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Altbachisches Archiv
, also (ABA, old-Bachian archive), is a collection of 17th-century vocal music, most of which was written by members of the Bach family. History Johann Ambrosius Bach, Johann Sebastian's father, supposedly started to collect compositions by his relatives. Johann Sebastian Bach's obituary starts with an overview of the composers whose works are contained in the . Carl Philipp Emanuel Bach, Johann Sebastian's son and co-author of his obituary, retained the collection and gave it its name. After his death the largest part of the collection came, via , in the possession of the Sing-Akademie zu Berlin. All nine motets of the Sing-Akademie's part of the ABA collection, including BWV 1164, at the time attributed to Johann Christoph Bach, were published in the early 1820s. The manuscripts of two compositions contained in the Sing-Akademie's part of the ABA collection were sold to the Royal Library in Berlin (later renamed as Berlin State Library): thus BNB I/B/11 and BWV ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Family
The Bach family refers to several notable composers of the baroque and classical periods of music, the best-known of whom was Johann Sebastian Bach (1685–1750). A family genealogy was drawn up by Johann Sebastian Bach himself in 1735 when he was 50 and was completed by his son Carl Philipp Emanuel. Ancestors of Johann Sebastian Bach Four branches of the Bach family were known at the beginning of the 16th century; a Hans Bach of Wechmar, a village between Gotha and Arnstadt in Thuringia, is known to have been alive in 1561. He is believed to be the father of Veit Bach. * Veit (Vitus) Bach (c. 1550–1619, Wechmar) was, according to Johann Sebastian's genealogy, "a white-bread baker in Hungary" who had to flee Hungary because he was a Lutheran, settling in Wechmar. He "found the greatest pleasure in a little cittern which he took with him even into the mill"; * His son Johannes Bach I (c. 1580–1626) "'" (lit. "the player"), was the first professional musician of the fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 133
Psalm 133 is the 133rd psalm of the Book of Psalms, beginning in English in the King James Version: "Behold, how good and how pleasant it is for brethren to dwell together in unity". In Latin, it is known as "Ecce quam bonum". The psalm is one of the fifteen Songs of Ascents (''Shir Hama'alot''), and one of the three Songs of Ascents consisting of only three verses. In the slightly different numbering system used in the Greek Septuagint version of the Bible and in the Latin Vulgate, this psalm is Psalm 132. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has been set to music often, notably by Heinrich Schütz, Friedrich Kiel, and as the conclusion of Leonard Bernstein's ''Chichester Psalms''. Addressing the topic of unity, the beginning of the psalm has been chosen as a motto by universities, as well as a symbol of brotherhood by freemasonry. Background Psalm 133 is one of the shortest chapters in the Book of Psalms, bei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Christoph Bach
Georg Christoph Bach (6 September 1642 – 27 April 1697) was a German composer. He was the son of Christoph Bach and the elder brother of Johann Sebastian Bach's father Johann Ambrosius Bach. Life Georg Christoph Bach was born in Erfurt, Germany, in 1642. He was trained in music in Arnstadt and attended the Casimirianum in Coburg and later Leipzig University. In 1668, he became cantor and organist in Themar, and from 1688 until his death he was the cantor at St. Johannis in Schweinfurt Schweinfurt ( , ; ) is a city in the district of Lower Franconia in Bavaria, Germany. It is the administrative centre of the surrounding district (''Landkreis'') of Schweinfurt and a major industrial, cultural and educational hub. The urban a ..., where his uncles Johann and Heinrich Bach had been organists. Works His most well known work is ''Siehe, wie fein und lieblich ist es'' for two tenors, bass, violin, three gambas and continuo. It was composed on his 47th birthday and a visit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family (violin, cello, double bass) *List of violists , articles= , sound sample = The viola ( , also , ) is a string instrument that is bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 of these occasions (e.g. ''Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sundays of Lent (apart when Annunciation fell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Bach
Heinrich Bach ( – ) was a German organist, composer and a member of the Bach family. Heinrich Bach was born at Wechmar, and is the father of the so-called Arnstadt Line. After the early death of his father, his older brother Johannes Bach continued his music education and taught him organ playing. They moved to Suhl and Schweinfurt. From 1635 to 1641, he was ''Ratsmusikant'' in the Erfurt Ratsmusikanten-Compagnie led by Johannes. From 1641, he became organist in Arnstadt's St. Mary's Church and the Upper Church, a post he kept until his death. In 1642, he married Eva Hoffmann, the younger daughter of Suhl Stadtpfeiffer Hoffmann. Bach died in Arnstadt. Three of his sons, Johann Christoph Bach, Johann Michael Bach and Johann Günther Bach, were musicians. Works Only a few of his works have been preserved: *Cantata '' Ich danke dir, Gott'', a church cantata for the 17th Sunday after Trinity conserved in the Altbachisches Archiv *''Ach, dass ich Wassers gnug hätte'' Vocal Conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Bach
Heinrich Bach ( – ) was a German organist, composer, and a member of the Bach family. Heinrich Bach was born at Wechmar, and is the father of the so-called Arnstadt Line. After the early death of his father, his older brother Johannes Bach continued his music education and taught him organ playing. They moved to Suhl and Schweinfurt. From 1635 to 1641, he was ''Ratsmusikant'' in the Erfurt Ratsmusikanten-Compagnie led by Johannes. From 1641, he became organist in Arnstadt's St. Mary's Church and the Upper Church, a post he kept until his death. In 1642, he married Eva Hoffmann, the younger daughter of Suhl Stadtpfeiffer Hoffmann. Bach died in Arnstadt. Three of his sons, Johann Christoph Bach, Johann Michael Bach and Johann Günther Bach, were musicians. Works Only a few of his works have been preserved: *Cantata '' Ich danke dir, Gott'', a church cantata for the 17th Sunday after Trinity conserved in the Altbachisches Archiv *''Ach, dass ich Wassers gnug hätte'' Vocal Conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Drese
Adam Drese (December 1620 – 15 February 1701 in Arnstadt) was a German composer, kapellmeister and bass viol player of the baroque period. Life Adam Drese was born in the German state of Thuringia. He became a musician at the court of Duke Wilhelm IV of Saxe-Weimar in Weimar before being sent by the duke to Warsaw to study with Marco Scacchi. He returned to Weimar and was appointed as the duke's ''Kapellmeister'' in 1652. In 1662, after the death of Duke Wilhelm IV, the ''Hofkapelle'' was disbanded, the duke's son, duke Bernhard took Drese to Jena, where he appointed him as his ''Kapellmeister'', secretary and also the town mayor from 1672. Despite Duke Bernhards's death in 1678, Drese remained in Jena until 1683 when he found another post as ''Kapellmeister,'' to the Count of Schwarzburg at Arnstadt. He remained in Arnstadt until his death in 1701. Works It is thought that most of Drese's output has been lost. His surviving pieces include sacred and secular vocal works, as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geistliches Konzert
Sacred concerto (german: geistliches Konzert, plural , ) is a 17th-century genre of sacred music, characterized as settings of religious texts requiring both vocal soloists and obbligato instrumental forces for performance.geistliches Konzert at Starting from Italian models, the genre flourished primarily in Germany. It is a broad term for various genres of chamber concerto for a small number of voices and instruments popular in Germany during the 17th century and prefiguring the late baroque and solo sacred cantata forms. History Early Baroque The stylistic ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
