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Ammanati
Bartolomeo Ammannati (18 June 1511 – 13 April 1592) was an Italian architect and sculptor, born at Settignano, near Florence, Italy. He studied under Baccio Bandinelli and Jacopo Sansovino (assisting on the design of the Library of St. Mark's, the Biblioteca Marciana, Venice) and closely imitated the style of Michelangelo. He was more distinguished in architecture than in sculpture. He worked in Rome in collaboration with Vignola and Vasari), including designs for the Villa Giulia, but also for works at Lucca. He labored during 1558–1570, in the refurbishment and enlargement of Pitti Palace, creating the courtyard consisting of three wings with rusticated facades, and one lower portico leading to the amphitheatre in the Boboli Gardens. His design mirrored the appearance of the main external façade of Pitti. He was also named ''Consul'' of Accademia delle Arti del Disegno of Florence, which had been founded by the Duke Cosimo I in 1563. In 1569, Ammannati was commissioned t ...
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Palazzo Pitti
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling family of the Grand Duchy of Tuscany. It grew as a great treasure house, for generations amassing paintings, plates, jewelry and luxurious possessions. The Medici also added the extensive Boboli Gardens to the palace estate. In the late 18th century, the palazzo was used as a power base by Napoleon during his conquests of Europe. For a brief period, it later served as the principal royal palace of the newly united Italy under the House of Savoy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III ...
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Villa Giulia
The Villa Giulia is a villa in Rome, Italy. It is named after Pope Julius III, who had it built in 1551–1553 on what was then the edge of the city. Today it is publicly owned, and houses the Museo Nazionale Etrusco, a collection of Etruscan art and artifacts. History Location The villa was built in an area of Rome known as the 'Vigna Vecchia' (which was once against the city walls), lying on the slopes of ''Monte Parioli'', as a 'Villa Suburbana' and a place of repose. Design The pope, a highly literate connoisseur of the arts, assigned the initial design of the building to Giacomo Barozzi da Vignola in 1551–1553. The nymphaeum and other garden structures, however, were designed by Bartolomeo Ammanati, all under the supervision of Giorgio Vasari. Michelangelo also worked there. Pope Julius took a direct interest in the villa's design and decor and spent vast amounts of money on enhancing its beauties. Villa Giulia became one of the most delicate examples of Mannerist a ...
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Giacomo Barozzi Da Vignola
Giacomo Barozzi da Vignola ( , , ; 1 October 15077 July 1573), often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era. Biography Jacopo Barozzi was born at Vignola, near Modena (Emilia-Romagna). He began his career as an architect in Bologna, supporting himself by painting and making perspective templates for inlay craftsmen. He made his first trip to Rome in 1536 to make measured drawings of Roman temples, with a thought to publish an illustrated Vitruvius. Then François I called him to Fontainebleau, where he spent the years 1541–1543. Here he probably met his fellow Bolognese, the architect Sebastiano Serlio and the ...
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Laura Battiferri
Laura Battiferri (1523–1589), also called Laura Battiferri Ammannati, was an Italian poet during the Renaissance period. She was born in Urbino, Marche, Italy as the illegitimate daughter of Giovanni Antonio Battiferri from Urbino and Maddalena Coccapani from Carpi, Emilia-Romagna. She published two books of poetry: ''The First Book of Tuscan Works'' (Florence, 1560) and ''The Seven Penitential Psalms… with some Spiritual Sonnets'' (Florence, 1564). She died in 1589 while compiling a third, ''Rime'', which was never published. She married the sculptor, Bartolomeo Ammannati in 1550 and they remained married until her death. The couple had no children. Early life Laura Battiferri was born in Urbino, Italy. Her father was a wealthy cleric and nobleman of Urbino named Giovanni Antonio Battiferri and her mother was Maddalena Coccapani from Carpi, his concubine. Giovanni enjoyed many privileges due to his status within the inner Vatican circle and as a “familiar” of Pope Pau ...
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Vincenzo Danti
Vincenzo Danti (1530 – 26 May 1576) was an Italian Renaissance sculptor from Perugia. His father was an architect and goldsmith, and Vincenzo developed an interest in drawing and goldsmithing. In 1545 he went to Rome to study sculpture and in 1553 he managed to secure a commission for a bronze statue of Pope Julius III which was placed outside Perugia Cathedral. In 1557 he went to Florence. In 1559 he made a bronze relief depicting ''Moses and the Brazen Serpent''. This was influenced by bronze reliefs by Donatello. It is cast in low relief and is not finished to a very high degree, but is not non finito either. Although the competition in 1560 for the Neptune fountain was mainly between the two more established sculptors, Bartolomeo Ammanati and Cellini, Danti also tried to prove his worth by competing. In 1561 he carved ''Honour Triumphs over Falsehood'', a statue 'in the round' - interesting to view from all angles. The marble for this statue was bought for him by his pat ...
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Giambologna
Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style. Biography Giambologna was born in Douai, Flanders (then in the Habsburg Netherlands and now in France), in 1529. After youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq, he moved to Italy in 1550 and studied in Rome, making a detailed study of the sculpture of classical antiquity. He was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance, and beauty. Pope Pius IV gave Giambologna his first major commission, the colossal bronze Neptune and subsidiary figures for the Fountain of Neptune (the base designed by Tommaso Laureti, 1566) in Bologna. ...
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Cosimo I De' Medici, Grand Duke Of Tuscany
Cosimo I de' Medici (12 June 1519 – 21 April 1574) was the second and last duke of Florence from 1537 until 1569, when he became the first grand duke of Tuscany, a title he held until his death. Cosimo I succeeded his cousin to the duchy. He built the Uffizi (office) to organize his administration, and conquered Siena to consolidate Florence's rule in Tuscany. He expanded the Pitti Palace and most of the Boboli Gardens were also laid out during his reign. Life Rise to power Cosimo was born in Florence on 12 June 1519, the son of the famous condottiere Ludovico de' Medici (known as Giovanni delle Bande Nere) and his wife Maria Salviati, herself a granddaughter of Lorenzo the Magnificent. He was the grandson of Caterina Sforza, the Countess of Forlì and Lady of Imola. Cosimo became Duke of Florence in 1537 at age 17, after the former Duke of Florence, Alessandro de' Medici, was assassinated. Cosimo was from a different branch of the Medici family, descended from ...
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Satyr
In Greek mythology, a satyr (, ), also known as a silenus or ''silenos'' ( ), and sileni (plural), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. In classical Athens, satyrs made up the Greek chorus, chorus in a genre of play kn ...
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Fontana Del Nettuno (Firenze) Left
Fontana may refer to: Places Italy *Fontana Liri, comune in the Province of Frosinone * Fontanafredda, comune in the Province of Pordenone * Fontanarosa, comune in the Province of Avellino * Francavilla Fontana, comune in the Province of Brindisi *Serrara Fontana, comune in the Province of Napoli Switzerland * Fontana GR, a settlement in Tarasp in the Canton of Graubünden * Fontana (Airolo), a settlement in Airolo, in the Canton of Ticino United States *Fontana, California * Fontana, Kansas * Fontana, Texas * Fontana Village, North Carolina * Fontana-on-Geneva Lake, Wisconsin * Fontana Dam in the U.S. state of North Carolina Elsewhere * Fontana, Chaco, a settlement in San Fernando Department, Chaco Province, Argentina * Fontana, Gozo, on Gozo Island, Republic of Malta * Fontana (Belgrade), a neighborhood of Belgrade, Serbia * Fontana (lunar crater), an impact crater on the Moon * Fontana (Martian crater), an impact craters on Mars * Fontana metro station, a rapid transit stat ...
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Piazza Della Signoria
() is a w-shaped Town Square, square in front of the in Florence, Central Italy. It was named after the Palazzo della Signoria, also called . It is the main point of the origin and history of the Florentine Republic and still maintains its reputation as the political focus of the city. It is the meeting place of Florentines as well as the numerous tourists, located near Palazzo Vecchio and , and gateway to the Uffizi, Uffizi Gallery. Designated a UNESCO World Heritage Site in 1982, Historic Centre of Florence, Florence's Historic Centre is anchored by the iconic Piazza della Signoria, one of its most historically significant squares. Buildings The 14th-century is still preeminent with its Crenellation, crenellated tower. The square is also shared with the Loggia della Signoria, the Uffizi Gallery, the Palace of the Tribunale della Mercanzia (1359) (now the Bureau of Agriculture), and the Palazzo Uguccioni (1550, with a facade attributed to Raphael, who however died thirty years ...
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Counter-Reformation
The Counter-Reformation (), also sometimes called the Catholic Revival, was the period of Catholic resurgence that was initiated in response to, and as an alternative to or from similar insights as, the Protestant Reformations at the time. It was a comprehensive effort arising from the decrees of the Council of Trent. As a political-historical period, it is frequently dated to have begun with the Council of Trent (1545–1563) and to have ended with the political conclusion of the European wars of religion in 1648, though this is controversial. However, as a theological-historical description, the term may be obsolescent or over-specific: the broader term Catholic Reformation () also encompasses the reforms and movements within the Church in the periods immediately before Protestantism or Trent, and lasting later. The effort produced Apologetics, apologetic and polemical documents, anti-corruption efforts, spiritual movements, the promotion of new religious orders, and the flo ...
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Nudity
Nudity is the state of being in which a human is without clothing. While estimates vary, for the first 90,000 years of pre-history, anatomically modern humans were naked, having lost their body hair, living in hospitable climates, and not having developed the Craft, crafts needed to make clothing. As humans became Behavioral modernity, behaviorally modern, body adornments such as jewelry, tattoos, body paint and scarification became part of non-verbal communications, indicating a person's social and individual characteristics. Indigenous peoples in warm climates used clothing for decorative, symbolic or ceremonial purposes but were often nude, having neither the need to protect the body from the elements nor any conception of nakedness being shameful. In many societies, both ancient and contemporary, children might be naked until the beginning of puberty. Women may not cover their breasts due to the association with nursing babies more than with sexuality. In the ancient ...
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