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Anastenaria (Xenakis)
''Anastenaria'' is a triptych cycle of compositions for SATB, SATB chorus, male chorus and orchestra by Greek composer Iannis Xenakis. It is, also, one of his most successful early compositions. The three movements of this cycle were composed between 1952 and 1954. Composition After winning the first prize in the Bucharest Music Festival in 1953 for ''La colombe de la paix'', one of his unpublished works, Xenakis decided to complete the first and the second movement of his ''Anastenaria'' trilogy, strongly influenced by his Greek roots. He was then studying with Arthur Honegger, Darius Milhaud and, most especially, with Olivier Messiaen, who even made several changes to the original conception of this work. Conception Xenakis claimed that the work is based on a Greek Ritual which, after Constantine the Great, it has been reinterpreted to be a Christian ritual. In this ritual, Xenakis distinguishes up to three different phases: * Phase A: the procession of the priests, the " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's '' Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iannis Xenakis
Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; el, Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, ; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are '' Metastaseis'' (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as '' Psappha'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Honegger
Arthur Honegger (; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. A member of Les Six, his best known work is probably '' Antigone'', composed between 1924 and 1927 to the French libretto by Jean Cocteau based on the tragedy '' Antigone'' by Sophocles. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel. However, his most frequently performed work is probably the orchestral work ''Pacific 231'', which was inspired by the sound of a steam locomotive. Biography Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony with Robert-Charles Martin (to whom he dedicated his first published work and violin in Le Havre. After studying for two years at the Zurich Conservatory, he enrolled in the Paris Conservatoire from 1911 to 1918, studying with both Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darius Milhaud
Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.Reinhold Brinkmann & Christoph Wolff, ''Driven into Paradise: The Musical M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called '' modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until his death. He taught at the Schola Cantorum de Paris during the 1930s. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantine The Great
Constantine I ( , ; la, Flavius Valerius Constantinus, ; ; 27 February 22 May 337), also known as Constantine the Great, was Roman emperor from AD 306 to 337, the first one to convert to Christianity. Born in Naissus, Dacia Mediterranea (now Niš, Serbia), he was the son of Flavius Constantius, a Roman army officer of Illyrian origin who had been one of the four rulers of the Tetrarchy. His mother, Helena, was a Greek Christian of low birth. Later canonized as a saint, she is traditionally attributed with the conversion of her son. Constantine served with distinction under the Roman emperors Diocletian and Galerius. He began his career by campaigning in the eastern provinces (against the Persians) before being recalled in the west (in AD 305) to fight alongside his father in Britain. After his father's death in 306, Constantine became emperor. He was acclaimed by his army at Eboracum ( York, England), and eventually emerged victorious in the civil wars against ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metastaseis (Xenakis)
( el, Μεταστάσεις; spelled in correct French transliteration, or in some early writings by the composer ) is an orchestral work for 61 musicians by Iannis Xenakis. His first major work, it was written in 1953–54 after his studies with Olivier Messiaen and is about 8 minutes in length. The work was premiered at the 1955 Donaueschingen Festival with Hans Rosbaud conducting. This work was originally a part of a Xenakis trilogy titled ''Anastenaria'' (together with ''Procession aux eaux claires'' and ''Sacrifice'') but was detached by Xenakis for separate performance. ''Metastaseis'' requires an orchestra of 61 players (12 winds, 3 percussionists playing 7 instruments, 46 strings) with no two performers playing the same part. It was written using a sound mass technique in which each player is responsible for completing glissandi at different pitch levels and times. The piece is dominated by the strings, which open the piece in unison before their split into 46 separ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Rudolf Zeller
Hans may refer to: __NOTOC__ People * Hans (name), a masculine given name * Hans Raj Hans, Indian singer and politician ** Navraj Hans, Indian singer, actor, entrepreneur, cricket player and performer, son of Hans Raj Hans ** Yuvraj Hans, Punjabi actor and singer, son of Hans Raj Hans * Hans clan, a tribal clan in Punjab, Pakistan Places * Hans, Marne, a commune in France * Hans Island, administrated by Greenland and Canada Arts and entertainment * ''Hans'' (film) a 2006 Italian film directed by Louis Nero * Hans (Frozen), the main antagonist of the 2013 Disney animated film ''Frozen'' * ''Hans'' (magazine), an Indian Hindi literary monthly * ''Hans'', a comic book drawn by Grzegorz Rosiński and later by Zbigniew Kasprzak Other uses * Clever Hans, the "wonder horse" * ''The Hans India'', an English language newspaper in India * HANS device, a racing car safety device *Hans, the ISO 15924 code for Simplified Chinese script See also * Han (other) *Hans im Glück ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divisi
In musical terminology, ''divisi'', or as typically printed ''“div.,”'' is an instruction to divide a single section of instruments into multiple subsections. This usually applies to the violins of the string section in an orchestra, although violas, cellos, and double basses can also be divided. Typically, 4-part French Horn sections include divided sections if Horns 1/2 and/or 3/4 are not playing the same music (" a2"). Other brass instruments can also be divided but it is not as frequent as with the Horn section. Woodwinds - especially Flutes and Clarinets - also utilize "divisi" to divide music between parts and even between players of the same part. After a divisi section, it may be cancelled by the instructions ''tutti'', ''all'unisono''.{{Cite Grove , first=David , last=Fallows , date=2001 , title=Divisi (It.: 'divided') , url=https://doi.org/10.1093/gmo/9781561592630.article.07869 or ''unison In music, unison is two or more musical parts that sound either the same p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stochastic Music
Stochastic (, ) refers to the property of being well described by a random probability distribution. Although stochasticity and randomness are distinct in that the former refers to a modeling approach and the latter refers to phenomena themselves, these two terms are often used synonymously. Furthermore, in probability theory, the formal concept of a ''stochastic process'' is also referred to as a ''random process''. Stochasticity is used in many different fields, including the natural sciences such as biology, chemistry, ecology, neuroscience, and physics, as well as technology and engineering fields such as image processing, signal processing, information theory, computer science, cryptography, and telecommunications. It is also used in finance, due to seemingly random changes in financial markets as well as in medicine, linguistics, music, media, colour theory, botany, manufacturing, and geomorphology. Etymology The word ''stochastic'' in English was original ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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