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André Mallabrera
André Mallabrera (15 June 1934 – 2 October 2017) was a French tenor. Born in Oran, (then in French Algeria), he was the son of singer José Mallabrera. After following his father into the watchmaker trade, Mallabrera undertook vocal studies at the Conservatoire d'Alger and in 1958 joined the Réunion des Théâtres Lyriques Nationaux.André Mallabrera page on artlyriquefr.fr accessed 27 February 2018. His career was based at both the Opéra Comique (where he made his debut in December 1958 as Almaviva), and the Opéra in Paris (his debut being Hylas in ''Les Troyens'' in May 1962). His voice, described as 'light, with immaculate French' was particularly at home at the former house in '' |
France Musique
France Musique is a French national public radio channel owned and operated by Radio France. It is devoted to the broadcasting of music, both live and recorded, with particular emphasis on classical music and jazz. History The channel was launched by Radiodiffusion-Télévision Française (RTF) in 1954 as ''La Chaîne Haute-Fidélité'', then renamed in 1958 as ''France IV Haute Fidélité'', as ''RTF Haute Fidélité'' in 1963, and finally as ''France Musique'' later in the same year. It was known between 1999 and 2005 as ''France Musiques''. The conductor André Jouve was coordinator of programming and music services at France Musique during the 1980s. Obituary for André Jouve on France Musique website ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Rosenthal
Manuel Rosenthal (18 June 1904 – 5 June 2003) was a French composer and conducting, conductor who held leading positions with musical organizations in France and America. He was friends with many contemporary composers, and despite a considerable list of compositions is mostly remembered for having orchestrated the popular ballet score ''Gaîté Parisienne'' from piano scores of Offenbach operettas, and for his recordings as a conductor. Early life and career Rosenthal was born in Paris to Anna Devorsosky, of Russian-Jewish descent, and a French father he never met.Nichols R. Manuel Rosenthal: Obituary. ''The Guardian'', 9 June 2003. His surname was taken from his stepfather, Bernard Rosenthal. He started his musical studies on violin at age 6, which he played in cafés and cinemas after his stepfather's death in 1918 to support his mother and sisters.Anderson, Martin, "A Century in Music: Manuel Rosenthal in Conversation" (April 2000). ''Tempo'' (New Ser.) (212): pp. 31-37. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolai Gedda
Harry Gustaf Nikolai Gädda, known professionally as Nicolai Gedda (11 July 1925 – 8 January 2017), was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech and Swedish, as well as one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera '' Vanessa'' at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception. Early years Harry Gustaf Nikolai Gädda, who later changed the spelling of his surname to Gedda, was born out of wedlock in Stockholm to a Swedish mother and a half-Russian father. He was raised by his aunt Olga Gädda and his adoptive father Michail Ustinov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Contes D'Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon-Théâtre de l'Europe, Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Géori Boué
Georgette "Géori" Boué (16 October 1918 – 5 January 2017) was a French soprano, particularly associated with the French repertory, especially Marguérite, '' Thais'' and Salomé (Massenet). She was born in Toulouse. Following her career in France and other European centres, she was a teacher and "perceptive observer of the French operatic scene".Pines, Roger. Obituary - Géori Boué. ''Opera'', March 2017, Vol.68, No.3, p305-6. Life and career Boué studied at the Music Conservatory of her native city ( solfege, piano, harp, voice) with Claude Jean. After winning a first prize in a vocal competition, she made her debut at the Capitole de Toulouse in 1934, aged only 16, in small roles, such as Urbain in ''Les Huguenots'', Siebel in ''Faust'', Stéfano in '' Roméo et Juliette'', quickly followed by bigger parts such as the lead role in '' Mireille'' and Micaëla in ''Carmen''. She made her Paris debut at the Opéra-Comique in 1939, as Mimi in ''La Bohème'' (also singing i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Lustige Witwe
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the "Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Du Tambour-major
''La fille du tambour-major'' (''The Drum Major's Daughter'') is an opéra comique in three acts, with music by Jacques Offenbach and words by Alfred Duru and Henri Chivot. It was one of the composer's last works, premiered less than a year before his death. It opened at the Théâtre des Folies-Dramatiques, Paris, on 13 December 1879, and, after a successful initial run, was frequently revived in Paris and internationally, but in recent times has not been among the Offenbach operas most frequently staged. The plot, which has elements in common with Gaetano Donizetti's 1840 comic opera '' La fille du régiment'', depicts a young woman discovering her real identity, renouncing her aristocratic upbringing, and marrying a dashing soldier. Background and first performance After immense success in the 1860s, Offenbach suffered a brief period of unpopularity with the Parisian public in the early 1870s for his association with the fallen Second Empire. His position as the pre-emini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jésus Etcheverry
Jésus Etchéverry (14 November 1911 in Bordeaux – 12 January 1988 in Paris) was a French operatic conductor. He began studying the violin while still very young, and played with diverse small orchestras to pay for his tuitions. At age 20, he was engaged by the Symphonic Orchestra in Casablanca, as first violinist, and shortly after began teaching at the Music Conservatory there. He spent the war years in Morocco, and began conducting in an improvised opera season, organised by French expatriate opera singers. The success was such that once the war over, he returned to France and became musical director at the opera house in Nancy, a post he held from 1947 until 1957. He also conducted the summer opera seasons in Luchon, Enghien and Angoulême. In 1957, he was named first conductor at the Opéra-Comique, where he remained until 1972. Beginning in 1966, he also conducted at the Palais Garnier. He became musical director of the opera house in Nantes in 1972, and then took the mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre De La Société Des Concerts Du Conservatoire
The Orchestre de la Société des concerts du Conservatoire was a symphony orchestra established in Paris in 1828. It gave its first concert on 9 March 1828 with music by Beethoven, Rossini, Meifreid, Rode and Cherubini. Administered by the philharmonic association of the ''Conservatoire de Paris'', the orchestra consisted of professors of the Conservatoire and their pupils. It was formed by François-Antoine Habeneck in pioneering fashion, aiming to present Beethoven's symphonies, but over time it became more conservative in its programming.Nichols R. The Harlequin Years – Music in Paris 1917–1929. Thames and Hudson, London, 2002. Its long existence kept the tradition of playing taught at the Conservatoire prominent in French musical life. The orchestra occupied the center-stage of French musical life throughout the 19th and most of the 20th centuries. A major tour of the US took place in 1918, appearing in 52 cities. Later that year it made the first of its many recordings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Data
In the pursuit of knowledge, data (; ) is a collection of discrete values that convey information, describing quantity, quality, fact, statistics, other basic units of meaning, or simply sequences of symbols that may be further interpreted. A datum is an individual value in a collection of data. Data is usually organized into structures such as tables that provide additional context and meaning, and which may themselves be used as data in larger structures. Data may be used as variables in a computational process. Data may represent abstract ideas or concrete measurements. Data is commonly used in scientific research, economics, and in virtually every other form of human organizational activity. Examples of data sets include price indices (such as consumer price index), unemployment rates, literacy rates, and census data. In this context, data represents the raw facts and figures which can be used in such a manner in order to capture the useful information out of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Médus
Henri Médus (21 October 1904 – 11 November 1985) was a French operatic bass. A member of the troupe of the Opéra Garnier from 1933, he distinguished himself particularly in the roles of : ''The Magic Flute'' (Sarastro), ''Samson et Dalila'' (the old Hebrew man), ''Aida'' (Ramfis), ''Rigoletto'' (Sparafucile), ''La Juive'' (Cardinal de Brogni), ''Les Huguenots'' (Marcel), ''Die Entführung aus dem Serail'' (Osmin), ''Boris Godunov'' (Pimen, Varlaam), ''Die Walküre'' (Hunding), and ''Der Rosenkavalier'' (Baron Ochs). Biography Medus was born in Guelma (Algeria) where he spent his childhood before his family settled in Algiers. He took singing lessons from Rose Elsie (soprano of the Opéra-Comique) After an audition for conductor Désiré-Émile Inghelbrecht (1880–1965), then musical director of the Algiers Opera, he was hired for the role of Colline in ''La Bohème''. He made his stage debut on 16 October 1929 in Puccini's opera in French. After two seasons of experienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Bianco
René Bianco (21 June 1908 – 23 January 2008) was a French operatic baritone who performed at the Opéra Comique and the Paris Opera The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be ... in a wide variety of leading roles.Zisman, Marc (29 January 2008"Disparition de René Bianco, Le baryton français s’est éteint à l’âge de 99 ans" ''Qobuz'' References 1908 births 2008 deaths French operatic baritones People from Constantine, Algeria 20th-century French male opera singers {{opera-singer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
