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Anna Caterina Antonacci
Anna Caterina Antonacci (born 5 April 1961) is an Italian soprano known for roles in the bel canto and Baroque repertories. She performed as a mezzo-soprano for several years, particularly performing the Rossini canon. Life and career Anna Caterina Antonacci was born in Ferrara, Italy on April 5, 1961. She studied in Bologna and made her debut as Rosina in 1986 at Arezzo. In 1994, she made her Royal Opera debut as Elcia in '' Mosè in Egitto''. She appeared there again in 2006 with Jonas Kaufman. She was profiled at length by ''The New York Times'' in March 2012. In 2013, she appeared in '' La voix humaine'' at the Opéra-Comique. She has been married until his 2023 cancer death with water polo player Luca Giustolisi, with whom she had a son, Gillo. Repertory * Bellini: Adalgisa (''Norma''), Romeo (''I Capuleti e i Montecchi'') *Berlioz: Cassandre (''Les Troyens''), Marguerite (''La damnation de Faust''), Cléopâtre ('' La mort de Cléopâtre'') * Bizet: Carmen (''Carmen'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Jos� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Mort De Cléopâtre
The French composer Hector Berlioz made four attempts at winning the Prix de Rome music prize, finally succeeding in 1830. As part of the competition, he had to write a cantata to a text set by the examiners. Berlioz's efforts to win the prize are described at length in his ''Memoirs''. He regarded it as the first stage in his struggle against the musical conservatism represented by the judges, who included established composers such as Luigi Cherubini, François-Adrien Boieldieu and Henri-Montan Berton. Berlioz's stay in Italy as a result of winning the prize also had a great influence on later works such as ''Benvenuto Cellini'' and ''Harold en Italie''. The composer subsequently destroyed the scores of two cantatas (''Orphée'' and ''Sardanapale'') almost completely and reused music from all four of them in later works. There was a revival of interest in the cantatas in the late 20th century, particularly ''Cléopâtre'', which has become a favourite showcase for the soprano and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Damnation De Faust
''La Damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a French musical composition for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a ''légende dramatique'' (" dramatic legend"). It was first performed at the Opéra-Comique in Paris on 6 December 1846. Background and composition history Berlioz read Johann Wolfgang von Goethe's '' Faust, Part One'' in 1828, in Gérard de Nerval's translation. he recalled in his ''Memoirs''. : "...this marvellous book fascinated me from the first...I could not put it down. I read it incessantly, at meals, in the theatre, in the street." The work so impressed Berlioz that he composed a suite entitled ''Eight Scenes from Faust'', which became his Opus 1 (1829), though he later recalled all the copies of it he could find. He returned to the material in 1845, to make a larger work, with some additional text by Almire Gandonnière ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Troyens
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts, running for about five hours, by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Troyens'' is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Under the title ''Les Troyens à Carthage'', the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. The reduced versions run for about three hours. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written. Composition history Berlioz began the libretto on 5 May 1856 and completed it toward the end of June 1856. He finished the full score ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Capuleti E I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called ''Giulietta e Romeo (Vaccai), Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival of Venice, Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera ''Zaira (opera), Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norma (opera)
''Norma'' () is a ''tragedia lirica'' or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play ''Norma, ou L'infanticide'' (''Norma, or The Infanticide'') by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in Act 1 is a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé. Composition history Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May 1830 Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for December 1831 at La Scala became ''Norma'', while the one for the 1832 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; ; 3 November 1801 – 23 September 1835) was an Italian opera composer famed for his long, graceful melodies and evocative musical settings. A central figure of the era, he was admired not only by the public, but also by many composers who were influenced by his work. His songs balanced florid Ornament (music), embellishment with a deceptively simple approach to lyric setting. Born to a musical family in Sicily, he distinguished himself early and earned a scholarship to study under several noted musicians at Music conservatories of Naples#Conservatorio di San Sebastiano, Naples' Real Collegio di Musica. There he absorbed elements of the Neapolitan School's style and was inspired by performances of Donizetti's and Rossini's operas, among others, in more modern idioms. He wrote his first opera, ''Adelson e Salvini'' (1825), for the conservatory, and his next, ''Bianca e Fernando'' (1826), on a Teatro di San Carlo-affiliated commiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Gazzetta Dello Sport
(; English: "The Sports Gazette") is an Italian Newspaper#Daily, daily newspaper dedicated to coverage of various sports. Founded in 1896, it is the most widely read daily newspaper of any type in Italy (in 2018). History and profile was founded by Eliso Rivera and Eugenio Camillo Costamagna. The first issue was published on 3 April 1896, on time to cover the first modern Olympic Games held in Athens. The paper is based in Milan. Its role extends beyond news reporting and features, to direct involvement in major events, including (since 1909) the organization of the Giro d'Italia () road bicycle racing, road cycling race stage, stage race. is part of the RCS MediaGroup since 1976. The paper was published in broadsheet format until 2008 when its format was switched to tabloid (newspaper format), tabloid. The newspaper, published on pink paper, sells over 400,000 copies daily (more on Mondays when readers want to catch up on the weekend's events), and can claim a readership in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
