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Amritha Kalyani
Amritha Kalyani is a rāga in Carnatic music (musical scale of South Indian classical music) created by music composer who has created many ragas. It is the Janya raga of 65th melakarta rāgam Mechakalyani in the 72 ''melakarta'' rāgam system of Carnatic music. It is equivalent to Lydian mode of western music but the second and sixth note is omitted in ascending. This rāgam is also named as Amrith Kalyan Hindustani music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' .... Structure and Lakshana Amritha Kalyani is an asymmetric rāgam does not contain rishabham and dhaivatam in the ascending scale. It is an audava-sampurna rāgam (or owdava rāgam, meaning pentatonic ascending scale). Its structure (ascending and descending scale) is as follows. * : * : The notes use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be derived. A ''melakarta'' raga is sometimes referred as ''mela'', ''karta'' or ''sampurna'' as well, though the latter usage is inaccurate, as a ''sampurna'' raga need not be a ''melakarta'' (take the raga ''Bhairavi,'' for example). In Hindustani music the '' thaat'' is the rough equivalent of ''Melakartā''. There are 10 ''thaats'' in Hindustani music, though the commonly accepted ''melakarta'' scheme has 72 ragas. Rules for ''Mēḷakarta'' ragas Ragas must contain the following characteristics to be considered ''Melakarta'': *They are '' sampurna ragas'' – they contain all seven '' swaras'' (notes) of the octave in both ascending and descending scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''A practical course i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechakalyani
Kalyani is a melakarta raga (parent musical scale) in the Carnatic music. It is the prati madhyama equivalent of the raga Sankarabharanam (raga), Sankarabharanam. It was called Kalyan but is now more popularly called Yaman (raga), Yaman in Hindustani Music. Its Western equivalent is the Lydian mode. Kalyani in Carnatic music In South Indian weddings it is a very prominently played raga. The word ''Kalyani'' means ''she who causes auspicious things''. It is the 65th melakarta raga under the Katapayadi Katapayadi sankhya, sankhya. It is also called ''Mechakalyani''. The notes for Kalyani are S R2 G3 M2 P D2 N3. Kalyani is the first Prathi Madhyama raga that was ever discovered. It was obtained by the process of Graha Bhedam or modal shift of tonic of the ancient Shadja Grama. Specifics on this raga Kalyani has scope for elaborate alapana. One should not remain too long on panchamam (pa) or alternate between shadjamam and panchamam too frequently. Kalyani is prominently known a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Mode
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. : Because of the importance of the major scale in modern music, the Lydian mode is often described as the scale that begins on the fourth scale degree of the major scale, or alternatively, as the major scale with the fourth scale degree raised half a step. This sequence of pitches roughly describes the scale underlying the fifth of the eight Gregorian (church) modes, known as Mode V or the authentic mode on F, theoretically using B but in practice more commonly featuring B. The use of the B as opposed to B would have made such piece in the modern-day F major scale. Ancient Greek Lydian The name Lydian refers to the ancient kingdom of Lydia in Anatolia. In Greek music theory, there was a Lydian scale or " octave species" extending from ''parhypate hypaton'' to ''trite diezeugmenon'', equival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyani Scale
Kalyani may refer to: Film and television * ''Kalyani'' (1940 film), a Hindi film * ''Kalyani'' (1952 film), a Tamil film * ''Kalyani'' (1971 film), a Kannada film * ''Kalyani'' (1979 film), a Telugu film * ''Kalyani'' (1983 film), an Oriya Ollywood film * ''Kalyani'' (TV series), an Indian Telugu language soap opera Places * Kalyani, Dakshin Dinajpur, West Bengal, India * Kalyani, Raebareli, a village in Uttar Pradesh, India * Kalyani, West Bengal, a city in the Nadia district of West Bengal, India * Kalyani Dam, in Tirupati, Andhra Pradesh, India * Kalyani Nagar, a neighbourhood in Pune, Maharashtra, India * Kalyani River, in Barabanki district, Uttar Pradesh, India * Kalyani subdivision, Nadia district, West Bengal, India * Ancient name for Basavakalyan, Karnataka, India People * Baba Kalyani (born 1949), Indian businessman * Galyani Vadhana (1923–2008), princess of Thailand * Shrikant Kalyani (born 1964), Indian cricketer * Kalyani Bondre (born 1981), academic an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arohana
Arohana, Arohanam, Aroh or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we go up from Shadja (Sa) to the Taar Shadja (Sa), possibly in a crooked (vakra) manner. Scale In Hindustani classical music, the ascending scale's notes are S R G M P D and N. Lower forms of notes are written in lower case, like r g m d n (S and P are fixed notes), while the first scale given above is that of higher form of the notes. The English notes C D E F G A and B correspond to S R G M P D and N, when C is taken as the tonal note (S is sung at C). In Carnatic music, the ascending scale's notes for the variant notes R G M D and N have a subscript number indicating the specific variant (see examples below). Examples In Multani, the aroha is 'N S g M P N S' (lowercase notes are the lower forms, while uppercase notes are the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avarohana
An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch from the upper tonic (taar shadja or Sa) down to the lower tonic, possibly in a crooked (vakra) manner. Examples In raga Darbari, an Asavari-thaat raga with vadi-samvadi The samavadi or samvadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the ''Vadi (Hindustani classical music), vadi''; the vadi and samavadi are i ... R-P, the avroha is R' n S' d~ n P, m P g~ m R S, with andolan on the dhaivat and gandhar. In Malahari, which is '' janya'' raga of 15th '' melakarta'' Mayamalavagowla, the avarohana is ''S D1 P M1 G2 R1 S''. See swaras in Carnatic music for description of this notation. In Sahana, a ''janya'' raga of 28th ''melakar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priyadarshini (singer)
Priyadarshini Ram, also known as Priyadharshi Ram or mononymously as Priyadarshini, is a Singaporean-Indian playback singer who has performed in more than 180 movies in the Tamil, Kannada, Telugu and Hindi cinema industries. She has also sung more than 800 songs for devotional and private albums in 10 languages. She began her career as a playback singer by performing a duet song with Hariharan for the Tamil film '' Kadhal Dot Com'', released in 2004. She made her debut in Kannada Films through the movie Ajju for Rajesh Ramanath music. She also sang in Telugu Cinema for D Imman and sang background vocals in the Hindi film ''Garam Masala'' starring Akshay Kumar. Later she sung a duet with S. P. Balasubrahmanyam in the Kannada movie ''Rocky in 2008''. She has worked with music directors such as Bharadwaj, D. Imman, Hamsalekha, Mano Murthy, Gurukiran, R. P. Patnaik, Rajesh Ramnath, K. Kalyan, and S. A. Rajkumar, Mahesh Mahadev, M. N. Krupakar, Ravish and has also r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganesh Kumaresh
Ganesh and Kumaresh are an Indian duo of violinists known for their contributions to the Carnatic music tradition of South India. The brothers are recognised as modern contemporary artists in "Sastriya Sangitam". They were honoured with the Sangeet Natak Akademi Award in 2018 for Carnatic Instrumental Music (Violin). Kumaresh's wife, Jayanthi Kumaresh, is a renowned Veena player. Early life Ganesh and Kumaresh were born in Kanpur, Uttar Pradesh, in 1964 and 1967, respectively. Their father, Sri T.S. Rajagopalan, was employed with the Life Insurance Corporation of India. Their musical training began at home at the early ages of 3 and 2, respectively, under the guidance of their father, who also taught other students in the neighbourhood. Music career Ganesh and Kumaresh not only perform but also compose music for films and dance productions. They have contributed music to movies such as ''Dance Like a Man'' and ''Chandrikai''. Their musical style, Raga Pravaham, explores the intr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janya Ragas
''Janya'' is a term meaning "derive". In Carnatic music, Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a variety of features. ''Varja'' ragas Ragas that omit (varjyam, to omit in Sanskrit) one or more of the notes of the scale (''swaras'') of their parent ''melakarta'' raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending ''arohana'' and descending ''avarohana'' scale. Such scales are given the names listed below.''A practical course in Carnatic music'' by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications vrja a * ''Sampurna'' – 7 note scale * ''Shadava'' – 6 notes * ''Audava'' – 5 notes Since these terms are applicable both to the asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
