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Alman Mirza
An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel. It is often the first movement of a Baroque suite of dances, paired with a subsequent courante, though it is sometimes preceded by an introduction or prelude. Along with the waltz and ländler, the allemande was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. A quite different, later, Allemande, named as such in the time of Mozart and Beethoven, still survives in Germany and Switzerland and is a lively triple-time social dance related to the waltz and the ''Ländler''.Scholes P., 1970, article: ''Allemande''. The name "Allemande" comes from the name of Germany in French. History The allemande originated in the 16th century as a duple metre dance of moderat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Almanach
Guillaume may refer to: People * Guillaume (given name), the French equivalent of William * Guillaume (surname), the French equivalent of Williams Places * Guillaume (crater), Moon, Earth-Moon System, Solar System * Guillaumes, Vence, Nice, Alpes-Maritimes, Provence-Alpes-Côte d'Azur, France; a commune Other uses * Saint-Guillaume (other) See also * ''Chanson de Guillaume'', an 11th or 12th century poem * Guillaume affair The Guillaume affair () was an espionage scandal in Germany during the Cold War. The scandal revolved around the exposure of an East German spy within the West German government and had far-reaching political repercussions in Germany, the mo ..., a Cold War espionage scandal that led to the resignation of West German Chancellor Willi Brandt * * William (other) () {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Dance
The German Dance, also known as Deutsche, Deutscher Tanz and Teutsche, was a generic term utilized in the late 18th and early 19th centuries for partner dances written in triple metre. These encompassed several different types of dances, including the waltz, ländler, and allemande. Composers of German Dances frequently wrote and published them in sets of three, six, or twelve for use at balls. Many composers published sets of ''Deutsche'', including Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Franz Schubert Franz Peter Schubert (; ; 31 January 179719 November 1828) was an Austrian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. Despite his short life, Schubert left behind a List of compositions ... to name a few. Reference European dances Dance forms in classical music {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Jakob Froberger
Johann Jakob Froberger ( baptized 19 May 1616 – 7 May 1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in his keyboard works. His harpsichord pieces are highly idiomatic and programmatic. Only two of Froberger's many compositions were published during his lifetime. Froberger forbade publication of his manuscripts, restricting access to his noble patrons and friends, particularly the Württembergs and Habsburgs who had the power to enforce these restrictions. After his death the manuscripts went to his patroness Sibylla, Duchess of Württemberg (1620–1707) and the music library of the Württemberg family estate. Life 1616–1634: Early years in Stuttgart Johann Jakob Froberger was baptized on 19 May 1616 in Stuttgart. The exact date of his birth is unknown. His family came from Halle, where his grandfather Simon livedSchott, Grov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tombeau
A tombeau (plural tombeaux) is a musical composition (earlier, in the early 16th century, a poem) commemorating the death of a notable individual. The term derives from the French word for "tomb" or "tombstone". The vast majority of tombeaux date from the 17th century and were composed for lute or other plucked string instruments. The genre gradually fell out of use during the 18th century, but reappeared in the early 20th. History "In instrumental music, ''tombeau'' signifies a musical 'tombstone' (French ''le tombeau'' = tomb). The musical genre of the tombeau is generally connected with music for the lute of the 17th and 18th centuries. Of some 60+ surviving pieces, most are intended for the lute or theorbo, 5 for the baroque guitar, 7 for the viola da gamba and 3 for harpsichord. The earliest example of this genre seems to be the ''Tombeau de René Mezangeau, Mezangeau'' (1638) by French lutenist Ennemond Gaultier." "Musical predecessors are memorial Pavane, pavans like those b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavane
The ''pavane'' ( ; , ''padovana''; ) is a slow processional dance common in Europe during the 16th century (Renaissance). The pavane, the earliest-known music for which was published in Venice by Ottaviano Petrucci, in Joan Ambrosio Dalza's ''Intabolatura de lauto libro quarto'' in 1508, is a sedate and dignified Partner dance, couple dance, similar to the 15th-century basse danse. The music which accompanied it appears originally to have been fast or moderately fast but, like many other dances, became slower over time. Origin of term The word ''pavane'' is most probably derived from Italian [''danza''] ''padovana'', meaning "[dance] typical of Padua" (similar to Bergamask, "dance from Bergamo"); ''pavan'' is an old Northern Italian form for the modern Italian adjective ''padovano'' (= from Padua). This origin is consistent with the equivalent form, ''Paduana''. An alternative explanation is that it derives from the Spanish ''pavón'' meaning ''peacock''. Although the dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
France
France, officially the French Republic, is a country located primarily in Western Europe. Overseas France, Its overseas regions and territories include French Guiana in South America, Saint Pierre and Miquelon in the Atlantic Ocean#North Atlantic, North Atlantic, the French West Indies, and List of islands of France, many islands in Oceania and the Indian Ocean, giving it Exclusive economic zone of France, one of the largest discontiguous exclusive economic zones in the world. Metropolitan France shares borders with Belgium and Luxembourg to the north; Germany to the northeast; Switzerland to the east; Italy and Monaco to the southeast; Andorra and Spain to the south; and a maritime border with the United Kingdom to the northwest. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea. Its Regions of France, eighteen integral regions—five of which are overseas—span a combined area of and hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabethan Era
The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The Roman symbol of Britannia (a female personification of Great Britain) was revived in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain. This "golden age" represented the apogee of the English Renaissance and saw the flowering of poetry, music, and literature. The era is most famous for its theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repelled. It was also the end of the period when England was a sep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thoinot Arbeau
Thoinot Arbeau is the anagrammatic pen name of French cleric Jehan Tabourot (March 17, 1520 – July 23, 1595). Tabourot is most famous for his ''Orchésographie'', a study of late sixteenth-century French Renaissance social dance. He was born in Dijon and died in Langres. ''Orchésographie'' and other work ''Orchésographie'', first published in Langres, 1589, provides information on social ballroom behaviour and on the interaction of musicians and dancers. It is available online in facsimile and in plain text. There is an English translation by Mary Stewart Evans, edited by Julia Sutton, in print with Dover Publications. It contains numerous woodcuts of dancers and musicians and includes many dance tabulations in which extensive instructions for the steps are lined up next to the musical notes, a significant innovation in dance notation at that time. ''Orchésographie'' was partly written as a rebuttal of Calvinist treatises published at the time which argued that dance w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duple Metre
Duple metre (or Am. duple meter, also known as duple time) is a musical metre characterized by a ''primary'' division of 2 beats to the bar, usually indicated by 2 and multiples (simple) or 6 and multiples ( compound) in the upper figure of the time signature, with ( cut time), , and (at a fast tempo) being the most common examples. Shown below are a simple and a compound duple drum pattern. : \new Staff : \new Staff Though the upper number ''must be'' divisible by 2, the mere fact that 2 evenly divides the upper figure does not in and of itself indicate a duple metre; it is only a prerequisite. The most common time signature in rock, blues, country, funk, and pop is . Although jazz writing has become more adventurous since Dave Brubeck's ''Time Out'', the majority of jazz and jazz standards are still in " common time" (). Duple time is common in many styles including the polka, well known for its obvious " oom-pah" duple feel. Compare to the waltz. Quadruple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allemande Rhythm
An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel. It is often the first movement of a Baroque suite of dances, paired with a subsequent courante, though it is sometimes preceded by an introduction or prelude. Along with the waltz and ländler, the allemande was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. A quite different, later, Allemande, named as such in the time of Mozart and Beethoven, still survives in Germany and Switzerland and is a lively triple-time social dance related to the waltz and the ''Ländler''.Scholes P., 1970, article: ''Allemande''. The name "Allemande" comes from the name of Germany in French. History The allemande originated in the 16th century as a duple metre dance of moderat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Names Of Germany
There are many widely varying names of Germany in different languages, more so than for any other European nation. For example: * the German language endonym is , from the Old High German , meaning "of the people"; * the French exonym is , from the name of the Alamanni tribe; * in Italian it is , from the Latin , although the German people are called , which is a cognate with German ; * in Polish it is , from the Proto-Slavic ''*němьcь'', referring to speechless, incomprehensible to Slavic speakers; * the Finnish call the country , from the name of the Saxon tribe; * in Lithuanian it is , of unclear origin, but possibly from Proto-Balto-Slavic ''*vākyā-'', meaning “those who speak loud, shout (unintelligibly)”. Often language lags behind the changing society and names tend to retain references to first encounters: the Finnish first and foremost met the Saxons while the French faced the Alamanni. Comparable tendencies appear elsewhere, e.g. in names for Russi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ländler
The Ländler () is a European folk dance in time. Along with the waltz and allemande, the ländler was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. Despite its association with Germany, the ländler was danced in many European countries. Composers from a variety of European nations wrote music for the ländler dance; including Austria, Switzerland, Bohemia, Moravia, Slovenia and northern Italy in addition to Germany. History The ländler is a partner dance that strongly features hopping and stamping. It might be purely instrumental or have a vocal part, sometimes featuring yodeling. When dance halls became popular in Europe in the 19th century, the Ländler was made quicker and more elegant, and the men shed the hobnail boots that they wore to dance it. Along with a number of other folk dances from Germany and Bohemia, it is thought to have influenced the development of the waltz. A number of cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
