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Andrea Sacchi
Andrea Sacchi (30 November 159921 June 1661) was an Italian painter of High Baroque Classicism, active in Rome. A generation of artists who shared his style of art include the painters Nicolas Poussin and Giovanni Battista Passeri, the sculptors Alessandro Algardi and François Duquesnoy, and the contemporary biographer Giovanni Bellori. Early training Sacchi was born in Rome. His father, Benedetto, was an undistinguished painter. According to the biographer Giovanni Pietro Bellori (who was also a great friend of Sacchi's), Andrea initially entered the studio of Cavalier d'Arpino. These are Bellori's words: Sacchi later entered Francesco Albani's workshop and spent most of his time in Rome where he eventually died. Much of his early career was helped by the regular patronage by Cardinal Antonio Barberini, who commissioned art for the Capuchin church in Rome and the Palazzo Barberini. Mature style A contemporary rival of Pietro da Cortona, Sacchi studied the paintings of R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the developm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Garzi
Luigi Garzi (1638 – 1721) was an Italian painter of the Baroque period, whose work displayed heavy influences of the Bolognese painter, Guido Reni. Biography Born in Pistoia. He started learning from a poorly known landscape painter, Salomon Boccali. But at age 15, he moved to Rome, where he was one of the main pupils of Andrea Sacchi. He is also often referred to as ''Ludovico Garzi''. In 1680 Garzi was appointed Regent of the ''Congregazione dei Virtuosi al Pantheon'', the papal society of painters. Garzi joined Rome's guild of painters, The Accademia di San Luca, in 1670 and became a director in 1682. He painted a ''Triumph of St Catherine & Saints'' for the church of Santa Caterina a Magnanapoli in Rome. He painted a ''St Silvestro shows Constantine portraits of Saints Peter and Paul'' for Santa Croce in Gerusalemme. In the early 1680s, he contributed to the frescoes on the vault of San Carlo al Corso, where his works included an ''Allegory of Faith''. He also completed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Fiorelli
Francesco Fiorelli (17th-century) was an Italian painter of the Baroque period. Fiorelli studied with Andrea Sacchi in Rome. He painted a life of ''St Benedict'' in the cloister of the Olivetans in Ascoli Piceno in 1615. He was buried in the church of San Martino in Fermo Fermo (ancient: Firmum Picenum) is a town and ''comune'' of the Marche, Italy, in the Province of Fermo. Fermo is on a hill, the Sabulo, elevation , on a branch from Porto San Giorgio on the Adriatic coast railway. History The oldest hum .... by Vincenzo Curi; 1864; page 95. References Year of birth unknown[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggisti
The Caravaggisti (or the "Caravagesques") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were reascribed to his followers, such as '' The Taking of Christ'', which was attributed to the Dutch painter Gerrit van Honthorst until 1990. It wasn't until the 20th century that his importance to the development of Western art was rediscovered. In the 1920s Roberto Longhi once more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamboccianti
The ''Bamboccianti'' were genre painters active in Rome from about 1625 until the end of the seventeenth century. Most were Dutch and Flemish artists who brought existing traditions of depicting peasant subjects from sixteenth-century Netherlandish art with them to Italy, and generally created small cabinet paintings or etchings of the everyday life of the lower classes in Rome and its countryside.Haskell, pp. 132–134. Typical subjects include food and beverage sellers, farmers and milkmaids at work, soldiers at rest and play, and beggars, or, as Salvator Rosa lamented in the mid-seventeenth century, "rogues, cheats, pickpockets, bands of drunks and gluttons, scabby tobacconists, barbers, and other 'sordid' subjects."Levine, p. 569. Despite their lowly subject matter, the works found appreciation among elite collectors and fetched high prices. Artists Many of the artists associated with the Bamboccianti were members of the ''Bentvueghels'' (Dutch for 'birds of a feather') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taddeo Zuccari
Taddeo Zuccaro (or Zuccari) (1 September 15292 September 1566) was an Italian painter, one of the most popular members of the Roman mannerist school. Biography Zuccaro was born in Sant'Angelo in Vado, near Urbino, the son of Ottaviano Zuccaro, an almost unknown painter. His brother Federico, born around 1540, was also a painter and architect. As a young man Taddeo was to be encouraged by Pompeo da Fano. Second volume, by Giorgio Vasari, curated by F Ranalli, in Florence, 1848, page 1315. Zuccaro moved to by age 14, and he succeeded at an early age in gaining a knowledge of |
Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Sacchetti At Castelfusano
The Villa Sacchetti is a historical building at Castelfusano, near Ostia Antica, Rome, Italy. It was built in 1624-1629 for the Sacchetti family, close associates of Pope Urban VIII, and was the first architectural work of Pietro da Cortona. The villa is now known as Villa Chigi since its acquisition by the Chigi family in the 18th century. Description The villa has a generally fortified appearance; it is block-like with corner bastions and has a belvedere terrace at the top; there were occasional attacks by pirates along the coast. The plan layout, recorded in drawings by Pier Leone Ghezzi (circa 1735), is simple and straightforward and lacks the formal inventiveness of Cortona's later architectural work, including the Villa Pigneto del Marchese Sacchetti The Villa Pigneto or Sacchetti, or also the Casino al Pigneto del Marchese Sacchetti was a villa in Rome, Italy, designed by the Baroque artist Pietro da Cortona. A second, plainer, Villa Sacchetti, now called Villa Chig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Sacchi
Andrea Sacchi (30 November 159921 June 1661) was an Italian painter of High Baroque Classicism, active in Rome. A generation of artists who shared his style of art include the painters Nicolas Poussin and Giovanni Battista Passeri, the sculptors Alessandro Algardi and François Duquesnoy, and the contemporary biographer Giovanni Bellori. Early training Sacchi was born in Rome. His father, Benedetto, was an undistinguished painter. According to the biographer Giovanni Pietro Bellori (who was also a great friend of Sacchi's), Andrea initially entered the studio of Cavalier d'Arpino. These are Bellori's words: Sacchi later entered Francesco Albani's workshop and spent most of his time in Rome where he eventually died. Much of his early career was helped by the regular patronage by Cardinal Antonio Barberini, who commissioned art for the Capuchin church in Rome and the Palazzo Barberini. Mature style A contemporary rival of Pietro da Cortona, Sacchi studied the paintings of R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Vaticana
The Vatican Museums ( it, Musei Vaticani; la, Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments. Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums. In 2020, due to the COVID-19 pandemic, the Vatican Museums were visited by only 1,300,000 persons, a drop of 81 percent from the number of visitors in 2019, but still enough to rank the museums fourth am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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