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Andreas Bauer Kanabas
Andreas Bauer Kanabas is a German classical bass in opera and concert. Prior to December 2018, he performed under the name Andreas Bauer. A member of the Oper Frankfurt, he has performed major roles at German and international opera houses. Besides Mozart's Sarastro, and kings in operas by Verdi and Wagner such as Philip II of Spain and Marke, he has portrayed characters such as Bluebeard, Tiresias, and Ibn-Hakia. Career Born in Jena to a musical family, Bauer learned the piano with his mother, and sang in children's choirs. He trained to be a sound engineer. He then studied voice at music universities, at the Hochschule für Musik Carl Maria von Weber in Dresden and at the Hochschule für Musik Franz Liszt, Weimar, with Eugen Rabine. He also studied privately with Paolo Barbacini in Italy and with Robert Lloyd in London. While studying, he was engaged at the theatre of Annaberg-Buchholz, the , where he learned many major roles. He then was a member of the Theater Würzbu ...
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Jena
Jena () is a German city and the second largest city in Thuringia. Together with the nearby cities of Erfurt and Weimar, it forms the central metropolitan area of Thuringia with approximately 500,000 inhabitants, while the city itself has a population of about 110,000. Jena is a centre of education and research; the Friedrich Schiller University was founded in 1558 and had 18,000 students in 2017 and the Ernst-Abbe-Fachhochschule Jena counts another 5,000 students. Furthermore, there are many institutes of the leading German research societies. Jena was first mentioned in 1182 and stayed a small town until the 19th century, when industry developed. For most of the 20th century, Jena was a world centre of the optical industry around companies such as Carl Zeiss, Schott and Jenoptik (since 1990). As one of only a few medium-sized cities in Germany, it has some high-rise buildings in the city centre, such as the JenTower. These also have their origin in the former Carl Zeiss ...
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Paolo Barbacini
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art *Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter *Paolo Buggiani (born 1933), Italian contemporary artist *Paolo Carosone (born 1941), Italian painter and sculptor *Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter *Paolo Fiammingo (c. 1540–1596), Flemish painter *Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter *Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpora (1617– ...
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Vodník
In Slavic mythology, vodyanoy or vodyanoi ( rus, водяно́й, p=vədʲɪˈnoj; lit. ' efrom the water' or 'watery') is a water spirit. In Czech and Slovak fairy tales, it is called ''vodník'' (or in Germanized form: ), and it is considered to be the equivalent creature as the Wassermann or nix of German fairy tales. Vodyanoy is said to appear as a naked old man with a frog-like face, greenish beard, and long hair, with his body covered in algae and muck, usually covered in black fish scales; сonsequently, he is often dubbed "grandfather" or "forefather" by the local people. He has webbed paws instead of hands, a fish's tail, and eyes that burn like red-hot coals. He usually rides along his river on a half-sunken log, making loud splashes. Local drownings are said to be the work of the vodyanoy (or rusalkas). When angered, the vodyanoy breaks dams, washes down water mills, and drowns people and animals. Consequently, fishermen, millers, and also bee-keepers make sacrific ...
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Ingo Metzmacher
Ingo Metzmacher (born 10 November 1957 in Hanover) is a German conductor and artistic director of the festival KunstFestSpiele Herrenhausen in Hanover. Life Ingo Metzmacher is the son of the cellist Rudolf Metzmacher and the research biologist Lore Schoen. His musical education in piano, music theory and conducting was in Hanover, Salzburg and Cologne. He later joined the Ensemble Modern in 1980 as its pianist and became the orchestra's conductor in 1985. In 1987 he gave his opera debut at the Opera Frankfurt. In 1994 Metzmacher conducted the premiere of the revised version of Hans Werner Henze's Symphony No. 6. In 1997 he conducted the world premiere of Henze's Symphony No. 9 at the composer's request. Between 1995 and 1999 he was principal guest conductor of the Bamberg Symphony and from 1997 to 2005 he served as general music director of the City of Hamburg, which covered the Hamburg State Opera and its Philharmonic Orchestra. In 2005 the Hamburg State Opera was voted ...
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The Rake’s Progress
''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings '' A Rake's Progress'' (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. The story concerns the decline and fall of one Tom Rakewell, who deserts Anne Trulove for the delights of London in the company of Nick Shadow, who turns out to be the Devil. After several misadventures, all initiated by the devious Shadow, Tom ends up in Bedlam, a hospital for the insane at that time situated in the City of London. The moral of the tale is: "For idle hearts and hands and minds the Devil finds work to do." Performance history It was first performed at the Teatro La Fenice in Venice on 11 September 1951, with Elisabeth Schwarzkopf creating the role of Anne Trulove, and Robert Rounseville that of Tom Rakewell. It w ...
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The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an '' opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy '' The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of ...
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Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote '' Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural ('' tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. ...
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Andris Nelsons
Andris Nelsons (born 18 November 1978) is a Latvian conductor who is currently the music director of the Boston Symphony Orchestra and the ''Gewandhauskapellmeister'' of the Leipzig Gewandhaus Orchestra. He has previously served as music director of the City of Birmingham Symphony Orchestra, chief conductor of the Nordwestdeutsche Philharmonie, and music director of the Latvian National Opera. Early life Nelsons was born in Riga. His mother founded the first early music ensemble in Latvia, and his father was a choral conductor, cellist, and teacher. At age five, his mother and stepfather (a choir conductor) took him to a performance of Richard Wagner, Wagner's ''Tannhäuser (opera), Tannhäuser'', which Nelsons refers to as a profoundly formative experience: "...it had a hypnotic effect on me. I was overwhelmed by the music. I cried when Tannhäuser died. I still think this was the biggest thing that happened in my childhood." As a youth, Nelsons studied piano, and took up the t ...
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Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is " Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic '' Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions '' quadri'', '' tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compac ...
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Daniel Barenboim
Daniel Barenboim (; in he, דניאל בארנבוים, born 15 November 1942) is an Argentine-born classical pianist and conductor based in Berlin. He has been since 1992 General Music Director of the Berlin State Opera and "Staatskapellmeister" of its orchestra, the Staatskapelle Berlin. The current general music director of the Berlin State Opera and the Staatskapelle Berlin, Barenboim previously served as Music Director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan. Barenboim is known for his work with the West–Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories. Barenboim has received many awards and prizes, including seven Grammy awards, an honorary Knight Commander of the Order of the British Empire, France's Légion d'honneur both as a Commander and Grand Officier, and the German Großes Bundesverdienstkreuz mit S ...
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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem '' Parzival'' of the '' Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end o ...
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