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Alcestis (play)
''Alcestis'' (; , ''Alkēstis'') is an Classical Athens, Athenian tragedy by the Classical Greece, ancient Greek playwright Euripides. It was first produced at the Dionysia, City Dionysia festival in 438 BC. Euripides presented it as the final part of a tetralogy of unconnected plays in the competition of tragedies, for which he won second prize; this arrangement was exceptional, as the fourth part was normally a satyr play. Its Ambiguity, ambiguous, Tragicomedy, tragicomic Tone (fiction), tone—which may be "cheerfully romantic" or "bitterly ironic"—has earned it the label of a "problem play." ''Alcestis'' is, possibly excepting the ''Rhesus (play), Rhesus'', the oldest surviving work by Euripides, although at the time of its first performance he had been producing plays for 17 years. Events prior to the start of the play Long before the start of the play, King Admetus was granted by the Moirai, Fates the privilege of living past the allotted time of his death. The Fates were p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcestis
Alcestis (; Ancient Greek: Ἄλκηστις, ') or Alceste, was a princess in Greek mythology, known for her love of her husband. Her life story was told by pseudo-Apollodorus in his '' Bibliotheca'', and a version of her death and return from the dead was also popularized in Euripides's tragedy '' Alcestis''. Family Alcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele. Mythology Many suitors appeared before King Pelias and tried to woo Alcestis when she came of age to marry. It was declared by her father that she would marry the first man to yoke a lion and a boar (or a bear in some cases) to a chariot. King Admetus was able to do this because he was helped by Apollo, who had been banished from Olympus for one year to serve as a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hospitality
Hospitality is the relationship of a host towards a guest, wherein the host receives the guest with some amount of goodwill and welcome. This includes the reception and entertainment of guests, visitors, or strangers. Louis de Jaucourt, Louis, chevalier de Jaucourt describes hospitality in the as the virtue of a great soul that cares for the whole universe through the ties of humanity. Hospitality is also the way people treat others, for example in the service of welcoming and receiving guests in hotels. Hospitality plays a role in augmenting or decreasing the volume of sales of an organization. Hospitality ethics is a discipline that studies this usage of hospitality. Etymology "Hospitality" derives from the Latin , meaning "host", "guest", or "stranger". is formed from , which means "stranger" or "enemy" (the latter being where terms like "hostile" derive). By metonymy, the Latin word means a guest-chamber, guest's lodging, an inn. is thus the root for the English words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Olympus
Mount Olympus (, , ) is an extensive massif near the Thermaic Gulf of the Aegean Sea, located on the border between Thessaly and Macedonia (Greece), Macedonia, between the regional units of Larissa (regional unit), Larissa and Pieria (regional unit), Pieria, about southwest from Thessaloniki. Mount Olympus has 52 peaks and deep gorges. The highest peak, Mytikas ( ''Mýtikas''), meaning "nose", rises to and is the highest peak in Greece, and one of the highest peaks in Europe in terms of topographic prominence. In Greek mythology, Olympus is the home of the List of Greek deities, Greek gods, on Mytikas peak. The mountain has exceptional biodiversity and rich flora (plants), flora. It has been a National parks of Greece, National Park, the first in Greece, since 1938. It is also a Man and the Biosphere Programme, World Biosphere Reserve. Olympus remains the most popular hiking summit in Greece, as well as one of the most popular in Europe. Organized mountain refuges and var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exile
Exile or banishment is primarily penal expulsion from one's native country, and secondarily expatriation or prolonged absence from one's homeland under either the compulsion of circumstance or the rigors of some high purpose. Usually persons and peoples suffer exile, but sometimes social entities like institutions (e.g. the Pope, papacy or a Government-in-exile, government) are forced from their homeland. In Roman law, denoted both voluntary exile and banishment as a capital punishment alternative to death. Deportation was forced exile, and entailed the lifelong loss of citizenship and property. Relegation was a milder form of deportation, which preserved the subject's citizenship and property. The term diaspora describes group exile, both voluntary and forced. "Government in exile" describes a government of a country that has relocated and argues its legitimacy from outside that country. Voluntary exile is often depicted as a form of protest by the person who claims it, to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moirai
In ancient Greek religion and Greek mythology, mythology, the Moirai ()often known in English as the Fateswere the personifications of fate, destiny. They were three sisters: Clotho (the spinner), Lachesis (mythology), Lachesis (the allotter), and Atropos (the inevitable, a metaphor for death). Their Roman mythology, Roman equivalent is the Parcae. The role of the Moirai was to ensure that every being, mortal and divine, lived out their destiny as it was assigned to them by the laws of the universe. For mortals, this destiny spanned their entire lives and was represented as a thread spun from a spindle. Generally, they were considered to be above even the gods in their role as enforcers of fate, although in some representations, Zeus, the chief of the gods, is able to command them. The concept of a universal principle of natural order and balance has been compared to similar concepts in other cultures such as the Vedic Ṛta, the Avestan Asha (Arta), and the Ancient Egyptian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhesus (play)
''Rhesus'' (, ''Rhēsos'') is an Classical Athens, Athenian tragedy that belongs to the transmitted plays of Euripides. Its authorship has been disputed since antiquity, and the issue has invested modern scholarship since the 17th century when the play's authenticity was challenged, first by Joseph Scaliger and subsequently by others, partly on aesthetic grounds and partly on account of peculiarities in the play's vocabulary, style and technique.W. Ritchie, ''The Authenticity of the Rhesus of Euripides'', CUP, Cambridge, 1964, , p. vii. The conventional attribution to Euripides remains controversial. ''Rhesus'' takes place during the Trojan War, on the night when Odysseus and Diomedes make their way covertly into the Trojan camp. The same event is narrated in book 10 of Homer's Epic poetry, epic poem, the ''Iliad''. Plot synopsis In the middle of the night, Trojan guards on the lookout for suspicious enemy activity sight bright fires in the Greek camp. They promptly inform Hecto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Problem Play
The problem play is a form of drama that emerged during the 19th century as part of the wider movement of realism in the arts, especially following the innovations of Henrik Ibsen. It deals with contentious social issues through debates between the characters on stage, who typically represent conflicting points of view within a realistic social context. Critic Chris Baldick writes that the genre emerged "from the ferment of the 1890s... for the most part inspired by the example of Ibsen's realistic stage representations of serious familial and social conflicts." He summarises it as follows: The critic F. S. Boas adapted the term to characterise certain plays by William Shakespeare that he considered to have characteristics similar to Ibsen's 19th-century problem plays. As a result, the term is also used more broadly and retrospectively to describe any tragicomic dramas that do not fit easily into the classical generic distinction between comedy and tragedy. Early "problem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone (fiction)
In literature, the tone of a literary work expresses the writer's attitude toward or feelings about the subject matter and audience. The concept of a work's tone has been argued in the academic context as involving a critique of one's innate emotions: the creator or creators of an artistic piece deliberately push one to rethink the emotional dimensions of one's own life due to the creator or creator's psychological intent, which whoever comes across the piece must then deal with. As the nature of commercial media and other such artistic expressions have evolved over time, the concept of an artwork's tone requiring analysis has been applied to other actions such as film production. For example, an evaluation of the "French New Wave" occurred during the spring of 1974 in the pages of ''Film Quarterly'', which had studied particular directors such as Jean-Luc Godard and François Truffaut. The journal noted "the passionate concern for the status of... emotional life" that "per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragicomedy
Tragicomedy is a literary genre that blends aspects of both tragedy, tragic and comedy, comic forms. Most often seen in drama, dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter. In theatre Classical precedent There is no concise formal definition of tragicomedy from the classical antiquity, classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in ''Poetics (Aristotle), Poetics'', he discusses tragedy with a dual ending. In this respect, a number of An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambiguity
Ambiguity is the type of meaning (linguistics), meaning in which a phrase, statement, or resolution is not explicitly defined, making for several interpretations; others describe it as a concept or statement that has no real reference. A common aspect of ambiguity is uncertainty. It is thus an Attribute grammar, attribute of any idea or statement whose intention, intended meaning cannot be definitively resolved, according to a rule or process with a finite number of steps. (The prefix ''wikt:ambi-#Prefix, ambi-'' reflects the idea of "2 (number), two", as in "two meanings"). The concept of ambiguity is generally contrasted with vagueness. In ambiguity, specific and distinct interpretations are permitted (although some may not be immediately obvious), whereas with vague information it is difficult to form any interpretation at the desired level of specificity. Linguistic forms Lexical ambiguity is contrasted with semantic ambiguity. The former represents a choice between a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr Play
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play's mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionysi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
