and the most famous piece in the "Treasure of the Magnificent", and is founded upon gems collected by Cosimo de' Medici and Lorenzo il Magnifico in the 15th century) and the Farnese Marbles. Amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Farnese
Palazzo Farnese () or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. At the end of the 16th century, the important fresco cycle of ''The Loves of the Gods'' in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Classicism. The famous Farnese sculpture collection, now in the National Archeo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Bull
The ''Farnese Bull'' (), formerly in the Farnese collection in Rome, is a massive Roman elaborated copy of a Hellenistic sculpture. It is the largest single sculpture yet recovered from antiquity. Along with the rest of the Farnese antiquities, it has been since 1826 in the collection of the Museo Archeologico Nazionale Napoli in Naples, inv. no. 6002, though in recent years sometimes displayed at the Museo di Capodimonte across the city. The sculpture in Naples is much restored, and includes around the base a child, a dog, and other animals not apparently in the original composition, which is known from versions in other media. Pliny the Elder mentions what was presumably the prime version of it as the work of the Rhodian artists Apollonius of Tralles and his brother Tauriscus, stating that it was commissioned at the end of the 2nd century BC and carved from just one whole block of marble. It was imported from Rhodes as part of the remarkable collection of artwork and sculpt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Hercules
The ''Farnese Hercules'' () is an ancient statue of Hercules made in the early third century AD and signed by Glykon, who is otherwise unknown; he was an Athenian but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos (or one of his circle) that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome (dedicated in 216 AD), where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled ''Hercules'' is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination. The ''Farnese Hercules'' is a massive marble statue, following a lost original that was cast in bronze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Farnese
The House of Farnese (, also , ) was an influential family in Renaissance Italy. The titles of Duke of Parma and Piacenza, Duke of Latera and Duke of Castro were held by various members of the family. Its most important members included Pope Paul III, Alessandro Farnese (a cardinal), Alexander Farnese, Duke of Parma and Piacenza (a military commander and Governor of the Spanish Netherlands), and Elisabeth Farnese, who became Queen of Spain and whose legacy was brought to her Bourbon descendants. A number of important architectural works and antiquities are associated with the Farnese family, either through construction or acquisition. Buildings include the Palazzo Farnese in Rome and the Villa Farnese at Caprarola, and ancient artifacts include the Farnese Marbles. History Origins The family could trace its origins back to around AD 984 and took its name from one of its oldest feudal possessions - ''Castrum Farneti''. There has been some debate as to the origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
