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Anja-Nina Bahrmann
Anja-Nina Bahrmann (born 1980) is a German opera, operetta, Lied and concert soprano. Life Born in Siegburg, Bahrmann began her studies in 2001 at the Hochschule für Musik Saar in the voice class of Rosemarie Bühler-Frey. She deepened her vocal studies at the . Her singing teacher there was . Anja-Nina Bahrmann also took lessons in the Lied class of Matthias Goerne and attended master classes with Ingeborg Most, Christiane Oelze, Leonard Hokanson and Christine Schäfer. She completed her studies in 2006 with a diploma. She won several prestigious prizes while still a student. In 2003, she won 3rd prize at the EURIAD-Vocaal Concours in the Netherlands and also received a special prize for her exceptional song interpretation. At the 4th 2005 in Vienna she received the Schönberg Prize. In the same year, Bahrmann won two further prizes: 1st prize at the Richard Strauss Competition and also 1st prize at the Schmolz and Bickenbach Competition. In 2005, she received two schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anja Nina Bahrmann Cropped
Aanya, Anya or Anja is a given name. The names are feminine in most cultures especially Indian, and unisex in several African and European countries. Origins and variant forms * Aanya or Anya is an Indian name that means inexhaustible, limitless and resurrection. It is of Sanskrit origin. * Aanya or Anya in Hebrew means favoured by God. *Anya (Аня) is a Russian diminutive of Anna. *Ania is the spelling in Polish, which is also a diminutive of Anna. *The spelling Anja is common in Croatian, Norwegian, Danish, German, Swedish, Finnish, Dutch, Afrikaans, Slovenian, Macedonian, Montenegrin, Bosnian, Serbian and Kurdish. *Anya is sometimes used as an anglicisation of the Irish name Áine *Anya is an old Kurdish name. It means "strength" or "power". *Anya is a Hungarian word for "mother". *Anya is a Nigerian Igbo name, and also word for "eye." *Anya (ⴰⵏⵢⴰ) is an Amazigh/Berber name. It means "rhythm" or "melody" in Berber languages. People with the given ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Mondo Della Luna
' (''The World on the Moon''), Hob. XXVIII:7, is an opera buffa by Joseph Haydn with a libretto written by Carlo Goldoni in 1750, first performed at Eszterháza, Hungary, on 3 August 1777. Goldoni's libretto had previously been set by six other composers, first by the composer Baldassare Galuppi and performed in Venice in the carnival of 1750. It was then adapted for Haydn's version of the opera, which would be performed during the wedding celebrations of Count Nikolaus Esterházy, the younger son of Haydn's patron, Prince Nikolaus Esterházy, and the Countess Maria Anna Wissenwolf. It is sometimes performed as a singspiel under its German title '. Roles The roles of Ecclitico and Lisetta were written for Guglielmo Jermoli and his wife Maria Jermoli, but they left Eszterháza shortly before the premiere. The opera is scored for two oboes, two bassoons, two horns, two trumpets, timpani, strings, and continuo. Synopsis Act 1 ''A terrace in the house of the bogus astronomer Ec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Bettelstudent
''Der Bettelstudent'' (''The Beggar Student'') is an operetta in three acts by Carl Millöcker with a German libretto by Camillo Walzel (under the pseudonym of F. Zell) and Richard Genée, based on ''Les noces de Fernande'' by Victorien Sardou and ''The Lady of Lyons'' by Edward Bulwer-Lytton. However, the librettists added the element of combining love and politics to the French comedy plots. It premiered in Vienna in 1882. Performance history The work was performed first at the Theater an der Wien, Vienna, on 6 December 1882. It was a success and allowed Millöcker to retire from conducting. Johann Strauss II rejected the libretto in favor of '' A Night in Venice'', but Millöcker's work turned out to be an enduringly popular operetta, with over 5,000 productions. The piece played at the Thalia Theatre in New York City in 1883 and then in English at the Casino Theatre in 1883. It was revived in New York at least three times: in 1898 and 1899 at the Thalia Theatre, and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Pasquale
''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera ''Ser Marcantonio'' written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or is assistantAccursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is generally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions '' quadri'', '' tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a '' Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's '' Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled '' The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' ( opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, ''La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Abduction From The Seraglio
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Calisto
''La Calisto'' is an opera by Francesco Cavalli from a libretto by Giovanni Faustini based on the mythological story of Callisto. The opera received its first performance on 28 November 1651 at the Teatro Sant 'Apollinare, Venice, where it drew limited audiences for its run of eleven performances. In the twentieth century it was successfully revived. Libretto The libretto was published in 1651 by Giuliani and Batti. The story combines two myths: Jupiter's seduction of Calisto, and Diana's adventure with Endymion (mythology), Endymion. The plot is somewhat formulaic: Jane Glover has commented on how the librettist had to invent complications to meet audience expectations in the context of Venetian opera. Performance history Faustini, who was an impresario as well as a librettist, rented the Sant 'Apollinare Theatre in 1650. He and Cavalli put on three operas there before his death in December 1651 during the run of ''La Calisto''. The theatre was equipped with complex stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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