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Ali-Baba
''Ali-Baba'' is an opéra comique in three acts, first produced in 1887, with music by Charles Lecocq. The French libretto based on the familiar tale from the Arabian Nights was by Albert Vanloo and William Busnach. After some initial success the work faded from the repertoire. Performance history Ali Baba was a popular subject for operas ( Cherubini, 1833, Bottesini, 1871), pantomimes and extravaganzas in Paris and London during the nineteenth century.Gänzl K. Ali Baba – in ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Both librettists were experienced in opéra-bouffe and had previously worked with Lecocq, Busnach from 1866 with ''Myosotis'', Vanloo starting in 1874 with ''Giroflé-Girofla''; the two men had met in 1868 when Vanloo had submitted an opéra-bouffe for consideration to Busnach who was at the time the director of the Théâtre de l'Athénée.Opéra-Comique Dossier Pédagogique: Ali-Baba (Anne Le Nabour (2013) Originally intended for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éden-Théâtre
The Éden-Théâtre was a large theatre (4,000 seats) in the rue Boudreau, Paris, built at the beginning of the 1880s by the architects William Klein and Albert Duclos (1842–1896) in a style influenced by orientalism. It was demolished in 1895. History Éden-Théâtre Inspired by Mughal architecture, Moghol architecture, it was inaugurated on 7 January 1883 with the ballet ''Excelsior!'' with music by Romualdo Marenco, and this was followed in subsequent years by other spectacular ballets. The theatre witnessed the single performance of the first Paris production of Wagner's ''Lohengrin (opera), Lohengrin'', on 3 May 1887 (in French) with Ernest van Dyck and Fidès Devriès, conducted by Charles Lamoureux, which aroused enormous opposition among the Parisian public. This was followed in 1888 by ''La fille de Madame Angot'' with Anna Judic and Jeanne Granier and ''Le petit duc'' with José Dupuis and Granier. The four-act version of ''Orphée aux enfers'' with Christian Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali Baba
"Ali Baba and the Forty Thieves" () is a folk tale in Arabic added to the ''One Thousand and One Nights'' in the 18th century by its French translator Antoine Galland, who heard it from Syrian storyteller Hanna Diyab. As one of the most popular ''Arabian Nights'' tales, it has been widely retold and performed in many media across the world, especially for children (for whom the more violent aspects of the story are often removed). In the original version, Ali Baba () is a poor woodcutter and an honest person who discovers the secret treasure of a thieves' den, and enters with the magic phrase " open sesame". The thieves try to kill Ali Baba, and his rich and greedy brother Cassim tries to steal the treasure for himself, but Ali Baba’s faithful slave-girl foils their plots. His son marries her, and Ali Baba keeps the secret of the treasure. Textual history The tale was added to the story collection ''One Thousand and One Nights'' by one of its European translators, Antoine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lecocq
Alexandre Charles Lecocq (; 3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Vanloo
Albert Vanloo (; Brussels, 10 September 1846 – 1920, Paris) was a Belgian librettist and playwright. Vanloo lived in Paris as a child and was attracted to the theatre. As a young student he began writing plays and opéra comique libretti, notably with Eugène Leterrier who remained his main collaborator until the latter's death in 1884. He also worked with the writers William Busnach, Henri Chivot and Georges Duval. Libretti For Alexandre Charles Lecocq * ''Giroflé-Girofla'' (1874) - with Eugène Letterier * ''La petite mariée'' (1875) - with Letterier * ''La Marjolaine'' (1877) - with Letterier * '' La Camargo'' (1879) - with Letterier * ''La jolie persane'' (1879) - with Letterier * ''Le jour et la nuit'' (1881) - with Letterier * ''Ali-Baba'' (1887) - with William Busnach * '' La belle au bois dormant'' (1900) - with Georges Duval For Jacques Offenbach * ''Le voyage dans la lune'' (1875) - with Leterrier and A Mortier * ''Mam'zelle Moucheron'' (1881) - with Leterrier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Busnach
William Bertrand Busnach (7 March 1832, Paris – 20 January 1907, Paris) was a French dramatist. Biography Busnach was a nephew of the composer Fromental Halévy. His father was associated with David Ben Joseph Coen Bakri, to whom France was indebted to the amount of some twenty-odd million francs for provisions furnished to Napoleon Bonaparte in Egypt. The lawsuit lasted for more than fifty years, and Busnach and his partner were not paid in full at the end. The elder Busnach, an Algerian Jew, became a naturalised Italian in the time of the Deys, and was the first interpreter of the French army. He established himself in Paris in 1835. He was of History of the Jews in Portugal, Portuguese-Jewish descent through his mother Élisa Esther, member of the . William – an Italian Jew born in France of an Algerian father, with a German surname and an English given name – was at first employed in the customs department. He subsequently devoted himself to dramatic work, writing man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali Baba (Cherubini)
''Ali Baba, ou Les quarante voleurs'' is a ''tragédie lyrique'' in four acts plus a prologue, with libretto by Eugène Scribe and Mélesville and music by Luigi Cherubini. The story is based on the tale ''Ali Baba and the Forty Thieves'' (''One Thousand and One Nights''). It was premiered by the Paris Opera in the Salle Le Peletier on 22 July 1833. It was Cherubini's last opera, though he lived for nearly a decade longer. It is also his longest opera, lasting for about three and a half hours at the premiere. Some of the music was adapted and rewritten from his '' Koukourgi'' (written in 1793, but unproduced; first performed in 2010). Performance history It was premiered in Paris on 22 July 1833. It was not successful, with Hector Berlioz calling it "one of the feeblest things Cherubini ever wrote". It ran for five performances. Felix Mendelssohn discussed the opera in his letter of 25 December 1834 to Ignaz Moscheles, stating, that Cherubini was so craven to serve the new style e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon-Max
Nicolas-Marie Simon (1852 in Reims, France – 1923), known as Simon-Max, was a French tenor who was mainly active in Paris in the field of opera-bouffe. After musical studies in Reims he made his debut in 1875 at the Théâtre de la Renaissance as Janio in ''La reine Indigo'' then on 9 September that year at the Théâtre des Folies-Dramatiques as Anatole de Quillembois in '' Les cent vierges'' by Lecocq.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. At the Folies-Dramatiques he went on to sing in the premieres of '' Les cloches de Corneville'' on 17 April 1877 (Jean Grenicheux), ''La fille du tambour-major'' on 13 December 1879 and ''Madame Favart'' on 28 December 1878 (Hector de Boispréau). Other premieres included Cottinet in ''Le petit Parisien'' (16 January 1882), Inigo in ''La princesse des Canaries'' (9 February 1883), Ischabod in the French premiere of ''Rip'' (11 November 1884), Planchet in ''Les petits mousquetaires'' (5 March ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juliette Simon-Girard
Juliette-Joséphine Simon-Girard (; 8 May 1859 – 1954) was a French soprano, principally in operetta.Gänzl K. Juliette Simon-Girard. In: The New Grove Dictionary of Opera. Macmillan, London and New York, 1997. Her father, , was an actor at the Comédie Française, and her mother was Caroline Girard, of the Opéra-Comique. Career Girard was born at Paris. After studies at the Conservatoire in 1876 (in the class of Henri de Régnier) she made her debut at the Théâtre des Folies-Dramatiques as Carlinette in Offenbach's ''La foire Saint-Laurent'' on 10 February 1877, and then became an overnight star by creating the role of Serpolette in '' Les cloches de Corneville'' on 19 April 1877.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. During the run of ''Les cloches de Corneville'' she met and married the well-known tenor Simon-Max, thereafter becoming Mme Simon-Girard. At the age of 19, she created the title role in Offenbach’s '' Madame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1887 Operas
Events January * January 11 РLouis Pasteur's anti-rabies treatment is defended in the Acad̩mie Nationale de M̩decine, by Dr. Joseph Grancher. * January 20 ** The United States Senate allows the United States Navy to lease Pearl Harbor as a naval base. ** British emigrant ship '' Kapunda'' sinks after a collision off the coast of Brazil, killing 303 with only 16 survivors. * January 21 ** The Amateur Athletic Union (AAU) is formed in the United States. ** Brisbane receives a one-day rainfall of (a record for any Australian capital city). * January 24 РBattle of Dogali: Abyssinian troops defeat the Italians. * January 28 ** In a snowstorm at Fort Keogh, Montana, the largest snowflakes on record are reported. They are wide and thick. ** Construction work begins on the foundations of the Eiffel Tower in Paris, France. February * February 2 РThe first Groundhog Day is observed in Punxsutawney, Pennsylvania. * February 4 РThe Interstate Commerce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Charles Lecocq
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV with Jean-Baptiste Lully's (1673), although there had been various experiments with the form before that, most notably by Robert Cambert. Lully and his librettist Quinault created , a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
