Annunciation (Moretto)
''Annunciation'' is a 1535–1540 oil on panel painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia, having been left to the city collection by count Paolo Tosio in 1832 – no previous owners are known. Its small dimensions mean it was probably painted for a home or clergy house rather than a church. Pier Virgilio Begni Redona, ''Alessandro Bonvicino – Il Moretto da Brescia'', Editrice La Scuola, Brescia 1988, p. 304 Several replicas and copies are known, some of which are now lost. Pier Virgilio Begni Redona, ''Alessandro Bonvicino – Il Moretto da Brescia'', Editrice La Scuola, Brescia 1988, p. 305 Art historians adjudge it one of the artist's best works, "unique in the small oeuvre of Il Moretto" for its composition, colours and religious sense, all based on silvery and subdued tones. It is well-preserved – its first analysis in 1871 by Joseph Archer Crowe and Giovanni Battista Cavalcaselle called it a "fine and gracious painting and, even r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Moretto Da Brescia
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pinacoteca Tosio Martinengo
The Pinacoteca Tosio Martinengo is a public art museum in Brescia, Lombardy. Established in 1851, the museum exhibits mainly paintings by local artists dated from the Thirteenth through the Eighteenth century. The museum's current collection includes over 800 works of painting and sculpture, displayed in 21 galleries., Italy. The museum reopened on 17 March 2018 after a major nine-year-long renovation project. History The gallery opened in 1851 in the central ''Palazzo Tosio'', endowed in 1832 with the collection of Count Paolo Tosio and further enriched by donations and gathering of items from local religious buildings. In 1884, the Count Leopardo Martinengo da Barco added to the painting collection and endowed a library and collections of scientific artifacts to display in his palace. Museum The current collection of the museum includes works by Vincenzo Foppa, Ferramola, Paolo Veneziano, Andrea Solari, Francesco Francia, Lorenzo Lotto, Luca Mombello and Lattanzio G ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaiss ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paolo Tosio
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art *Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter *Paolo Buggiani (born 1933), Italian contemporary artist *Paolo Carosone (born 1941), Italian painter and sculptor *Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter *Paolo Fiammingo (c. 1540–1596), Flemish painter *Paolo Domenico Finoglia (c. 1590–1645), Italian painter * Paolo Grilli (1857–1952), Italian sculptor and painter * Paolo de Matteis (1662–1728), Italian painter *Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter * Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter * Paolo Gerolamo Piola (1666–1724), Italian painter * Paolo Porpora ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Clergy House
A clergy house is the residence, or former residence, of one or more priests or ministers of religion. Residences of this type can have a variety of names, such as manse, parsonage, rectory or vicarage. Function A clergy house is typically owned and maintained by a church, as a benefit to its clergy. This practice exists in many denominations because of the tendency of clergy to be transferred from one church to another at relatively frequent intervals. Also, in smaller communities, suitable housing is not as available. In addition, such a residence can be supplied in lieu of salary, which may not be able to be provided (especially at smaller congregations). Catholic clergy houses in particular may be lived in by several priests from a parish. Clergy houses frequently serve as the administrative office of the local parish, as well as a residence. They are normally located next to, or at least close to, the church their occupant serves. Partly because of the general conservat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joseph Archer Crowe
Sir Joseph Archer Crowe (25 October 1825, London – 6 September 1896, Gamburg an der Tauber, today Werbach, Germany) was an English journalist, consular official and art historian, whose volumes of the ''History of Painting in Italy'', co-written with the Italian critic Giovanni Battista Cavalcaselle (1819–1897), stand at the beginning of disciplined modern art history writing in English, being based on chronologies of individual artists' development and the connoisseurship of identifying artist's individual manners or "hands". Their multi-volume ''A New History of Painting in Italy'' continued to be revised and republished until 1909, after both were dead. Though now outdated, these are still often cited by modern art historians. Life Early life Crowe was born at 141 Sloane Street, London, the son of the journalist Eyre Evans Crowe and his wife Margaret Hunter. Shortly after his birth the family moved to France, where Crowe's childhood was spent, mostly in Par ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giovanni Battista Cavalcaselle
Giovanni Battista Cavalcaselle (22 January 1819 – 31 October 1897) was an Italian writer and art critic, best known as part of "Crowe and Cavalcaselle", for the many works in English on art history he co-authored with Joseph Archer Crowe. Their multi-volume ''A New History of Painting in Italy'' continued to be revised and republished until 1909, after both were dead. Though now outdated, these are still often cited by modern art historians. Biography Cavalcaselle was born in Legnago, Veneto. He studied at the Academy of Fine Arts in Venice. Cavalcaselle participated in the Revolution of 1848 and in the Roman Republic, and was sentenced to death ''in absentia''. After the fall of the republic he lived in England for several years. There he published, together with Joseph A. Crowe, their first joint work, ''Early Flemish Painters'' (1856), later followed by the ''History of Painting in Italy'' (3 volumes, 1864-1866). Other important works by Crowe and Cavalcaselle are ''Th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculpto ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paintings Of The Annunciation
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paintings By Moretto Da Brescia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |