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Andrea Pisano
Andrea Pisano (Pontedera 12901348 Orvieto) also known as Andrea da Pontedera, was an Italian sculptor and architect. Biography Pisano initially learned the trade of a goldsmith. He later became an apprentice of Mino di Giovanni, about 1300, and worked with him on the sculpture for Santa Maria della Spina at Pisa and elsewhere. He produced his main works in Florence. It is assumed that Giotto was eventually more influential on his style than his earlier teacher. He produced the first (now on the southside) of the three bronze doors of the Baptistery in Florence. He worked on this major project between 1330–1336. The door consists of a number of small quatrefoil panels, the lower eight containing single figures of the Virtues, and the rest scenes from the life of John the Baptist. Andrea Pisano, while living in Florence, also produced many important works of marble sculpture, all of which show Giotto's influence. In 1340 he succeeded Giotto as Master of the Works of Florenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pontedera
Pontedera (; ) is an Italian comune with a population of 30070, located in the province of Pisa, Tuscany, Central Italy, central Italy. The town is located 20 km (12 miles) from Pisa and 50 km (31 miles) from Florence. It houses the headquarters of the Piaggio company, the Castellani (wine), Castellani winery and the Amedei premium artisan chocolate factory. Pontedera is in the Arno Valley at the confluence of the Era River and the Arno River. Its territory is also crossed by the Scolmatore dell'Arno canal, and by the Roglio, a tributary of the Era. There is also a small lake, in the ''frazione'' of La Rotta, Pontedera, La Rotta, known as Braccini lake. The football team in the town is called U.S. Città di Pontedera, and they currently play in Serie C. Another notable attraction is the church of Santissimo Crocifisso, Pontedera, Santissimo Crocifisso. History Pontedera was the seat of several historical battles. In 1369, the Milanese army of Barnabò Visconti, led by John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto's Tower
Giotto's Campanile (, also , ) is a free-standing campanile (bell tower) that is part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy. Standing adjacent to the Basilica of Santa Maria del Fiore and the Baptistry of St. John, the tower is one of the showpieces of Florentine Gothic architecture with its design by Giotto, its rich sculptural decorations and its polychrome marble encrustations. The slender structure is square in plan with 14.45 metre (47.41 ft) sides. It is 84.7 metres (277.9 ft) tall and has polygonal buttresses at each corner. The tower is divided horizontally into five stages. History On the death of Arnolfo di Cambio in 1302, the first Master of the Works of the Cathedral, and after an interruption of more than thirty years, the celebrated painter Giotto di Bondone was nominated as his successor in 1334. At that time he was 67 years old. Giotto concentrated his energy on the design and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jabal (Bible)
Jabal or Yabal ( – ''Yāḇāl'') is an individual mentioned in the Hebrew Bible, in . Family Jabal (a descendant of Cain) was the son of Lamech and Adah, and the brother of Jubal, half-brother of Tubal-cain and Naamah. He is described as the "ancestor of all who live in tents and raise livestock." Theories Francis Nigel Lee interprets Genesis 4:20 to mean that Jabal was both the "father of all cattle ranchers" ''and'' the "father of all tent-dwellers", and as such as the "pioneer of all livestock and agricultural technology" as well as the "pioneer of all architecture." Lee notes that Jabal was probably also a weaver, and thus "the pioneer of the clothing industry." Francis Nigel Lee, ''The Central Significance of Culture'' (Presbyterian and Reformed, 1976), 29. Gordon Wenham, on the other hand, understands the verse to indicate Jabal was the first "dweller with herds." That is, he was the "father of the Bedouin lifestyle." He notes that whereas Abel Abel ( '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phidias
Phidias or Pheidias (; , ''Pheidias''; ) was an Ancient Greek sculptor, painter, and architect, active in the 5th century BC. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of the goddess Athena on the Acropolis, Athens, Athenian Acropolis, namely the ''Athena Parthenos'' inside the Parthenon, and the ''Athena Promachos'', a colossal bronze which stood between it and the Propylaea (Acropolis of Athens), Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias of Athens, Hegias and Ageladas. Plutarch discusses Phidias's friendship with the Greek statesman Pericles, recording that enemies of Pericles tried to attack him through Phidias – who was accused of stealing gold intended for the Parthenon's statue of Athena, and of impiously portraying himself and Pericles on the shield of the sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence Baptistery
The Florence Baptistery, also known as the Baptistery of Saint John (), is a religious building in Florence, Italy. Dedicated to the patron saint of the city, John the Baptist, it has been a focus of religious, civic, and artistic life since its completion. The octagonal baptistery stands in both the Piazza del Duomo, Florence, Piazza del Duomo and the Piazza San Giovanni, between Florence Cathedral and the Archbishop's Palace. Florentine infants were originally baptized in large groups on Holy Saturday and Pentecost in a five-basin baptismal font located at the center of the building. Over the course of the 13th century, individual baptisms soon after birth became common, so less apparatus was necessary. Around 1370 a small font was commissioned, which is still in use today. The original font, disused, was dismantled in 1577 by Francesco I de' Medici to make room for grand-ducal celebrations, an act deplored by Florentines at the time. The Baptistery serves as a focus for the ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Eustorgio
The Basilica of Sant'Eustorgio is a church in Milan in northern Italy, which is in the Basilicas Park city park. It was for many years an important stop for pilgrims on their journey to Rome or to the Holy Land, because it was said to contain the tomb of the Three Magi or ''Three Kings''. Probably founded in the 4th century, its name refers to Eustorgius I, the bishop of Milan to whom is attributed the translation of the supposed relics of the Magi to the city from Constantinople in 344. In 1764, when an ancient pillar was removed, a Christian burial was discovered, housing coins of emperor Constans, the son of Constantine the Great. The church was later rebuilt in Romanesque style. In the 12th century, when Milan was sacked by Frederick Barbarossa, the relics of the Magi were appropriated and subsequently taken to Cologne. It was only in 1903/4 that fragments of the bones and garments were sent back to Sant'Eustorgio's. Nowadays they are in the Three Kings altar nearby the em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Di Balduccio
Giovanni di Balduccio (c. 1290 – after 1339) was an Italian sculptor of the Medieval period. Life The artist was born in Pisa, and likely did not train directly with the famous Pisan sculptor Andrea Pisano. He travelled to Milan to help sculpt the arc of St. Peter Martyr now in the Portinari Chapel, in the Basilica of Sant'Eustorgio, work signed in 1339. He also worked on the portal of the church of the Brera in Milan. He also worked in San Casciano in Val di Pesa and in the monument of Guarniero in Sarzana. His style is known from four signed works. These formed the basis for a reconstruction of his oeuvre. Recently, the ark of Saint Augustine, preserved in the Basilica of San Pietro in Ciel d'Oro in Pavia and built between 1362 and 1365 (but not completely finished), has been attributed, as already suggested by important scholars, such as Wilhelm Valentiner and Francesco Caglioti, the Pisan master. In all probability, Giovanni did not die in 1349, but remained oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Orcagna
Andrea di Cione di Arcangelo (c. 1308 – 25 August 1368), better known as Orcagna, was an Italian painter, sculptor, and architect active in Florence. He worked as a consultant at the Florence Cathedral and supervised the construction of the façade at the Orvieto Cathedral. His ''Strozzi Altarpiece'' (1354–57) is noted as defining a new role for Christ as a source of Catholic doctrine and papal authority. Works Orcagna's works include: * "Altarpiece of the Redeemer" (1354–57) in the ''Strozzi di Mantova'' Chapel at Santa Maria Novella, Florence * The tabernacle in Orsanmichele (finished 1359) which was regarded as "the most perfect work of its kind in Italian Gothic". * His fresco ''The Triumph of Death'' inspired Franz Liszt's masterwork '' Totentanz''. * His fresco ''Crucifixion'' with a multitude of angels surrounding the cross, portrayed on a dark background and a few fragments of the Last Supper (1365). The mosaic decoration and the rose window of the cathedral of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' () is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur'' translated by Ernst Gombrich, in Art Documentation Vol 11 # 1, 1992 "some of the 's most influential writing on art", and "the first important book on |
Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nino Pisano
"Euclid", panel from Florence.html" ;"title="Museo dell'Opera del Duomo (Florence)">Museo dell'Opera del Duomo, Florence">Museo dell'Opera del Duomo (Florence)">Museo dell'Opera del Duomo, Florence Nino Pisano (floruit">fl. 1349 – 1368) was an Italian sculptor, the son of Andrea Pisano. He collaborated with his father in sculptures for the churches of San Zanipolo at Venice and in Santa Caterina, Pisa, Santa Caterina at Pisa, and provided some panels for the Giotto's Bell Tower, bell tower of Santa Maria del Fiore. Nino succeeded his father in the works of the Orvieto Cathedral in 1349. Works he made alone include a ''Madonna with Child'' in Santa Maria Novella, Florence, a ''Saint Bishop'' in the Cathedral of Oristano and a ''Monument to Bishop Scherlatti'' now in the Museum of Pisa Cathedral. His other attributed works include a ''Madonna of the Rose'' in Santa Maria della Spina, a Madonna with Child in Basilica of Maria S.S. Annunciata in Trapani and a ''Madonn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome, decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Eastern Roman (Byzantine) Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included Kievan Rus', as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Norman-Arab-Byzantine culture, Kingdom o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
