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Amy Beach
Amy Marcy Cheney Beach (September 5, 1867December 27, 1944) was an American composer and pianist. She was the first successful American female composer of large-scale art music. Her "Gaelic" Symphony, premiered by the Boston Symphony Orchestra in 1896, was the first symphony composed and published by an American woman. She was one of the first American composers of her era to succeed without the benefit of European training, and was known as one of the most respected and acclaimed American composers. As a pianist, she was acclaimed for concerts she gave featuring her own music in the United States and in Germany. Biography Early years and musical education Amy Marcy Cheney was born in Henniker, New Hampshire, on September 5, 1867 to Charles Abbott Cheney (nephew of Oren B. Cheney, who co-founded Bates College) and Clara Imogene (Marcy) Cheney. Artistic ability ran in the family: Clara was reputedly an "excellent pianist and singer," while Amy showed every sign of being a chil ...
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Henniker, New Hampshire
Henniker is a town in Merrimack County, New Hampshire, United States. As of the 2020 census, the reported total population of the town was 6,185, although the figure, 27.9% greater than the 2010 population, has been questioned by local officials. Henniker is home to New England College and Pats Peak Ski Area. Henniker is a college town and resort area, featuring both skiing and white-water kayaking. The main village of the town, where 3,166 people resided at the 2020 census, is defined as the Henniker (CDP), New Hampshire, Henniker census-designated place (CDP), and is located along the Contoocook River at the junction of New Hampshire Route 114 with Old Concord Road. The town also includes the village of West Henniker. History The area was first known as "Number Six" in a line of settlements running between the Merrimack and Connecticut rivers. In 1752, the Masonian Proprietors granted the land to Andrew Todd, who called it "Todd's Town". Settled in 1761 by James Peter ...
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Carl Baermann
Carl Baermann (24 October 1810 – 23 May 1885) was a List of clarinetists, clarinetist and composer from Munich, Germany. Life and career He was the son of noted clarinet virtuoso Heinrich Baermann and . As a child he was taught the clarinet and the basset horn by his father. He played occasionally in the Munich court orchestra when he was 14 years old, and was appointed its second clarinetist in 1832. When his father retired in 1834, Carl succeeded his father as principal clarinetist. He held that position until he retired in 1880. He toured Europe with his father in 1827, 1832 and 1838. In 1833 they premiered Felix Mendelssohn's ''Konzert Stücke'', Opp. 113 & 114, (''Concert Pieces'') to great acclaim. Carl Baermann's compositions, 88 opus numbers, were popular with clarinet virtuosos. Baermann developed the Baermann-Ottensteiner Clarinet#Keywork and toneholes, key system for the clarinet, which was based on the Iwan Müller, Müller system. The system was very popular during ...
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Fanny Mendelssohn
Fanny Mendelssohn (14 November 1805 – 14 May 1847) was a German composer and pianist of the early Romantic era who was known as Fanny Hensel after her marriage. Her compositions include a string quartet, a piano trio, a piano quartet, an orchestral overture, four cantatas, more than 125 pieces for the piano and over 250 lieder, most of which were unpublished in her lifetime. Although lauded for her piano technique, she rarely gave public performances outside her family circle. She grew up in Berlin and received a thorough musical education from teachers including her mother, as well as the composers Ludwig Berger and Carl Friedrich Zelter. Her younger brother Felix Mendelssohn, also a composer and pianist, shared the same education and the two developed a close relationship. Owing to her family's reservations and to social conventions of the time about the roles of women, six of her songs were published under her brother's name in his Opus 8 and 9 collections. In 1829, sh ...
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Henry Harris Aubrey Beach
Henry may refer to: People and fictional characters * Henry (given name), including lists of people and fictional characters * Henry (surname) * Henry, a stage name of François-Louis Henry (1786–1855), French baritone Arts and entertainment * ''Henry'' (2011 film), a Canadian short film * ''Henry'' (2015 film), a virtual reality film * '' Henry: Portrait of a Serial Killer'', a 1986 American crime film * ''Henry'' (comics), an American comic strip created in 1932 by Carl Anderson * "Henry", a song by New Riders of the Purple Sage Places Antarctica * Henry Bay, Wilkes Land Australia *Henry River (New South Wales) *Henry River (Western Australia) Canada * Henry Lake (Vancouver Island), British Columbia * Henry Lake (Halifax County), Nova Scotia * Henry Lake (District of Chester), Nova Scotia New Zealand * Lake Henry (New Zealand) * Henry River (New Zealand) United States * Henry, Illinois * Henry, Indiana * Henry, Nebraska * Henry, South Dakota * Henry County (disambigu ...
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions include symphony, symphonies, concertos, piano music, organ music and chamber music. His best-known works include the Overture#Concert overture, overture and incidental music for ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream'' (which includes his "Wedding March (Mendelssohn), Wedding March"), the ''Symphony No. 4 (Mendelssohn), Italian'' and ''Symphony No. 3 (Mendelssohn), Scottish'' Symphonies, the oratorios ''St. Paul (oratorio), St. Paul'' and ''Elijah (oratorio), Elijah'', the ''The Hebrides (overture), Hebrides'' Overture, the mature Violin Concerto (Mendelssohn), Violin Concerto, the Octet (Mendelssohn), String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's ''Songs W ...
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Chickering Hall, Boston (1883)
Chickering Hall (est.1883) was a concert auditorium in Boston, Massachusetts, in the late 19th century. It occupied the second floor of Chickering and Sons showrooms on Tremont Street, near the corner of West Street. " Bradlee, Winslow and Wetherell were the architects, and Mr. E.P. Treadwell, the decorator. The hall aslighted by the Edison electric light." By 1895: "Tremont St., towards Boylston, for some years has been called Piano Row, for a long row of piano agencies occupied a good portion of the block; but of late most of these have migrated to Boylston St. Chickering Hall, at 152 Tremont St., was for many years a favorite place for fashionable musicales, and the headquarters of the musical profession." Performances/Events 1880s * Matthew Arnold * George Washington Cable * Hubert von Herkomer * Kneisel Quartet 1890s * Prof. Carpenter, hypnotist * Vladimir de Pachmann * James A. Herne's " Margaret Fleming" * Thomas Nelson Page * F. Hopkinson Smith * Edward Alexand ...
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Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano in the Conservatory. Life Early life and career Moscheles was born 1794 in Prague, Bohemia, the son of Klara Popper (Lieben) and Joachim Moises Moscheles. He was from an affluent German-speaking Jewish merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the (then revolutionary) piano music of Beethoven, which the Mozartean Bedřich Diviš Weber, his teacher at the Prague Conservatory, attempted to curb, urging him to focus on Bach, Mozart and Muzio Clementi. After his father's early death, Moscheles sett ...
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Rondo In E-flat Major (Chopin)
The Rondo in E-flat major, Op. 16, sometimes called Introduction and Rondo, is a classical composition by Frédéric Chopin, written in 1833. It was dedicated to his pupil . Analysis The piece is written in rondo form. It begins with a passionate introduction in C minor, followed by the joyful main theme in E-flat major. The second theme is still lively, but somewhat more subdued than the first. To conclude, the main theme returns, followed by the coda. The piece as a whole is varied and interesting, but challenging for the pianist. The average performance of this piece lasts around 10 minutes.Allmusic AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Mus .../ref> References External links * Compositions by Frédéric Chopin 1833 compositions {{Classical-composition-stub Composi ...
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Adolph Neuendorff
Adolf Heinrich Anton Magnus Neuendorff (June 13, 1843 − December 4, 1897), also known as Adolph Neuendorff, was a German-American composer, violinist, pianist and conductor, stage director, and theater manager. Life Early years Born in Hamburg, Germany, Neuendorff emigrated with his father to New York City in 1855. In New York, he studied music, violin lessons with G. Matzka and Joseph Weinlich, and had lessons of piano, music theory and composition with Gustav Schilling. In 1859, he made his debut as a concert pianist at Dodworth Hall. In 1861, went on a tour around Brazil, playing the violin. Milwaukee In 1864, he returned to the United States, now living in Milwaukee, Wisconsin. Here he was conductor of the orchestra at the German Theatre and chorus-master of Karl Anschütz's German Opera Company. Later he succeeded Anschütz as conductor. New York In 1867, he became music-director of the Stadt Theater in New York. It was here where he conducted the American first per ...
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Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ...
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François-Auguste Gevaert
François-Auguste Gevaert (31 July 1828 – 24 December 1908) was a Belgian musicologist and composer. Nicolas Slonimsky, ed., '' Baker's Biographical Dictionary of Musicians'', 8th ed., Schirmer Books, New York Life Gevaert was born in Huise, near Oudenaarde. His father was a baker, and he was intended for the same profession, but better counsels prevailed and he was permitted to study music. He was sent in 1841 to the Ghent Conservatory, where he studied under Édouard de Sommere and Martin-Joseph Mengal. Then he was appointed organist of the Jesuit church in that city. Soon Gevaert's compositions attracted attention, and he won the Belgian Prix de Rome which entitled him to two years' travel. The journey was postponed during the production of his first opera and other works. He finally embarked on it in 1849. After a short stay in Paris he went to Spain, and subsequently to Italy. In 1867 Gevaert, having returned to Paris, became at the Academie de Musique there, in s ...
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Fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford University Press, 2006). ) is a Counterpoint, contrapuntal, Polyphony, polyphonic Musical composition, compositional technique in two or more voice (music), voices, built on a Subject (music), subject (a musical theme) that is introduced at the beginning in imitation (music), imitation (repetition at different pitches), which recurs frequently throughout the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to Music history of the United States, early American (i.e. shape note or "Sacred Harp") music and West gallery music, West Gallery music. A fugue usually has three main sections: an exposition (music), exposition, a development (music), development, and a final ...
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