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American Light Opera Company
The American Light Opera Company was a semi-professional theatre company performing light operas and musicals in Washington, D.C. from 1960 to 1968. It was founded by a group of former and (at the time) current members of the University of Michigan's Gilbert & Sullivan Society. Jim Ueberhorst was the primary "mover and shaker" of the organization. History Its first production, ''The Mikado'', took place on 17 June 1960 at Naval Ordnance Laboratory in White Oak, Maryland. Over the next few years, the company grew rapidly, with five to six productions a season, usually performed in the Lisner Auditorium at George Washington University. The company also performed at the White House, and its chorus appeared several times with Washington's National Symphony Orchestra. The company began to suffer financially once they moved from the smaller Trinity Theatre to the larger Lisner Auditorium, which they had difficulty filling consistently; the financial problems eventually forced them to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, '' opera buffa'', emerged as an alternative to ''opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish ''zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Theatre (Washington, D
National Theatre or National Theater may refer to: Africa *Ethiopian National Theatre, Addis Ababa * National Theatre of Ghana, Accra * Kenya National Theatre, Nairobi *National Arts Theatre, Lagos, Nigeria * National Theatre of Somalia, Mogadishu * National Theatre (Sudan), Omdurman *National Theatre of Tunisia, Tunis * National Theatre of Uganda, Kampala Asia Japan *National Theatre of Japan, Tokyo *New National Theatre Tokyo * National Noh Theatre, Tokyo * National Bunraku Theatre, Osaka * National Theater Okinawa, Urasoe, designed by Shin Takamatsu Other Asian countries *National Theatre of Yangon, Burma * Preah Suramarit National Theatre, Phnom Penh, Cambodia *Habima Theatre, Tel Aviv, Israel * Palestinian National Theatre, Jerusalem * National Theater and Concert Hall, Taipei, Taiwan * National Theatre, Singapore * National Theater of Korea, Seoul, South Korea *National Theatre (Thailand) Oceania * National Theatre, Launceston, Tasmania, Australia *National Theatre, Melbo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity Theatre
Trinity Theatre is a theatre and arts centre, located in the former Holy Trinity Church in the centre of Royal Tunbridge Wells, Kent. Holy Trinity Church: 1829–1972 As a developing spa town, Tunbridge Wells was short of church capacity, and had no parish church. In 1818, the Church Commissioners created a fund to provide new churches in growing towns, for which it was decided by the residents and visitors to the town to apply for. Led by Lord Abergavenny, a subscription fund was started, which raised the £10,591 construction costs. Architect Decimus Burton (1800–1881), who had already been commissioned to design villas in Calverley Park, agreed to design the building, to a then popular Gothic Revival architecture style. Built in locally quarried sandstone from Calverley Quarry, the first stone was laid on 17 August 1827. Constructed by Mr Barrett of Tunbridge Wells, the finished church, which cost just over £12,000 to complete including fitting out, was consecrated in Septe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiss Me, Kate
''Kiss Me, Kate'' is a musical written by Bella and Samuel Spewack with music and lyrics by Cole Porter. The story involves the production of a musical version of William Shakespeare's ''The Taming of the Shrew'' and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang. ''Kiss Me, Kate'' was Porter's response to Rodgers and Hammerstein's ''Oklahoma!'' and other integrated musicals; it was the first show he wrote in which the music and lyrics were firmly connected to the script. The musical premiered in 1948 and proved to be Porter's only show to run for more than 1,000 performances on Broadway. In 1949, it won the first Tony Award for Best Musical. Inspiration Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brigadoon
''Brigadoon'' is a musical with a book and lyrics by Alan Jay Lerner, and music by Frederick Loewe. The song " Almost Like Being in Love", from the musical, has become a standard. It features two American tourists who stumble upon Brigadoon, a mysterious Scottish village that appears for only one day every 100 years. Tommy, one of the tourists, falls in love with Fiona, a young woman from Brigadoon. The original production opened at the Ziegfeld Theatre on Broadway in 1947 and ran for 581 performances. It starred David Brooks, Marion Bell, Pamela Britton, and Lee Sullivan. In 1949, ''Brigadoon'' opened at Her Majesty's Theatre in the West End and ran for 685 performances; many revivals have followed. A 1954 film version starred Gene Kelly and Cyd Charisse, and a 1966 television version starred Robert Goulet and Peter Falk. Background Lyricist and book writer Alan Jay Lerner and composer Frederick Loewe had previously collaborated on three musicals; the first, ''Life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gondoliers
''The Gondoliers; or, The King of Barataria'' is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances (at that time the fifth longest-running piece of musical theatre in history), closing on 30 June 1891. This was the twelfth comic opera collaboration of fourteen between Gilbert and Sullivan. The story of the opera concerns the young bride of the heir to the throne of the fictional kingdom of Barataria who arrives in Venice to join her husband. It turns out, however, that he cannot be identified, since he was entrusted to the care of a drunken gondolier who mixed up the prince with his own son. To complicate matters, the King of Barataria has just been killed. The two young gondoliers must now jointly rule the kingdom until the nurse of the prince can be brought in to determine which of them is the rightful king. Moreover, when the young queen arrives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cox And Box
''Cox and Box; or, The Long-Lost Brothers'', is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce '' Box and Cox'' by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two lodgers, one who works at night and one who works during the day. When one of them has the day off, they meet each other in the room and tempers flare. Sullivan wrote this piece five years before his first opera with W. S. Gilbert, ''Thespis''. The piece premiered in 1866 and was seen a few times at charity benefits in 1867. Once given a professional production in 1869, it became popular, running for 264 performances and enjoying many revivals and further charity performances. During the 20th century, it was frequently played by the D'Oyly Carte Opera Company in an abridged version, as a curtain raiser for the shorter Gilbert and Sullivan operas. It has been played by numerous professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Old Maid And The Thief
''The Old Maid and the Thief'' is a radio opera in one act by Italian-American composer Gian Carlo Menotti. The work uses an English language libretto by the composer which tells a twisted tale of morals and evil womanly power. Menotti writes in the libretto "The devil couldn't do what a woman can- Make a thief out of an honest man." Commissioned by NBC, ''The Old Maid and the Thief'' was one of the earliest operas composed specifically for performance on the radio. Menotti wrote the libretto to ''The Old Maid and the Thief'' himself; initially in Italian but with the intention of having the work translated into English for its premiere. It was the first of several operas in the English language by the young composer who was just 28 years old at the time. He was inspired to write the story of the opera after visiting the family of his partner Samuel Barber. He found that what seemed to be a quaint, cute town actually covered up a plethora of secrets about people and places. Upon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Carlo Menotti
Gian Carlo Menotti (, ; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship. One of the most frequently performed opera composers of the 20th century, his most successful works were written in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent. Like Wagner, Menotti wrote the libretti of all his operas. He wrote the classic Christmas opera '' Amahl and the Night Visitors'' (1951), along with over two dozen other operas intended to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camelot (musical)
''Camelot'' is a 1960 musical by Alan Jay Lerner (book and lyrics) and Frederick Loewe (music). It is based on the King Arthur legend as adapted from T. H. White's 1958 novel '' The Once and Future King''. The original production, directed by Moss Hart with orchestrations by Robert Russell Bennett and Philip J. Lang, ran on Broadway for 873 performances, winning four Tony Awards. It starred Richard Burton as Arthur, Julie Andrews as Guinevere, and Robert Goulet as Lancelot. It spawned several revivals, foreign productions, and the 1967 Warner Bros. film ''Camelot''. The musical has become associated with the Kennedy Administration, which is sometimes called the " Camelot Era," due to an interview with Jackie Kennedy in which she compared her husband's presidency to King Arthur's reign, specifically mentioning his fondness for the musical and particularly the closing lyrics which end the song "Camelot" and also form the ending of the musical itself. Background In 1959, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The King And I
''The King and I'' is the fifth musical by the team of Rodgers and Hammerstein. It is based on Margaret Landon's novel '' Anna and the King of Siam'' (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth-longest-running Broadway musical in history at the time, and has had many tours and revivals. In 1950, theatrical attorney Fanny Holtzmann was looking for a part for her client, veteran leading lady Gertrude Lawrence. Holtzmann realized that Landon's book would provide an ideal vehi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Pacific (musical)
''South Pacific'' is a musical theatre, musical composed by Richard Rodgers, with lyrics by Oscar Hammerstein II and Book (musical theatre), book by Hammerstein and Joshua Logan. The work premiered in 1949 on Broadway theatre, Broadway and was an immediate hit, running for 1,925 performances. The plot is based on James A. Michener's Pulitzer Prize for Fiction, Pulitzer Prize–winning 1947 book ''Tales of the South Pacific'' and combines elements of several of those stories. Rodgers and Hammerstein believed they could write a musical based on Michener's work that would be financially successful and, at the same time, send a strong progressive message on racism. The plot centers on an American nurse stationed on a South Pacific island during World War II, who falls in love with a middle-aged expatriate French plantation owner but struggles to accept his mixed-race children. A secondary romance, between a U.S. Marine lieutenant and a young Tonkinese woman, explores his fears of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
