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Alfio Contini
Alfio Contini (19 September 1927 – 23 March 2020)Addio ad Alfio Contini, direttore della fotografia per Risi, Antonioni, Cavani, Fulci, Celentano
was an Italian who collaborated with film directors such as ('' Il sorpasso'', 1962; '' La marcia su Roma'', 1963),

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Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Various forms of brackets are used in mathematics, with ...
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Pasquale Festa Campanile
Pasquale Festa Campanile (28 July 1927 – 25 February 1986) was an Italian screenwriter, film director and novelist, best known as a prominent exponent of the commedia all'italiana genre. Life and career Born at Melfi, in the province of Potenza, he moved to Rome at young age. He started as a writer and literary critic. ''La nonna Sabella'', one of his novels, was later adapted by Dino Risi into the movie of the same name, internationally known as ''Oh! Sabella'' (1957). He began his cinema career as a screenwriter with '' Faddija – La legge della vendetta'' (1949) by Roberto Bianchi Montero and later co-produced masterpieces of Italian cinema such as ''Poveri ma belli'' (1957) by Risi and ''Rocco and His Brothers'' (1960) and ''The Leopard'' (1963) by Luchino Visconti. His first film as a director was ''A Sentimental Attempt'' (1963), along with Massimo Franciosa. Subsequently he made many films of the commedia all'italiana genre, including ''La Matriarca'' (1969), ' ...
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Italian Cinematographers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian film by A ...
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1927 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slip ...
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David Di Donatello For Best Cinematography
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". was, according to the Hebrew Bible, the third king of the United Kingdom of Israel. In the Books of Samuel, he is described as a young shepherd and harpist who gains fame by slaying Goliath, a champion of the Philistines, in southern Canaan. David becomes a favourite of Saul, the first king of Israel; he also forges a notably close friendship with Jonathan, a son of Saul. However, under the paranoia that David is seeking to usurp the throne, Saul attempts to kill David, forcing the latter to go into hiding and effectively operate as a fugitive for several years. After Saul and Jonathan are both killed in battle against the Philistines, a 30-year-old David is anointed king over all of Israel and Judah. Following his rise to power, David co ...
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Zabriskie Point (film)
''Zabriskie Point'' is a 1970 American drama film directed by Michelangelo Antonioni and starring Mark Frechette, Daria Halprin, and Rod Taylor. It was widely noted at the time for its setting in the counterculture of the 1960s, counterculture of the United States. Some of the film's scenes were shot on location at Zabriskie Point in Death Valley. The film was an overwhelming commercial failure,Smith, Matt"Zabriskie Point.'''Brattle Theatre Film Notes ''. Retrieved: September 19, 2012. and was panned by most critics upon release. Its critical standing has increased, however, in the decades since. It has to some extent achieved cult film, cult status and is noted for its cinematography, use of music, and direction.Allwood, Emma Hope"Three things you don't know about Zabriskie Point."''Dazed'', July 2015. Retrieved: November 21, 2016. Plot In a room at a university campus in 1970, white and black students argue about an impending student strike. Mark (Mark Frechette) leaves the ...
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Michelangelo Antonioni
Michelangelo Antonioni (, ; 29 September 1912 – 30 July 2007) was an Italian filmmaker. He is best known for directing his "trilogy on modernity and its discontents"—'' L'Avventura'' (1960), '' La Notte'' (1961), and '' L'Eclisse'' (1962)—as well as the English-language film '' Blow-up'' (1966), all considered masterpieces of world cinema. His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent art cinema. Antonioni received numerous awards and nominations throughout his career, being the only director to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard. Early life Antonioni was born into a prosperous family of landowners in Ferrara, Emilia Romagna, in northern Italy. He was the son of Elisabetta (née Roncagli) and Ismaele Antonioni. The director explained to Italian ...
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Galileo (1968 Film)
''Galileo'' (also known as ''Galileo Galilei'') is a 1968 Italian-Bulgarian biographical drama film directed by Liliana Cavani. It depicts the life of Galileo Galilei and particularly his clash with the Catholic Church regarding the interpretation of his astronomical observations with the newly invented telescope. Plot In 1597, the scientist Galileo Galilei meets the philosopher Giordano Bruno, author of treatises that upset the Church for their extreme accuracy on the nature of the world. In fact the period is that of the oppressor and the Counter-Reformation and Bruno having worsened his relations with the Church, is unjustly tried and condemned to the stake. Meanwhile, Galileo receives a gift of a telescope from a friend, and perfects its potential. Thanks to it, therefore the scientist makes his first experiments on the stars and began to write his treatises. But the new Pope Urbano VIII and his beloved cardinal discover these theories, find them heretical and order the sc ...
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Liliana Cavani
Liliana Cavani (born 12 January 1933, Carpi, Italy) is an Italian film director and screenwriter. She belongs to a generation of Italian filmmakers from Emilia-Romagna that came into prominence in the 1970s, including Bernardo Bertolucci, Pier Paolo Pasolini and Marco Bellocchio. Cavani became internationally known after the success of her 1974 feature film ''Il portiere di notte'' ('' The Night Porter''). Her films have historical concerns.Brunetta, ''The History of Italian Cinema'', p. 227 In addition to feature films and documentaries, she has also directed opera. Early life Cavani was born in Carpi, near Modena in the regione of Emilia-Romagna.Marrone, ''The Gaze and the Labyrinth'', p. 3 Cavani's father, an architect from Mantua, belonged to a conservative bourgeois family of landowners. "My father was an architect interested in urban development. He took me to museums. He had worked in urban planning in Baghdad in 1956, when Iraq was still under British control. My moth ...
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Lucio Fulci
Lucio Fulci (; 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and Spaghetti Westerns, he garnered an international cult following for his giallo and horror films. His most notable films include the "Gates of Hell" trilogy—'' City of the Living Dead'' (1980), '' The Beyond'' (1981), and '' The House by the Cemetery'' (1981)—as well as '' Massacre Time'' (1966), '' One on Top of the Other'' (1969), '' Beatrice Cenci'' (1969), ''A Lizard in a Woman's Skin'' (1971), '' Don't Torture a Duckling'' (1972), ''White Fang'' (1973), '' Four of the Apocalypse'' (1975), '' Sette note in nero'' (1977), ''Zombi 2'' (1979), ''Contraband'' (1980), '' The New York Ripper'' (1982), ''Murder Rock'' (1984), and '' A Cat in the Brain'' (1990). Although a number of films over the years were said to have been "co-produced" by Fulci, he was just allow ...
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La Matriarca
''The Libertine'' (Italian: ''La matriarca'', lit. "The matriarch") is a 1968 Italian film directed by Pasquale Festa Campanile. Plot This is a sex comedy film about Mimi (Catherine Spaak), a young widow who discovers that her recently deceased husband kept a secret apartment for his kinky desires. Frustrated that he did not explore his sexual fantasies with her, she embarks on a quest to understand perversion and sexuality. She uses her late husband's apartment to seduce various men, each time learning more about the depths of human depravation, as well as the extent of the sexual double standard for women (late in the film, she states, "I notice men only call me a whore when I say no. Or stop saying yes.") Finally, she meets the man who shares himself fully with her, appreciates her sexual daring and accepts her for whoever she is. Cast * Catherine Spaak as Margherita, aka Mimmi * Jean-Louis Trintignant as Dr. Carlo De Marchi * Gigi Proietti as Sandro Maldini * Luigi Pistil ...
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La Marcia Su Roma
''March on Rome'' ( it, La marcia su Roma) is a 1962 comedy film by Dino Risi with Vittorio Gassman and Ugo Tognazzi, aimed at describing the March on Rome of Benito Mussolini's blackshirts from the point of view of two newly recruited, naïve blackshirts. The movie's main theme is the gradual betrayal of all the promises of the National Fascist Party: the two gradually tick all the main points of the fascist program as described on a propaganda flyer every time they are contradicted by practice. In its early stages fascism was a radical republican movement, suspicious of large businesses, nobility and the Catholic Church (Mussolini himself had been a socialist earlier in his career, being cast out of the Italian Socialist Party when his nationalism grew more and more pronounced). When arriving in Rome, and having ticked them all off, they leave the fascist party in the moment of its victory. Plot summary The film is set in Italy in 1922. Two friends returning from the First Worl ...
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