|
Amritavarshini Scale
Amr̥tavarṣiṇi is a rāgam in Carnatic music (musical scale of South Indian classical music), created in the early nineteenth century by Muthuswami Dikshitar. It is an ''audava'' rāgam (meaning pentatonic scale) in which only five of the seven ''swaras'' (musical notes) are used. It is a ''janya'' rāgam (derived scale), fairly popular in Carnatic music. There is a belief that ''Amr̥tavarṣiṇi'' causes rain ( The name of the rāgam is derived from the Sanskrit words Amrita: meaning Nectar and Varshini: meaning one who causes a shower or rain, and hence the association with rain ), and that the Carnatic composer Muthuswami Dikshitar brought rain at Ettayapuram, Tamil Nadu, India by singing his composition, ''Aanandaamrutakarshini amrutavarshini''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Rāganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana ''Amr̥tavarṣiṇi'' is a rāgam that does not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amritavarshini
Amr̥tavarṣiṇi is a rāgam in Carnatic music (musical scale of South Indian classical music), created in the early nineteenth century by Muthuswami Dikshitar. It is an ''audava'' rāgam (meaning pentatonic scale) in which only five of the seven ''swaras'' (musical notes) are used. It is a ''janya'' rāgam (derived scale), fairly popular in Carnatic music. There is a belief that ''Amr̥tavarṣiṇi'' causes rain ( The name of the rāgam is derived from the Sanskrit words Amrita: meaning Nectar and Varshini: meaning one who causes a shower or rain, and hence the association with rain ), and that the Carnatic composer Muthuswami Dikshitar brought rain at Ettayapuram, Tamil Nadu, India by singing his composition, ''Aanandaamrutakarshini amrutavarshini''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Rāganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana ''Amr̥tavarṣiṇi'' is a rāgam that does not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilaiyaraaja
Ilaiyaraaja (born R. Gnanathesikan) is an Indian musician, composer, arranger, conductor, orchestrator, multi-instrumentalist, lyricist and playback singer popular for his works in Indian cinema, predominately in Tamil cinema, Tamil in addition to Telugu cinema, Telugu, Malayalam Cinema, Malayalam, Kannada cinema, Kannada and Hindi cinema, Hindi films. Regarded as one of the most prolific composers, in a career spanning over forty-nine years, he has composed over 8,600 songs, provided film scores for about 1,523 feature films in nine languages, and performed in over 20,000 concerts. He is nicknamed "Isaignani" (the musical sage) and is often referred to as "Maestro", the title conferred to him by the Royal Philharmonic Orchestra, London. Ilaiyaraaja was one of the first Indian film composers to use Western classical music harmonies and string arrangements in Indian film music,Venkatraman, S. 1995. "Film music: the new intercultural idiom of 20th century Indian music". pp. 107– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agni Natchathiram
''Agni Natchathiram'' () is a 1988 Indian Tamil-language masala film that was written and directed by Mani Ratnam. The film stars Prabhu, Karthik, Amala and newcomer Nirosha, with Vijayakumar, Jayachitra, Sumithra, Tara, S. N. Lakshmi and G. Umapathy in supporting roles. Its story revolves around two half-brothers who come into conflict with each other due to their claims for legitimacy as sons of a common father. Ratnam intended ''Agni Natchathiram'' to follow '' Mouna Ragam'' (1986); he completed the script but chose to prioritise '' Nayakan''. Although some scenes were filmed during a break from ''Nayakan'', production on ''Agni Natchathiram'' stalled for nearly a year and resumed in late 1987 after ''Nayakan''s release. ''Agni Natchathiram'' was produced by Ratnam's brother G. Venkateswaran; it was filmed by P. C. Sreeram, and edited by B. Lenin and V. T. Vijayan. ''Agni Natchathiram'' was released on 15 April 1988, the week of the Tamil New Year festival P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paattum Bharathamum
''Paattum Bharathamum'' () is a 1975 Indian Tamil-language musical dance film, directed and produced by P. Madhavan. The film stars Sivaji Ganesan, Jayalalithaa, Sripriya and Vijayakumar. It was released on 6 December 1975. Plot Shanmugasundaram and Meenakshi are an artistic couple who get broken up due to differences. Their daughter Lalitha, who sides with Shanmugam, is now an accomplished dancer. Arun meets her accidentally and mocks her skills to which she responds that anyone can become rich in a day by being lucky but it takes real talent to become an artist. Taking this as a challenge, he joins Meenakshi and learns to dance facing Lalitha in a competition defeating her. They fall in love too. While Thiyagarajan acts like he is ok with his son's choice, he uses his nephew Kumar to drive a wedge between them by making it look like Lalitha is of poor character causing Arun to insult Shanmugasundaram. When Arun finds out the truth, it is too late and he leaves his father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganga Gowri (1973 Film)
''Ganga Gowri'' is a 1973 Indian Tamil-language Hindu mythological film, directed and produced by B. R. Panthulu. The film stars Gemini Ganesan and Jayalalithaa & Jayanthi with music composed by M. S. Viswanathan. It is a remake of Panthulu's own 1967 Kannada film '' Gange Gowri''. The film was released on 16 January 1973, and emerged a commercial success. Plot Cast Production The film was shot at Premier Studio, Mysore. Ganesan took dancing lessons to portray Shiva in the film. Soundtrack The music was composed by M. S. Viswanathan, with lyrics by Kannadasan. The song "Andharangam Naan Ariven" is set in the Hindustani raga Bageshri, and "Azhagiya Megangal" is set to Amritavarshini, a Carnatic raga A Carnatic raga refers to ''ragas'' used in Carnatic music. It has several components: a primordial sound (''nāda''), tonal system (''swara''), pitch (''śruti''), scale, ornaments ('' gamaka''), and important tones. Origins and history Carnati .... The song "P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Language
Tamil (, , , also written as ''Tamizhil'' according to linguistic pronunciation) is a Dravidian language natively spoken by the Tamil people of South Asia. It is one of the longest-surviving classical languages in the world,. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). attested since 300 BC, 300 BCE.: "...the most acceptable periodisation which has so far been suggested for the development of Tamil writing seems to me to be that of A Chidambaranatha Chettiar (1907–1967): 1. Sangam Literature – 200BC to AD 200; 2. Post Sangam literature – AD 200 – AD 600; 3. Early Medieval literature – AD 600 to AD 1200; 4. Later Medieval literature – AD 1200 to AD 1800; 5. Pre-Modern literature – AD 1800 to 1900" at p. 610 Tamil was the lingua franca for early maritime traders in South India, with Tamil inscriptions found outside of the Indian subcontinent, such as Indonesia, Thailand, and Egypt. The language has a well-documented history wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annamacharya
Tallapaka Annamacharya () (09 May 1408 – 23 February 1503), also popularly known as Annamayya, was a Telugu musician, composer, and a Hindu saint. He is the earliest known Indian musician to compose songs called '' samkirtanas.'' His devotional samkirtanas were in the praise of Venkateswara, a form of Vishnu. Annamayya is said to have composed as many as 32,000 samkirtanas (songs) in the praise of Venkateswara of which only about 12,000 are available today. He wrote the highest number of Kirtanas of all time in the praise of Lord Vishnu The musical form of the kirtana songs that he composed, which are still popular among Carnatic music concert artists, have strongly influenced the structure of Carnatic music compositions. Jackson (1999), p. 216. His compositions are classified as Adhyatma (spiritual) and Sringara (romantic). Annamacharya is remembered for his saintly life, as one of the greatest musicians and is honoured as a great devotee of Vishnu by devotees and saintly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muthiah Bhagavatar
Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 ''ragas''. Early life Muthiah was born on 15 November 1877, in Harikesanallur, a small village in the Tirunelveli district of British India, into an affluent Tamil Brahmin family. He was exposed to music from a very early age, as his father was a patron of musicians. He lost his father at the young age of six years, when his maternal uncle M. Lakshmana Suri took over the responsibility for his education, initiating Muthiah into Sanskrit and Vedic studies. However, the love of music that had been implanted in him led Muthiah to leave his hometown of Harikesanallur, Tamil Nadu when he was only ten years in search of a teacher. He found the gifted teacher Padinaindumandapa Sambasiva Iyer at Tiruvarur, who recognised Muthiah's talent for music. Sambasiva Iyer was the father of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadasiva Brahmendra
Sadasiva Brahmendra (17th Century) was a saint, composer of Carnatic music and Advaita philosopher and Sishya of the great saint Shri Paramasivendra Saraswati (57th Shankaracharya of Moolamnaya Sarvajna Shri Kanchi Kamakoti Peetham), who lived near Thiruvenkadu, Tamil Nadu, during the 15th/16th century. Even Today, many saints from big and small mathas come and prostrate at his adhisthanam to pay their respects to him and his guru parampara. Unfortunately only a few of his compositions have survived, but they are recognized as great compositions of Carnatic music. Life Sadasiva was born in 17th Century into a Telugu Brahmin couple Moksha Somasundara Avadhaani and Parvati. His initial name was Sivaramakrishna. Sadasiva lived in Kumbakonam, in Tamil Nadu in the 17th to 18th century. He went to learn vedas and other various subjects in Sanskrit in Thiruvisanallur. His contemporaries such as Sridhara Venkatesa Ayyaval and Sri Bhagvan Nama Bodendral (59th Shankaracharya of M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purandara Dasa
Purandara Dasa (IAST: Purandara Dāsa; (1470 – 1564) was a composer, singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhwacharya, Madhvacharya's Dwaitha, Dvaita philosophy. He was one of the chief founding proponents that shaped modern Carnatic music. In honor of his contributions to Carnatic music, he is referred to as the ''Pitamaha'' (''lit''. "grandsire") of Carnatic music. According to a legend, he is considered as an incarnation of Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Vishnu or Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of teaching Carnatic music by structuring grade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vadiraja Tirtha
Sri Vadiraja Tirtha (1480 – 1600) was a Dvaita philosopher, poet, traveller and mystic. He authored many works, often critical, on Madhva theology and metaphysics. Additionally, he composed numerous poems and as the pontiff of Sodhe Mutt, renovated the temple complex at Udupi and established the ''Paryaya'' system of worship. He also enriched the Kannada literature of the time by translating Madhvacharya's works to Kannada, giving impetus and contributing to the Haridasa movement. He has influenced both Carnatic and Hindustani music through his compositions. His compositions are mainly in Kannada and Sanskrit. His mudra is 'Hayavadana'. His works are characterised by their poetic flourishes, wit and humour. Life Vadirajaru was born as Bhuvaraha in Huvinakere, a village in the Kundapura taluk. He was ordained as a monk at the age of 8 and placed into the care of Vidyanidhi Tirtha and later Vagisha Tirtha, who oversaw his education. Works of contemporary Haridasas and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
