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Almahide
''Almahide'' is a pasticcio opera arranged by John Jacob Heidegger. Musically the work was based on Ariosti’s ''Amor tra nemici'' (1708), but most of the arias were replaced by the work of other composers, including six arias from Giovanni Bononcini‘s ''Turno Aricino''. It is generally described as the first opera in London sung entirely in Italian, by Italian singers, although there were intermezzi in English between the acts of the main opera. Action Almahide has been brought up as a man in preparation for killing her father's enemy Almiro; instead she has fallen in love with him. Almiro loves Celinda, who is herself loved by the king, Almanzor, but she loves the disguised Almahide. After scenes of jealousy and threats of violence, tensions are happily resolved with two marriages. Libretto The libretto was by Silvio Stampiglia and Pietro Antonio Bernardon, who adapted Dryden’s '' Almanzor and Almahide''. In the preface Heidegger explained that he had written the en ...
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The Conquest Of Granada
''The Conquest of Granada'' is a Restoration era stage play, a two-part tragedy written by John Dryden that was first acted in 1670 and 1671 and published in 1672. It is notable both as a defining example of the " heroic drama" pioneered by Dryden, and as the subject of later satire. The plot deals with the Spanish conquest of Granada in 1492 and the fall of Muhammad XII of Granada, the last Islamic ruler on the Iberian Peninsula. Performance The original 1670 production by the King's Company featured Edward Kynaston as "Mahomet Boabdelin, last King of Granada," Charles Hart as Almanzor, Nell Gwyn as Alimahide, Rebecca Marshall as Lyndaraxa, Elizabeth Boutell as Bezayda, Edward Lydall as Prince Abdalla, William Beeston as Ozmyn, Richard Bell as Duke of Arcos, Michael Mohun as Abdemelech, Martin Powell as Gomel, Marmaduke Watson as Hamet, William Cartwright as Abenamar, Elizabeth James as Isabella and William Wintershall as Selin. The Prologue to Part 1 was spoken i ...
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Isabella Girardeau
Isabella Girardeau (née Calliari?; ? – ?) was an Italian operatic soprano who flourished in London, England from 1709 to 1712. Commonly referred to by the opera going public in London as "La Isabella", she is best remembered today for creating the role of Almirena in the momentous premiere of George Frideric Handel's ''Rinaldo'' on 24 February 1711 at the Queen's Theatre in the Haymarket (it later became the "King's Theatre" after King George I's accession in 1714) in which she introduced the famous aria " Lascia ch'io pianga". She had succeeded Joanna Maria Lindelheim, "The Baroness", as one of the leading sopranos at that theatre.Burney, pp. 220 She is said to have had a bitter rivalry with the Queen's other prima donna, the soprano Elisabetta Pilotti-Schiavonetti. Life and career Very little is known about Girardeau's life. Her place and date of birth and activities prior to December 1709 are unknown.Highfill, Burnim, and Langhans, pp. 298 Though often styled 'Mademoisel ...
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Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to Westm ...
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Anthoni Schoonjans - Portrait Of The Composer Giovanni Bononcini
Anthoni is a Swedish, Danish, Finnish and Norwegian form of Antoni that is used in Finland, Denmark, Sweden, Norway, Republic of Karelia, Estonia and Greenland. It is a given name and surname. Notable people with the name include the following: Given first name *Anthoni van Noordt (c. 1619 – 1675), Dutch composer * Anthoni Schoonjans (1655 – 1726), Flemish painter Middle name *Charles Brooke, Rajah of Sarawak, (born Charles Anthoni Johnson Brooke; 1829 – 1917), Sarawak royalty Surname *Arno Anthoni (1900 – 1961), Finnish lawyer and holocaust perpetrator *Anna Berentine Anthoni (1884 – 1951), Norwegian trade unionist and politician See also *Anthon (given name) *Anthon (surname) * Anthonie *Anthonij * Anthonis *Anthonio (other) *Anthony (given name) *Anthony (surname) Anthony is an English surname. It derived from the Antonius root name. Notable people with the surname include: * Allen C. Anthony (1906/1907 - May 10, 1962) American actor and announc ...
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Valentino Urbani
Valentino Urbani (born in Udine; ''fl.'' 1690–1722) was an Italian mezzo-soprano or alto castrato who sang for the composer George Frideric Handel in the 18th century. He was known by the stage name Valentini. He sang the role of Eustazio at the première of Handel’s ''Rinaldo'', the role of Silvio at the premiere of '' Il pastor fido'', and the role of Egeo at the first performance of ''Teseo''. His powers of singing seem to have been limited and by the time of his Handel roles his voice was declining but he is reputed to have been a fine actor. Charles Burney noted that "his voice was feeble, and his execution moderate", but Cibber praises his acting enthusiastically: "his hearers bore with the absurdity of his singing the part of Turnus in ''Camilla'', all in Italian, while every other character was sung and recited in English". Urbani was the first castrato to sing regularly in London, where he created a sensation''Interculturalism and resistance in the London theate ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two style ...
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1710 Operas
Year 171 ( CLXXI) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Herennianus (or, less frequently, year 924 ''Ab urbe condita''). The denomination 171 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius forms a new military command, the ''praetentura Italiae et Alpium''. Aquileia is relieved, and the Marcomanni are evicted from Roman territory. * Marcus Aurelius signs a peace treaty with the Quadi and the Sarmatian Iazyges. The Germanic tribes of the Hasdingi (Vandals) and the Lacringi become Roman allies. * Armenia and Mesopotamia become protectorates of the Roman Empire. * The Costoboci cross the Danube (Dacia) and ravage Thrace in the Balkan Peninsula. They reach Eleusis, near Athens, and de ...
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Ita ...
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Opera In England
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Margherita De L'Epine
Margherita is an Italian feminine given name. It also is a surname. As a word, in Italian it means "daisy". Given name As a name, it may refer to: *Margherita Aldobrandini (1588–1646), Duchess consort of Parma *Margherita de' Medici (1612–1679), Duchess of Parma and Piacenza *Margherita Maria Farnese (1664–1718), Duchess of Modena and Reggio *Princess Margherita of Bourbon-Parma (1847–1893) *Margherita of Savoy (1851–1926), former Queen Consort of Italy and wife of Umberto I *Margherita, Archduchess of Austria-Este (born 1930) *Margherita Bagni (1902–1960), Italian actress *Margherita Piazzola Beloch (1879–1976), Italian mathematician *Margherita Boniver (born 1938), Italian politician *Margherita Buy (born 1962), Italian actress *Margherita Caffi (1650–1710), Italian painter of still lifes *Margherita Carosio (1908–2005), Italian operatic soprano *Margherita Durastanti (fl. 1700–1734), Italian singer *Margherita Galeotti (1867–after 1912), Italian pian ...
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Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre situated on Haymarket, London, Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of William Shakespeare, Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musical theatre, musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation ''Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the ...
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Nicolò Grimaldi
Nicolò Francesco Leonardo Grimaldi (5 April 1673 (bap) – 1 January 1732) was an Italian mezzo-soprano castrato who is best remembered today for his association with the composer George Frideric Handel, in two of whose early operas he sang. Grimaldi was usually known by his stage name of Nicolini. Nicolini was born in Naples, where he made his operatic début in 1685. He also sang sacred music as a soprano in the Cathedral and Royal Chapel (to which extant libretti from the 1690s identify him as ''virtuoso''). Between 1697 and 1731 he sang many operatic roles at various Italian cities in works by composers such as Alessandro Scarlatti, Nicola Porpora, Leonardo Vinci, and Johann Adolf Hasse. Other composers who wrote major roles for him included Francesco Provenzale (who was his teacher), Pollarolo, Ariosti, Lotti, Giovanni and Antonio Maria Bononcini, Caldara, Albinoni, Leo, and Riccardo Broschi. Of more than a hundred productions in which he took part, thirty-six we ...
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