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Anne Hill (actress)
Anne (Amelia) Hill wikt:née, née Fairbrother (London, 1804–1896, Montreal) was a Canadians, Canadian stage actress and ballet dancer. She was a popular actress and dancer during her active years in 1846–1861; after her retirement, she had a second career as a dance instructor, in which she also attained fame.Mary Jane Warner, "FAIRBROTHER, ANNE," in ''Dictionary of Canadian Biography'', vol. 12, University of Toronto/Université Laval, 2003–, accessed August 17, 2017, http://www.biographi.ca/en/bio/fairbrother_anne_12E.html. Life She was one of six children of Robert Fairbrother, dancer and acrobat, and Mary Bailey. She married the actor Charles John Hill in 1826. Career in Britain Anne Fairbrother made her debut as Cora's child in ''Pizarro (play), Pizarro'', by Richard Brinsley Butler Sheridan on London's Theatre Royal, Drury Lane, Drury Lane Theatre in 1816, and was a member of the corps de ballet there. She performed ballet and minor roles in the Surrey and Sadler's We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Née
A birth name is the name of a person given upon birth. The term may be applied to the surname, the given name, or the entire name. Where births are required to be officially registered, the entire name entered onto a birth certificate or birth register may by that fact alone become the person's legal name. The assumption in the Western world is often that the name from birth (or perhaps from baptism or ''brit milah'') will persist to adulthood in the normal course of affairs—either throughout life or until marriage. Some possible changes concern middle names, diminutive forms, changes relating to parental status (due to one's parents' divorce or adoption by different parents). Matters are very different in some cultures in which a birth name is for childhood only, rather than for life. Maiden and married names The French and English-adopted terms née and né (; , ) denote an original surname at birth. The term ''née'', having feminine grammatical gender, can be u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadians
Canadians (french: Canadiens) are people identified with the country of Canada. This connection may be residential, legal, historical or cultural. For most Canadians, many (or all) of these connections exist and are collectively the source of their being ''Canadian''. Canada is a multilingual and multicultural society home to people of groups of many different ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. Following the initial period of French and then the much larger British colonization, different waves (or peaks) of immigration and settlement of non-indigenous peoples took place over the course of nearly two centuries and continue today. Elements of Indigenous, French, British, and more recent immigrant customs, languages, and religions have combined to form the culture of Canada, and thus a Canadian identity. Canada has also been strongly influenced by its linguistic, geographic, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage Actress
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Dancer
A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet. Training and technique Ballet dancers typically begin training at an early age if they desire to perform professionally and often take part in international competitions such as YAGP and Prix de Lausanne. At these events, scholarships are being granted to the most talented dancers, enabling them to continue their training at renowned ballet schools around the world, such as the John Kranko Schule in Germany and the Académie de Danse Classique Princesse Grace in Monaco. Pre-professional ballet dancers can audition to enroll at a vocational ballet school such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actress
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Instructor
Dance education is a practice whereby students are taught a broad understanding of dance as an art form or trained professionally in specific dance genres. Dance education also encompasses a research area in which scholars conduct original research on ways of teaching and learning dance. Currently, dance itself is considered an allied form of art and music, thus dance in formal education is closely knit with these disciplines. Curriculum In general, a dance education curriculum is designed to impart dance performance skills, or knowledge of dance, or both to students. Knowledge-oriented curricula may cover any of a diverse range of topics, including dance notation, human anatomy, physics, dance history, cultural aspects of dance, and music. A curriculum may involve the study of one or more dance genres, including formal genres such as ballet, ballroom, contemporary, jazz, Latin, and tap dance, and informal and social genres such as line, freestyle, and sequence dancing. Profe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dictionary Of Canadian Biography
The ''Dictionary of Canadian Biography'' (''DCB''; french: Dictionnaire biographique du Canada) is a dictionary of biographical entries for individuals who have contributed to the history of Canada. The ''DCB'', which was initiated in 1959, is a collaboration between the University of Toronto and Laval University. Fifteen volumes have so far been published with more than 8,400 biographies of individuals who died or whose last known activity fell between the years 1000 and 1930. The entire print edition is online, along with some additional biographies to the year 2000. Establishment of the project The project was undertaken following a bequest to the University of Toronto from businessman, James Nicholson for the establishment of a Canadian version of the United Kingdom's '' Dictionary of National Biography''. In the spring of 1959, George Williams Brown was appointed general editor and the University of Toronto Press, which had been named publisher, sent out some 10,000 ann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pizarro (play)
''Pizarro'' is a 1799 historical tragedy by Richard Brinsley Sheridan. It was inspired by August von Kotzebue's play ''Die Spanier in Peru'', based on the Spanish conquest of the Inca Empire in 1532 by Francisco Pizarro. It premiered at the Theatre Royal, Drury Lane in London on 24 May 1799. The cast included John Philip Kemble as Rolla, William Barrymore as Pizarro, Sarah Siddons as Elvira, Dorothea Jordan as Cora, Charles Kemble as Alonzo, John Powell as Ataliba, Thomas Caulfield as Almagro, Robert Palmer as Valverde, James Aickin as Las Casas, Richard Suett as Diego, William Dowton William Dowton (1764–1851) was a British actor. Early life Dowton, the son of an innkeeper and grocer at Exeter, was born in that city on 25 April 1764. At an early age he worked with a marble cutter, but in 1780 was articled to an archite ... as Grozembo, William Chatterley as Boy and Charles Holland as Centinel. The music was composed by Michael Kelly. The epilogue was wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Brinsley Butler Sheridan
Richard Brinsley Butler Sheridan (30 October 17517 July 1816) was an Irish satirist, a politician, a playwright, poet, and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as '' The Rivals'', '' The School for Scandal'', '' The Duenna'' and '' A Trip to Scarborough''. He was also a Whig MP for 32 years in the British House of Commons for Stafford (1780–1806), Westminster (1806–1807), and Ilchester (1807–1812). He is buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the canon and are regularly performed worldwide. Early life Sheridan was born in 1751 in Dublin, Ireland, where his family had a house on then fashionable Dorset Street. His mother, Frances Sheridan, was a playwright and novelist. She had two plays produced in London in the early 1760s, though she is best known for her novel ''The Memoirs of Miss Sidney Biddulph'' (1761). His father, Thomas Sheridan, was for a while an actor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Park Theatre (Manhattan)
The Park Theatre, originally known as the New Theatre, was a playhouse in New York City, located at 21–25 Park Row in the present Civic Center neighborhood of Manhattan, about east of Ann Street and backing Theatre Alley. The location, at the north end of the city, overlooked the park that would soon house City Hall. French architect Marc Isambard Brunel collaborated with fellow émigré Joseph-François Mangin and his brother Charles on the design of the building in the 1790s. Construction costs mounted to precipitous levels, and changes were made in the design; the resulting theatre had a rather plain exterior. The doors opened in January 1798. In its early years, the Park enjoyed little to no competition in New York City. Nevertheless, it rarely made a profit for its owners or managers, prompting them to sell it in 1805. Under the management of Stephen Price and Edmund Simpson in the 1810s and 1820s, the Park enjoyed its most successful period. Price and Simpson init ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Montréal
The Theatre Royal in Montréal in Canada, also known as the Molson Theatre was the first public theatre in Canada. It was inaugurated in 1825, was given a new building in 1851, and closed in 1930. History The Theatre Royal played in important role in the history of the Theatre of Canada. Theatre, which had been banned in Canada during the French period, begun to flourish as amateur theatre after Canada became British, and the first professional theatre companies started to tour the country, starting with the Allen's Company of Comedians in 1785. However, there was no public theatre play house until the foundation of the Theatre Royal in Montréal, as the Haymarket Theatre, Quebec (1790-1840) was used only by private amateur theatre societies. The Theatre Royal in Montréal was founded by the merchant John Molson. It was consequently also referred to as the Molson Theatre. The theatre had room for 1000 spectators and was financed with a cost of $30,000. The original idea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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