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Anna Sofia Sevelin
Anna Sofia Sevelin née Thunberg (23 July 1790 – 25 February 1871) was a Swedish opera singer (alto). She was a '' Hovsångerska'' and a member of the Royal Swedish Academy of Arts. Life Anna Sofia Sevelin was the daughter of the church musician Olof Thunberg. She married the ballet dancer and actor Per Erik Sevelin in 1813. She was enrolled as a student at the Royal Dramatic Training Academy in 1806. She made her debut in 1807, and was engaged as a singer at the Royal Swedish Opera in 1813–37. Sevelin also made tours abroad, and performed in Copenhagen and Hamburg. Anna Sofia Sevelin was given good reviews as a singer. Her voice is described as a deep alto, which changed to a soprano with time. However, critics claimed that she lacked acting ability, and that she always performed on the stage as if she performed on a concert. Reportedly, her voice was damaged by over exhaustion under the demands of the opera management. She discontinued her performances in 1833, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hovsångare
The titles hovsångare (, literally "Court Singer") for men and hovsångerska () for women are awarded by the Swedish monarch to a singer (usually an opera singer) who, by their vocal art, has contributed to the international standing of Swedish singing. The formal title was introduced by King Gustav III of Sweden in 1773, with the first recipients being Elisabeth Olin and Carl Stenborg. The position as such, however, dates back to the 17th century, when Anne Chabanceau de La Barre and Joseph Chabanceau de La Barre were singers at the court of Queen Christina of Sweden. Named 21st century * 2021: Ann Hallenberg, John Lundgren * 2018: Malin Byström, Katarina Karnéus, Daniel Johansson. * 2013: Elin Rombo, Michael Weinius * 2010: Anna Larsson, Malena Ernman, Miah Persson * 2006: Nina Stemme, Hillevi Martinpelto * 2004: Karl-Magnus Fredriksson, Peter Mattei * 2003: Loa Falkman * 2002: Helena Döse * 2000: Katarina Dalayman, Ingrid Tobiasson 20th century * 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1871 Deaths
Events January–March * January 3 – Franco-Prussian War: Battle of Bapaume – Prussians win a strategic victory. * January 18 – Proclamation of the German Empire: The member states of the North German Confederation and the south German states unite into a single nation state, known as the German Empire. The King of Prussia is declared the first German Emperor as Wilhelm I of Germany, in the Hall of Mirrors at the Palace of Versailles. The Constitution of the German Confederation comes into effect. It abolishes all restrictions on Jewish marriage, choice of occupation, place of residence, and property ownership, but exclusion from government employment and discrimination in social relations remain in effect. * January 21 – Battle of Dijon: Giuseppe Garibaldi's group of French and Italian volunteer troops, in support of the French Third Republic, win a battle against the Prussians. * February 8 – 1871 French legislative election elects the first legislatu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1790 Births
Events January–March * January 8 – United States President George Washington gives the first State of the Union address, in New York City. * January 11 – The 11 minor states of the Austrian Netherlands, which took part in the Brabant Revolution at the end of 1789, sign a Treaty of Union, creating the United States of Belgium. * January 14 – U.S. Secretary of the Treasury Alexander Hamilton submits his proposed plan for payment of American debts, starting with $12,000,000 to pay the foreign debts of the confederation, followed by $40 million for domestic debts, and $21.5 million for the war debts of the states. The plan is narrowly approved 14-12 in the Senate, and 34-28 in the House.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p169 * January 15 – Fletcher Christian & 8 mutineers aboard the ''Bounty'' land on Pitcairn. * January 26 – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age resulted in List of compositions by Wolfgang Amadeus Mozart, more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphony, symphonic, concerto, concertante, chamber music, chamber, operatic, and choir, choral repertoires. Mozart is widely regarded as one of the greatest composers in the history of Classical music, Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, Mozart showed Child prodigy, prodigious ability from his earliest childhood. At age five, he was already competent on keyboard and violin, had begun to compose, and performed before European r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical and early Romantic eras. He gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Juan
Don Juan (), also known as Don Giovanni ( Italian), is a legendary fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play (''The Trickster of Seville and the Stone Guest'') by Tirso de Molina. The play includes most of the elements found and later adapted in subsequent works, including the setting (Seville), the characters (Don Juan, his servant, his love interest, and her father, whom he kills), moralistic themes (honor, violence and seduction, vice and retribution), and the dramatic ending in which Don Juan dines with and is then dragged down to hell by the stone statue of the father he had previously slain. Tirso de Molina's play was subsequently adapted into numerous plays and poems, of which the most famous include a 1665 play, ''Dom Juan'', by Molière; a 1787 opera, ''Don Giovanni'', with music by Mozart and a libretto by Lorenzo da Ponte largely adapting Tirso de Molina's play; a sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donna Elvira
''Don Giovanni'' (; K. 527; full title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play ''El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theatre (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the success of Mozart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (, ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. It is a ''Singspiel'', a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before Mozart's death. It was Mozart's last opera. It was an outstanding success from its first performances, and remains a staple of the opera repertory. In the opera the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nils Arfwidsson
Nils Arfwidsson (7 May 1802, Gothenburg – 14 April 1880, Stockholm) was a Swedish writer, journalist, and government official. Biography He was born to Niklas Arfwidsson, a village counselor, and his wife, Anna Margareta née von Jacobsson, the daughter of a businessman. His family moved to Skara, where his father died in 1813 and they were forced into declaring bankruptcy. His mother died shortly after. Having been given a good education in French and English, he was able to go to Uppsala and pass his in 1820. However, it soon came to the attention of Count Lars von Engeström that he was a regular visitor to the "Café des Indépendents", a meeting place for radicals, which effectively ended his career prospects. After failing to enter the diplomatic corps, he began writing art and literary criticism. His writings became popular so, in 1828, the Swedish Academy offered to name him head of the editorial offices for the ''Post- och Inrikes Tidningar''. He was there until 1830, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert
A concert, often known informally as a gig or show, is a live performance of music in front of an audience. The performance may be carried by a single musician, in which case it is sometimes called a recital, or by a musical ensemble such as an orchestra, choir, or musical band, band. Concerts are held in a wide variety of settings and sizes, spanning from music venue, venues such as private houses and small nightclubs to mid-sized concert halls and finally to large arenas and stadiums, as well as outdoor venues such as amphitheatres and parks. Indoor concerts held in the largest venues are sometimes called arena concerts or amphitheatre concerts. Regardless of the venue, musicians usually perform on a stage (theatre), stage (if not an actual stage, then an area of the floor designated as such). Concerts often require live event support with professional audio equipment. Before recorded music, concerts provided the main opportunity to hear musicians play. For large concerts or co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
