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Angelo Maria Mazzia
Angelo Maria Mazzia (7 October 1825 in Roggiano Gravina, Province of Cosenza – 2 January 1890 in Naples) was an Italian painter. His father, Francesco Mazzia, was also a painter. Biography He was initially given a standard classical education in Letters at the local Seminary of San Marco, but when he was awarded a scholarship by the province he moved to Naples, to study veterinary medicine. Once there, he began taking private lessons in design from professor Giuseppe Cammarano. This led to another scholarship to study painting at the Royal Academy of Fine Arts. His instructors there were Giuseppe Mancinelli, Costanzo Angelini and Camillo Guerra. In 1860, he became an instructor of the Institute of Fine Arts, where he wrote a text on geometric design. In 1872, he won a position as Professor of Design at the school in Portici. His works included various portraits of notable people from Calabria. His painting ''St Sebastian after his Martyrdom'' was exhibited in 1859 and a ...
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1873 Vienna World's Fair
The 1873 Vienna World's Fair () was the large world exposition that was held from 1 May to 31 October 1873 in the Austria-Hungarian capital Vienna. Its motto was "Culture and Education" (). History As well as being a chance to showcase Austro-Hungarian industry and culture, the World's Fair in Vienna commemorated Franz JosephI's 25th year as emperor. The main grounds were in the Prater, a park near the Danube River, and preparations cost £23.4 million. It lasted from May 1 to November 2, hosting about 7,225,000 visitors. Facilities There were almost 26,000 exhibitors housed in different buildings that were erected for this exposition, including the '' Rotunda'' (), a large circular building in the great park of Prater designed by the Scottish engineer John Scott Russell. (The fair Rotunda was destroyed by fire on 17 September 1937.) Russian pavilion The Russian pavilion had a naval section designed by Viktor Hartmann. Exhibits included models of the Port of Rijeka and th ...
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Painters From Naples
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Ital ...
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19th-century Italian Painters
The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems and confirm c ...
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People From The Province Of Cosenza
The term "the people" refers to the public or common mass of people of a polity. As such it is a concept of human rights law, international law as well as constitutional law, particularly used for claims of popular sovereignty. In contrast, a people is any plurality of persons considered as a whole. Used in politics and law, the term "a people" refers to the collective or community of an ethnic group or nation. Concepts Legal Chapter One, Article One of the Charter of the United Nations states that "peoples" have the right to self-determination. Though the mere status as peoples and the right to self-determination, as for example in the case of Indigenous peoples (''peoples'', as in all groups of indigenous people, not merely all indigenous persons as in ''indigenous people''), does not automatically provide for independent sovereignty and therefore secession. Indeed, judge Ivor Jennings identified the inherent problems in the right of "peoples" to self-determination, as i ...
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1891 Deaths
Events January * January 1 ** A strike of 500 Hungarian steel workers occurs; 3,000 men are out of work as a consequence. **Germany takes formal possession of its new African territories. * January 4 – The Earl of Zetland issues a declaration regarding the famine in the western counties of Ireland. * January 5 **The Australian shearers' strike, that leads indirectly to the foundation of the Australian Labor Party, begins. **A fight between the United States and Lakotas breaks out near Pine Ridge agency. **A fight between railway strikers and police breaks out at Motherwell, Scotland. * January 7 ** General Miles' forces surround the Lakota in the Pine Ridge Reservation. ** The Inter-American Monetary Commission meets in Washington DC. * January 9 – The great shoe strike in Rochester, New York is called off. * January 10 – in France, the Irish Nationalist leaders hold a conference at Boulogne. The French government promptly takes loan. * J ...
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1825 Births
Events January–March * January 4 – King Ferdinand I of the Two Sicilies dies in Naples and is succeeded by his son, Francis I of the Two Sicilies, Francis. * February 3 – Vendsyssel-Thy, once part of the Jutland peninsula forming westernmost Denmark, becomes an island after a flood drowns its wide isthmus. * February 9 – After no presidential candidate receives a majority of United States Electoral College votes following the 1824 United States presidential election, the United States House of Representatives elects John Quincy Adams President of the United States in a contingent election. * February 10 – Gideon Mantell names and describes the second known dinosaur ''Iguanodon''. * February 10 – Simón Bolívar gives up his title of dictator of Peru and takes the alternative title of ''El Libertador''. * February 12 – Second Treaty of Indian Springs: The Creek (people), Creek cede the last of their lands in Georgia (U.S. state), Georgia to the United States ...
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Enrico Salfi
Enrico Salfi (28 November 1857, Cosenza – 14 January 1935, Cosenza) was an Italian painter, mainly of biblical or Ancient Roman subjects. He also excelled in oil portraits. Biography In 1876, he began his studies at the Tarantino Lyceum, where he was a pupil of Vincenzo Marinelli, among others. Like Domenico Morelli, Giuseppe Sciuti and Cesare Maccari, he had a predilection for "Pompeiian" or "Neo-Pompeiian" scenes.''Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.''
by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 444-445.
He lived in

Music Conservatories Of Naples
This is a list of music conservatories in Naples, Italy. Conservatorio di San Pietro a Majella The Naples Conservatory of Music is a music school located in Naples, Italy. It is situated in the complex of San Pietro a Majella. It was originally located in the church of the former monastery of San Sebastiano and was called the ''Conservatorio di San Sebastiano'', formed in 1807 by the merger of the Conservatorio di Santa Maria di Loreto, the Conservatorio di Sant' Onofrio in Capuana, and the ''Conservatorio della Pietà dei Turchini''. It also became known as the ''Real Collegio di Musica'', and after 1826 when it moved to its current location, as the ''Conservatorio di Musica San Pietro a Majella''. The conservatory and adjacent church are today part of the old San Pietro a Majella monastic complex, built at the end of the 13th century and dedicated to the monk Pietro da Morone, who became Pope Celestine V in 1294. The conservatory houses an impressive library of manuscripts pert ...
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Errico Petrella
Errico Petrella (10 December 18137 April 1877) was an Italian opera composer. Life and career Petrella was born at Palermo, capital of the Kingdom of Sicily. A conservative of the Neapolitan school, he was the most successful Italian composer, second only to Verdi, during the 1850s and 1860s. He also earned the latter's scorn for his compositional and dramatic crudities, which nonetheless played well on the stage. Petrella was a popular composer in his day, both of opera buffa and more serious work. His best opera, '' Jone'', has considerable melodramatic force and vitality, and Petrella's melodic style, though old-fashioned in comparison with Verdi's operas of the 1850s, is still appealing. None of his early works, premiered between December 1829 and 1839, were particularly successful. It was not until '' Il carnevale di Venezia'' (Naples, Nuovo, 20 May 1851) that he really became noticed. ''Elena di Tolosa'' (Naples, Fondo, 12 August 1852) followed. Finally, in 1854, he too ...
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