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Anna Golubkina
Anna Semyonovna Golubkina (russian: Анна Семёновна Голубкина; January 28, 1864 – September 7, 1927) was a Russian impressionist sculptor. As the first Russian sculptor to receive the Paris Salon prize, she is regarded as the first female Russian sculptor of note. Golubkina also had an exhibition at the prestigious Alexander III Museum. A crater on Venus is named after her. Biography Golubkina was born in Zaraysk, Ryazan gubernia (currently Moscow Oblast), Russia to a family of peasant Old Believers. Her father died when Golubkina was only two years old. She was raised by her grandfather, Policarp Sidorovich Golubkin, who was a profitable vegetable farmer and probably the head of the local Filippians community. Golubkina did not receive even a primary school education until the age of 25. Despite their total lack of formal schooling, all the children in Golubkin's family were literate and Golubkina's older sister Alexandra later got a nurse (feldsher) diplo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golubkina Photo
Golubkin (russian: Голубкин, from ''голубка'' meaning ''pigeon'') is a Russian masculine surname, its feminine counterpart is Golubkina. It may refer to: *Anna Golubkina (1864-1927), Russian impressionist sculptor *Larisa Golubkina (born 1940), Russian actress *Nikolai Golubkin (born 1974), Russian football player See also *Golubkina (crater) Golubkina is a crater on Venus. Golubkina is characterized by terraced inner walls and a central peak, typical of large impact craters on the Earth, Moon, and Mars Mars is the fourth planet from the Sun and the second-smallest plan ... on Venus Russian-language surnames {{surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergey Konenkov
Sergey Timofeyevich Konenkov (Сергей Тимофеевич Коненков) (also Sergei Konyonkov) (russian: Серге́й Тимофеевич Конёнков; – 9 December 1971) was a Russian and Soviet sculptor. He was often called "the Russian Rodin". Early life Konenkov was born in a peasant family, in a village of Karakovichi in Smolensk province. Sergey studied at the Moscow School of Painting, Sculpture and Architecture, graduating in 1897,''The Uncommon Vision of Sergei Konenkov.'' p. 5. and at the St. Petersburg Academy of Arts. His diploma work at the Academy - a huge clay statue of Samson tearing the chains - broke most existing laws of academic art and put him at odds with his teachers, who apparently destroyed the work with hammers. 1900-1922 period He travelled to Italy, France, Egypt, Greece, and Germany. During the Russian revolution of 1905 Konenkov was with the workers on the barricades, soon after creating portraits of the heroes of the reb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of realism and made use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody. Modernism also rej ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Art Theatre
The Moscow Art Theatre (or MAT; russian: Московский Художественный академический театр (МХАТ), ''Moskovskiy Hudojestvenny Akademicheskiy Teatr'' (МHАТ)) was a theatre company in Moscow. It was founded in 1898 by the seminal Russian theatre practitioner Konstantin Stanislavski, together with the playwright and director Vladimir Nemirovich-Danchenko. It was conceived as a venue for naturalistic theatre, in contrast to the melodramas that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing Stanislavski's system, proved hugely influential in the acting world and in the development of modern American theatre and drama. It was officially renamed the Gorky Moscow Art Theatre in 1932. In 1987, the theatre split into two troupes, the Chekhov Moscow Art Theatre and the Gorky Moscow Art Theatre. Beginnings At the end of the 19th-century, Stanislavski and Nemirovich-Danchenko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bas Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Thinker
''The Thinker'' (french: Le Penseur) is a bronze sculpture by Auguste Rodin, usually placed on a stone pedestal. The work depicts a nude male figure of heroic size sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand. The pose is one of deep thought and contemplation, and the statue is often used as an image to represent philosophy. Rodin conceived the figure as part of his work '' The Gates of Hell'' commissioned in 1880, but the first of the familiar monumental bronze castings was made in 1904, and is now exhibited at the Musée Rodin, in Paris. There are also 27 other known full-sized castings, in which the figure is approximately 185 cm (73 inches) high, although not all were made during Rodin's lifetime and under his supervision. There are various other versions, several in plaster, and studies and posthumous castings exist in a range of sizes. Origin ''The Thinker'' was in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Antokolski
Mark Matveyevich Antokolsky (russian: Марк Матве́евич Антоко́льский; 2 November 18409 July 1902) was a Russian Imperial sculptor of Lithuanian Jewish descent. Biography Mordukh Matysovich Antokolsky''Boris Schatz: The Father of Israeli Art'' Yigal Zalmona, The Israel Museum, 2006, signed letter from Paris, p.18. was born in Vilnius (Antokol city district), Lithuania (at the time part of the Russian Empire). He studied in the Imperial Academy of Arts (1862–68) at St. Petersburg. He first began with Jewish themes, statues: "Jewish Tailor", "Nathan The Wise", "Inquisition's Attack against Jews", "The Talmudic Debate". From 1868–1870, Mark Antokolsky lived in Berlin. His statue of Ivan the Terrible (1870) was purchased for the Hermitage by Emperor Alexander II of Russia. The latter approved his work and awarded the sculptor the title of Academic. Antokolsky believed that sculpture was a social and humane ideal. In order to improve his failing hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Claudel
Camille Rosalie Claudel (; 8 December 1864 19 October 1943) was a French sculptor known for her figurative works in bronze and marble. She died in relative obscurity, but later gained recognition for the originality and quality of her work. The subject of several biographies and films, Claudel is well known for her sculptures including ''The Waltz'' and ''The Mature Age''. The national Camille Claudel Museum in Nogent-sur-Seine opened in 2017. Claudel was a longtime associate of sculptor Auguste Rodin, and the Musée Rodin in Paris has a room dedicated to her works. Sculptures created by Claudel are also held in the collections of several major museums including the Musée d'Orsay in Paris, the Courtauld Institute of Art in London, the National Museum of Women in the Arts in Washington, D.C., the Philadelphia Museum of Art, and the J. Paul Getty Museum in Los Angeles. Early years Camille Claudel was born in Fère-en-Tardenois, Aisne, in northern France, the first child ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Rodin
François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as '' The Thinker'', '' Monument to Balzac'', '' The Kiss'', '' The Burghers of Calais'', and '' The Gates of Hell''. Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Colarossi
The Académie Colarossi (1870–1930) was an art school in Paris founded in 1870 by the Italian model and sculptor Filippo Colarossi. It was originally located on the Île de la Cité, and it moved in 1879 to 10 rue de la Grande-Chaumière in the 6th arrondissement. The school closed in the 1930s. History A precursor art school in the same location was the Académie Suisse, founded in 1815. The former Académie Suisse location on the Île de la Cité was bought by Italian sculptor Filippo Colarossi in 1870, and in 1879 it moved to 10 rue de la Grande-Chaumière in the 6th arrondissement. The Académie was established in the 19th century as an alternative to the government-sanctioned École des Beaux Arts that had, in the eyes of many promising young artists at the time, become far too conservative. Along with its equivalent Académie Julian, and unlike the official École des Beaux Arts, the Colarossi school accepted female students and allowed them to draw from the nude male mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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